December 2008

Post image for Script registration 101

Because when everything is done you might just need to sue some dude, here is a quick rundown of the two most used script registration services.

Library of Congress, U.S. Copyright Office
Why?: Probably the first one you should check out for your script reg.
I suggest you use the online registration. It’s cheaper, trackable, and faster.
Why not?: This services should be used for actual finished script registration, not treatments or drafts.
Duration: The life of the author plus an additional 70 years
Prices:
$35 for via the online service
$45 with paper forms

WGA’s Script Reg Service
Why?: The most popular of all script registration services.
Registrable material is anything that can assist you “documenting the creation of your work” (scripts, treatments, synopses, outlines, etc.).
Why not?: As stated on their website:

Registering your work with the WGAW Registry does not take the place of registering with the Library of Congress, U.S. Copyright Office.

Also, once material is registered, the file cannot be changed in any way.
Duration: 5 Years (renewable)
Prices:
$20 for the general public
$10 for WGA members

It is still debatable as to which of the two should be used primarily, or if registering to both at the same time is useful.
It is clear though that both can be used in court.

Depending on how much dough you are willing to shed for the protection of your work, two is better than one obviously. If you intend to register at both, I would suggest starting with the Copyright Office, and while waiting for the paperwork (it generally takes some time to come) go register to the WGA.

Let’s note however that none of these services are International-proof. Protecting your material via these services will only work the in States.

Good luck!


Email This Post Print This Post

Be the first to comment

Post image for Prop 8 — The Musical

Prop 8 — The Musical

by Alex on December 3, 2008

in Random

Go list all the guest stars!


Email This Post Print This Post

Be the first to comment

Some more fresh news hot off the printer.

Let’s begin with a quick follow-up to my awesome prediction from the other day on how 3-D will rule us all in a decade or so.

What’s the one industry that can make or break a format? Or, in our case, a new era of entertainment pleasure?
Was your first thought ‘porn’?
If yes, then you’d be right.
If we would have been talking about the 90s.
Porn embraced first HD DVD and look where that format went.
Bottom line is: Porn endorsement is now kinda useless, especially when everyone is basically downloading his (her?) porn.
There’s also no 3-D Porn in the works as far as I know.
But I have high hopes (or is that low expectations?) that one is coming our way soon.
No pun intended.
Seriously.

Don’t worry, I’m going somewhere with all of this.

So, back to the question.
What’s the industry that will lead Joe Six Pack to watch 3-D stuff?
It’s not per se an entertainment industry, but it definitely has its own (big, huge) weight.
I am of course talking about sports.
And to be more precise, the NFL.
Tomorrow night will be broadcast live in 3-D to theaters in Los Angeles, New York and Boston a game between the San Diego Chargers and the Oakland Raiders.


I may go out on a huge limb here again, but I’m pretty sure that in 2 decades, if not less, watching 3-D sports at home will become a common thing.

Also, LG announced that they would try to market at least one 3-D TV in 2009.
And we’re already in December 2008 folks.

Meanwhile, CBS just announced its mid-season schedule while ABC the premiere date of some of its new shows.

Let’s begin with CBS.
First things first, Flashpoint season 2 will premiere Jan. 9.
Did I forget to mention that the missing 4 episodes from season 1 are added to the whopping total of 18 season 2 episodes ordered?
That’s a full season of 22 episodes for you.
The 13-hour Harper’s Island (I sense a backdoor series somewhere) will be broadcast from April 9 to July 2.

Not much more news regarding dramas since there hasn’t been much canceling lately on CBS’ side.

Remember how NBC only announced their January skeds?
Well it seems that ABC is announcing the premiere of its new shows — for around March-April.
Mondays (March 9) will see the arrival of the long-awaited Castle (by most Nathan Fillion fans).
The reboot of Rob Thomas’ Cupid will premiere meanwhile starting March 24 on Tuesdays.
The Unusuals will take place on Wednesdays (beginning April 8).

Why so late?
Well, you might have guessed this, but ABC wants to finish showing its fall shows before beginning its mid-season’s.

Notice a trend in all of this?
Mid-season shows are beginning more and more frequently to premiere late in the season (as late as April-May for some).
Are we converging to year-long original drama programming or what?


