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My Life 101

Post image for Square One

Today is TV Calling’s two-year anniversary.
It has been a long time coming, and I must say I’m proud of all the great content, and of all the visitors who have passed through our doors.


Perhaps the greatest change in this past year has been the redesign which prompted a two-month long hiatus.
But let’s not dwell on this.

There has been a more recent lack of posting (and tweeting), for which I must now come clean.
Truth be told, I could write pages of (actual) reasons of why this happened, ranging from two hard-drive failures to being “too busy” (with a Star Trek marathon).
For the most part though, I just didn’t feel it.
I did not have much to add to the ongoing “conversation” so, instead of blabbering around, posting empty meaningless content, I decided to take a step back.
Nothing is better than irrelevant, right?

This short break incidentally allowed me to take care of more pressing matters.
In the past month, I have begun to finally break a pilot I had been holding off.
More importantly though, I was able to plan more thoroughly my move to L.A.
I started this blog two years ago in part to tell you guys about my own experience and steps toward becoming a (future) television writer. I did talk about my various visits to the West Coast and how I successfully obtained my Green Card (yay!).
But being both geographically and temporally so far away from this life-change (let’s call a spade a spade), I admit I did not have much to tell about what went on–until recently.
This is obviously why the blog has been diverging at times from its original purpose to center on a more analytical aspect of television (though with great articles).

Maybe this post seems either like bragging or a list of personal accomplishments, and maybe I wrote it for cathartic reasons, but I wanted to let you know how important this blog and your support have been to me.

And now, we are about to arrive to our final destination.
In a month, I will be moving to Los Angeles.
Square one.

This jump into the unknown is both thrilling and, dare I admit it, scary.
Perhaps this site, this log of my daily struggles, will ease the transition. (Bonus points for actual advice in the posts.)
I will continue to sporadically update the blog, bringing it back to its roots.

I hope you will continue to follow me on this journey.
Here’s to you fellow reader, and to another two years of TV Calling!


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Post image for Seda’ Club

Seda’ Club

by Alex on March 29, 2010

in My Life 101,Random

It’s Pesach time again.
And so, as tradition wants, here is a short video I uncovered the other day:

Chag Sameach!


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Post image for How I got my Green Card

I received my Green Card in the mail the other day.
People don’t really believe me when I say I won it at the lottery.
Either because they don’t know the lottery is real, or because it sounds plain crazy with under a 2% chance of winning.

I’ve been asked a few times to tell the story of how I got it, and since it’s a long answer, I decided to make a post about it.
And if you’re wondering what happened to me during the blog hiatus, the answers are also here.
A few cryptic tidbits were posted during the past year and a half (linked throughout this very post), and they will all be explained here.
It’s like Lost, only with an actual payoff and answers (and no retcon).

I’ve been talking about visas for some time (ever since the blog began actually).
I made a two-parter breakdown of the visa and green card opportunities for international writers out there. I talked about how to register to the DV Lottery (opened from October to December).

If you’re not really aware of what the Diversity Visa lottery is, it’s “a United States congressionally-mandated lottery program for receiving a United States Permanent Resident Card.“
Around 50,000 of those are delivered each year out of 13 million applications.

Here’s what happened to me.

2008

On October 2, I decide to send in my application for the DV-2010 lottery.
The process is pretty straight-forward at first (online forms to fill out); although the specific photo ID they asked for was a pain to do.

To participate you do need to have a certain education level, and be a native of one of the qualifying countries.
Yes, what is taken into account is where you were born, not your nationality.
Sounds familiar?

As you might have guessed, some countries are blacklisted (China anyone?).
Russia has only been eligible since, well, last year.

What’s interesting to note is that Brits cannot enter the national lottery, so I had to play my French side.

Once the app is sent, there’s not much you can do except hibernate.
If you’re selected, you’ll get an actual notification letter from the Kentucky Consular Center (KCC), from where the lottery program is administered.

2009

Over seven months later, on May 29, I receive a large white envelope containing a bunch of papers to fill and send back as soon as possible (with yet again a bunch of new photo IDs to do).
It looks like I’ve won. Can it be true?