Email This Post Print This Post

Be the first to comment

Post image for And it begins

And it begins

by Alex on December 2, 2008

in News,TV Analysis

Enigmatic post title, eh?
Well not really.

First, the casting for ABC’s Flash Forward has finally begun with Courtney Vance cast as Stan Wedeck and Jack Davenport as Lloyd Simcoe.

Look to your right to catch the pilot script.

I thought it was a good pilot. I completely see why people would want to match it with Lost. The way it is told is certainly reminiscent of a mythological show like Lost. I’ve already got a couple theories going on in my head!

For those who read the book, the show seems to be completely different so don’t worry.
And if you’re thinking of getting spoiled off the book, don’t get your hopes up. The book’s explanation for the FF is some pseudo-science stuff that is way too complicated for national TV.

Also, Caprica (BSG’s prequel show) is finally set to begin.
I’ll let that post-title double pun sink in now for a while.

Okay?
All Good?

Let me repeat: Caprica has finally had a series order.

Happy?

I posted several months back about the pilot so if you want to glean a tinsy bit of info on that script check the small post. Although you’ll probably be better off finding your own copy of the pilot script by now.

Also, beginning (or rather continuing) is Showtime’s momentum, growing at an impressive rate. 2008 is Sho’s fifth consecutive year of growth, with a 7% increase of subscribers in the last 12 months.
The L.A. Times has just published a pretty interesting piece around the reasons behind Sho’s success.
As usual, a business eye in the TV world nowadays is not a must but a given. So get involved in SRS BSNS if you know what I mean.
I sense a shift of cable-power coming up.


Email This Post Print This Post

Be the first to comment

Post image for The greatest Chrismukkah present

The greatest Chrismukkah present

by Alex on December 1, 2008

in News

As you may or may not know, the Dr. Horrible’s Sing-Along DVD is finally available to pre-order on Amazon.
It’s should come out around Dec. 19 (the day before my B-day, now that’s what I call a B-day present!).

The Master commented on his website:

Is it worth fifteen hard-earned dollars? Absolutely. In fact, I can say without reservation that the Dr. Horrible DVD is worth $15.23 EASILY. More, if your dollars weren’t the hard-earned kind, just the kind you have lying around in your mom’s purse. God knows WE’VE worked hard to earn ‘em. “Commentary! The Musical” is the most painstaking and exhausting piece of whimsey I have ever mistaken for a good idea. It has nearly twice as much music as Dr. Horrible itself — since you can’t really talk that much during a commentary musical or it sounds like a regular commentary. (Which we also have, with the stars and writers, plus making-of’s, ELE applications, and a few items left lying around by a notorious Bunny…) I can say without hesitation that I hesitate to say it’s great. And by great I mean ridiculous. It’s sophmoric, solopsistic, silly and the most fun I’ve had being exhausted since the fabled Mushortio itself. And everyone sings beautifullly. Which enrages me. I a little bit hate my friends now.

The listed street date is, by the way, a little later than we’d expected — I’m hoping Amazon is just playing it safe and we can beat that date. More on that as we learn it. Expect a twittering sensation.

Finally, I just want to say “thank you” to everybody who has supported this venture. We’ve been able to pay our crew and all our bills, which means a lot. What means more is proving that completely independent ventures can muscle their way through the blizzard of big-budget behemoths. (A blizzard of behemoths? Back to writing school, alliteration-junkie!) All that rhetoric about the future of entertainment that flew about during the Strike is still entirely true. We need to find our own way of producing entertainment. A lot of people are watching Dr. Horrible to see if it’s any kind of model — way more people than I expected — and it means everything to me to help pave the way for artists to start working and making a living from the ground up. There are a couple of real pioneers in this that I know personally: Felicia Day, I’m thrilled to say, and choreographer Chris Elam are both looking far ahead in terms of monetization and interactivity. Me, I’m more like Jimmy Stewart in “The Man Who Shot Liberty Valance”, but at least I’m out there. Thanks, he finally summed up, to you.

My story has become tiresome! But wait till you hear the songs.

Did we cover “silly”…?

Bottom line is:
Dr. Horrible’s Sing-Along is the perfect Chrismukkah present for all the family to enjoy!


Email This Post Print This Post

Be the first to comment