It’s also at this point that you get assigned your Case Number. From it, you can guess when you’ll have your embassy interview (within a month or two).
This is of course assuming you’re “really” selected.
Indeed, even though you just received the notification letter, it is actually the first of two.
Not only that, but since a lot of potential DV winners don’t answer back, about 100,000 people receive this first notification letter (twice the amount of actual Green Cards delivered).
First come first serve basis at this point, so time is key.
The people chosen to receive the letters are randomly chosen (obviously their applications must fit the guidelines), although the amount of letters per continent and country changes every year based on the previous lottery’s stats. This is made to even things out.

I chose to fill my form on the computer and then reprint it.
Only, the thing is: there is no letter-size paper here (it’s all A4). So I had to quickly find some US paper (which I did at some cost).
Once I had my brand new pictures and the forms printed out, I sent it back as quickly as I could, meaning less than a week later (June 4).
On June 11, I get the confirmation the KCC received my first notification letter.

Yet again, the waiting game continues.

I get word three months later the KCC sent my second notification letter around August 25.
I receive it on September 5.
This letter informs you of a few things, but is mainly there to prepare you for the upcoming American embassy interview.
First, you need to gather a lot of documents. And by a lot, I mean basically your whole life.
On my part, I had to find, among other things, my birth and police certificates, bank statements proving a certain level of income, and evidence of the required education.
There’s also the small matter of your health.
Yes, you need to go to a certified doctor that tests you for all kinds of things, such as AIDS (you can’t immigrate to the States if you’re sick). And it’s expensive.
The doc appointment also needs to be done only a few days prior to the embassy.
Once over, you’re given a sealed envelope that will later be opened during the interview.
Speaking of, mine was scheduled for October 8 at 1PM.

I arrive early only to wait hours sitting inside the embassy with all my papers in order (no clue how many trees I killed with all the photocopies).
The whole place is über-secured with people talking at counters behind bullet-proof 2-inch-thick glass. No cellphones or any electronic devices are allowed inside. So you’re basically waiting doing nothing.

I’m finally called, but before I can even begin the interview process, I have to pay, a lot (almost a grand!).
Indeed, although the lottery itself is free, if you’re selected and go through the embassy interview, you must pay a fee, with no actual guarantees you’ll get a green card at the end.

Once done, my whole application (and my whole life) is reviewed bit by bit in front of my eyes.
Sometimes I’m also asked some questions about my past and what I want to do in the States.
It’s like a pop quiz, only it’s not a good grade you want.
At this point, they’re looking for reasons why not to give you the green card.
When you’re done being stressed out, and they’re done stressing you out, you hand over your passport.

They said I’d receive it back in a few days with (or without) a visa stamped on it.
Sure enough, on October 16, I receive a package containing my passport… with the (for now) temporary visa.
Holy hell, I really won.

But this is still not over, since I must now go to the States to process it in the following six months.
Also in the package is a sealed envelope containing all my documents and medical results, to be opened by a specific immigrant agent upon arrival.
And that’s around when I went into a blog hiatus.
Paperwork takes time.

2010

On January 20, I embark upon a magical life-changing journey…
Well, not really. That’s more what’s coming this summer.
This was more of a 6-day recon mission, in New York.
Although short, I was able during my NYC stay to go on the Colbert Report.
So anyways, back to my arrival.
So I’m at JFK, and it’s time to get processed…like everyone else who just arrived.
After waiting what feels like (yet again) hours in the queue, I arrive at the immigration desk. The agent, turns out, doesn’t have the authority to open the sealed envelope, so he accompanies me all the away to the other side into the immigration office.
There, a Jack Bauer lookalike opens the envelope, and, once again, reviews the whole application from start to finish.
This is it.
He takes my finger prints, and then stamps the passport/visa.
It’s official: my visa has been processed!
I’m in.

Cut to:
Last week.
I open my mail.
In one of the letters is a laminated plastic card.
And I realize it’s true.
I’ve won a Green Card.


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Post image for To the future!

To the future!

by Alex on February 14, 2010

in Announcements,My Life 101,News

Well hello there.

Looks like I’m back.
Okay, that’s a half-lie (or is it half-truth).

Since late-November, a lot of stuff has happened.
Avatar came out and broke box-office records.
Golden Globes were delivered, and Oscar noms went out.
The final season of Lost has begun as well as the 2010 Olympics.
Pilot season is upon us, and there was this whole Conan/Leno story.
Wow, what a (few) month(s)!

Oh, and I have a Green card.

Now if you’re wondering what the hell happened to me in the past three or so months, the short answer is that I’ve been away.
For the longer version, stay tuned. I do have a lot to talk about.

The one thing to note is that I have been busy working on the new version of the blog (remember?).
I admit, I took a Christmas break, but it’s almost over now.

You’ll have to wait a bit before discovering the new website as I still need to transfer (right now) the 400+ posts and basically re-tag every one of them (among other things).
Hang tight, we’re almost there.

During that time, I will still be on Twitter (where I admit I haven’t been that much present).

Okay.
That wasn’t a bad first post.

I’ll see you on the flip side (or on the bird).

And happy Valentine’s Day.
And New Year while we’re at it.


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Post image for Avatar Day or how I tasted the 3-D revolution

I’m just back from seeing the 15-minute preview of James Cameron’s Avatar and one word comes to mind: gorgeous.


Wiggle your big toe!
We were able to see six very intense scenes in 3-D from the movie’s first half.
A quick note regarding the story: I didn’t expect much beforehand so I wasn’t disappointed on that part. It looks like a “green futuristic Pocahontas.“
Nothing more, nothing else.

Yesterday, I said I was going to wait until after Avatar Day to see the 2-D version of the teaser trailer, thinking the teaser would look pale in comparison to the true result. Looks like I was correct.
Indeed, the 2-D version is, dare I say, awful. Too flat, too unrealstic, too CGI. A video-game of sorts, like Crysis but on screen.
However, the 3-D end-product transcends everything you might expect.

Here it is folks: the most immersive movie in History.

Yes, that’s what over 120 years of technology have led up to.
I’ll refer you back to my November post about how “3-D will be introduced in 2009.“
If you think about what all those technological advancements in the entertainment industry were for, the answer is simple: realism.
With the use of sound, color, and now 3-D, mimicking the real was always the main goal of cinema.
And this is real enough, folks.
The CGI is so advanced that its uncanny valley equivalent has been skipped. Sure, we’re not talking about fake-humans here, this is no Final Fantasy: The Spirits Within, but the Na’vi skin and eyes are more than convincing. There’s no dead-eye syndrome either.
The movie seems to have completely immersive CGI aesthetics that perfectly blend in with the raw footage. Though you can obviously guess what was added (answer: everything non-human), it is still extremely realistic.
The night scenes are absolutely amazing, same goes for the fauna. Colors were vivid, despite the use of darkening glasses.

I might seem overly enthusiastic about the movie but I had two problems with the footage (hey, there had to be some):
The first scene we got to see was one only involving humans, and presented to us the world we were about to enter. As the camera was dollying in, the depth of field created by the 3-D camera felt too…forced. It was almost problematic. Basically, it looked to me like the technology seems to work great with CGI-based sceneries and scenes with some human/CGI interaction (like above), but seemingly not that well with “semi-raw” footage (or rather scenes only involving human interaction in normal surroundings).
Given that about 40% of the movie should be live-action, I’m still waiting to make up my mind regarding Cameron’s use of 3-D in non-VFX scenes.
Probably the main disappointment however came from the main action sequence featured in the preview (a chase between Jake Sully and an alien creature through a forest). The camera and editing were way too quick. The scene was almost all a blur. With 3-D, eyesight cannot really adapt to the various depths.
Also another minor quarrel: Given that I saw the preview in Paris, the movie was subtitled (fortunately not dubbed). You might have noticed the use of subtitles yourself during the native Na’vi language as well as its Papyrus font. They were pretty distracting overall. The eye has to deal with the subs in the forefront, plus the whole movie behind with its own depth of field.

Anyway, in case you’re wondering, theatres aren’t being equipped with Avatar-only technology. It’s your standard run-of-the-mill modern 3-D tech, including XpanD glasses (the ones you might have used on Up).


Incidentally, Cameron has just inked a deal with Panasonic to help promote 3-D TV and 3-D Blu-Ray players. The home video business plan for Avatar will be extremely interesting to see…
That said, what separates Avatar from previous movies is its use of the revolutionary Fusion/Reality Camera System 1 developed by James Cameron and Vince Pace allowing groundbreaking stereoscopic imaging.

Remember when I said:

If [typical 2-D movies were meant for 3-D], something huge would have been missing from the first time we laid eyes on them.

Avatar is exactly that.
Seeing the 2-D trailer just shows how great the gap between the two “dimensions” is.
Even on a big screen, I doubt Avatar 2-D would visually work, or at the very least if it would be as immersive as 3-D.
James Cameron clearly revolutionizes 3-D not by the way it is made but by the way it is used.
We’re far from Journey to the Center of the Earth or My Bloody Valentine with their “gimmicky” use of the tech.

We’ll just have to see the 2-hour result on December 18th.


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Post image for The teaser is out!

The teaser is out!

by Alex on August 20, 2009

in My Life 101,News

Not much time today to post something worth it but there’s one thing you should check out either immediately or tomorrow, post–Avatar Day: the freakin’ Avatar teaser.

Personally, I’m waiting ’til after I’ve seen the 15-minute preview on the big screen in 3-D.

More on that tomorrow.


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Post image for Setup

Setup

by Alex on August 14, 2009

in My Life 101,News

Given that I’m in the middle of writing, or rather rambling, about spoilers (for an upcoming post), I didn’t really have time today to come up with some deep, great, thought-provoking content for you.
I deeply apologize.

Anyhow, there has been a lot of interesting news in the last few days.

For starters, Bryan Singer is set to direct Battlestar Galactica for the big-screen.
Before you ask, this version won’t have anything to do with the current Ron D. Moore canon from the Syfy show.
Universal owns the rights so they can do whatever.
I’m assuming they think they are holding a million-dollar franchise they can reboot whenever they want to make tons of cash (think Superman or Batman).

And since we’re on the subject of Bryan Singer, The Usual Suspect’s screenwriter Christopher McQuarrie is going to pen the Wolverine sequel set in Japan. The story will be based off Chris Claremont & Frank Miller’s graphic novel.
Lots of work for McQuarrie. Indeed, as you might also recall, he’s also currently working on an NBC show, Persons Unknown.

The X-Files’ Frank Spotnitz has meanwhile a few new opportunities set at HBO and at FX.
He has indeed penned two futuristic drama pilots that could move into series (though with the current track-record held by HBO, that’s going to be tough).

The first potential show is named Humanitas and is a medical-thriller where advances in medicine have become so massive that doctors face everyday dilemmas while trying to fight against potential pandemics.
Sounds like Medical Investigation meets ReGenesis.

The other project is based on Robert Silverberg’s 1970/1971 novel, The World Inside. The story is set in 2381 where the human population has reached over 75 billion people. And where urban centers (in this case a massive city-tower named Urban Monads aka Urbmon) have been built to control all the hate going on around (all wars and crimes have been eliminated).
Also, bonus points, since we’re talking of an HBO show: there’s lots of sex.
Here’s what Wikipedia has to say about the rest of the story:

The Urbmon population is supported by the conversion of all of the Earth’s habitable land area not taken up by Urbmons, to agriculture. The theoretical limit of the population supported by this arrangement is estimated to be 200 billion. The farmers live a very different lifestyle, with strict birth control. Farmers trade their produce for technology and the two societies rarely have direct contact; even their languages are mutually unintelligible.
The Urbmons are a world of total sexual freedom where men are expected to engage in “night walking”; a woman refusing an invitation for sex is considered a crime. In this world it is a blessing to have children: most people are married at 12 and parents at 14. Just thinking of controlling families is considered a faux pas. Privacy has been dispensed with due to the limited area. Because the need to be outdoors and to travel has been eliminated, thoughts of wanderlust are considered perverse.
[…]
Although great effort is spent to maintain a stable society, the Urban Monad lifestyle causes mental illness in a small percentage of people, and this fate befalls the book’s two main characters. “Social engineers” reprogram those who are approaching an unacceptable level of behavior.
Given the extremes of life in the Urban Monads, law enforcement and the concept of justice employ a zero tolerance policy. There are usually no trials, and punishment is swift — anyone who threatens the stability of the Urbmon society (a “flippo”) is forcibly removed by being thrown into a shaft that terminates in the building’s power generator. This gives one of the book’s characters the idea that humanity has been selectively bred for life within the Urbmons.

Frank Spotnitz is, on this one, co-writing the script with The L Word’s Adam Rapp.

As for his FX show, named Arc, it centers around a Jason Bourne-type character trying to fit into normal life.
Burn Notice anyone?


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