My Life 101

Post image for To the future!

To the future!

by Alex on February 14, 2010

in Announcements,My Life 101,News

Well hello there.

Looks like I’m back.
Okay, that’s a half-lie (or is it half-truth).

Since late-November, a lot of stuff has happened.
Avatar came out and broke box-office records.
Golden Globes were delivered, and Oscar noms went out.
The final season of Lost has begun as well as the 2010 Olympics.
Pilot season is upon us, and there was this whole Conan/Leno story.
Wow, what a (few) month(s)!

Oh, and I have a Green card.

Now if you’re wondering what the hell happened to me in the past three or so months, the short answer is that I’ve been away.
For the longer version, stay tuned. I do have a lot to talk about.

The one thing to note is that I have been busy working on the new version of the blog (remember?).
I admit, I took a Christmas break, but it’s almost over now.

You’ll have to wait a bit before discovering the new website as I still need to transfer (right now) the 400+ posts and basically re-tag every one of them (among other things).
Hang tight, we’re almost there.

During that time, I will still be on Twitter (where I admit I haven’t been that much present).

Okay.
That wasn’t a bad first post.

I’ll see you on the flip side (or on the bird).

And happy Valentine’s Day.
And New Year while we’re at it.


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Post image for Avatar Day or how I tasted the 3-D revolution

I’m just back from seeing the 15-minute preview of James Cameron’s Avatar and one word comes to mind: gorgeous.


Wiggle your big toe!
We were able to see six very intense scenes in 3-D from the movie’s first half.
A quick note regarding the story: I didn’t expect much beforehand so I wasn’t disappointed on that part. It looks like a “green futuristic Pocahontas.“
Nothing more, nothing else.

Yesterday, I said I was going to wait until after Avatar Day to see the 2-D version of the teaser trailer, thinking the teaser would look pale in comparison to the true result. Looks like I was correct.
Indeed, the 2-D version is, dare I say, awful. Too flat, too unrealstic, too CGI. A video-game of sorts, like Crysis but on screen.
However, the 3-D end-product transcends everything you might expect.

Here it is folks: the most immersive movie in History.

Yes, that’s what over 120 years of technology have led up to.
I’ll refer you back to my November post about how “3-D will be introduced in 2009.“
If you think about what all those technological advancements in the entertainment industry were for, the answer is simple: realism.
With the use of sound, color, and now 3-D, mimicking the real was always the main goal of cinema.
And this is real enough, folks.
The CGI is so advanced that its uncanny valley equivalent has been skipped. Sure, we’re not talking about fake-humans here, this is no Final Fantasy: The Spirits Within, but the Na’vi skin and eyes are more than convincing. There’s no dead-eye syndrome either.
The movie seems to have completely immersive CGI aesthetics that perfectly blend in with the raw footage. Though you can obviously guess what was added (answer: everything non-human), it is still extremely realistic.
The night scenes are absolutely amazing, same goes for the fauna. Colors were vivid, despite the use of darkening glasses.

I might seem overly enthusiastic about the movie but I had two problems with the footage (hey, there had to be some):
The first scene we got to see was one only involving humans, and presented to us the world we were about to enter. As the camera was dollying in, the depth of field created by the 3-D camera felt too…forced. It was almost problematic. Basically, it looked to me like the technology seems to work great with CGI-based sceneries and scenes with some human/CGI interaction (like above), but seemingly not that well with “semi-raw” footage (or rather scenes only involving human interaction in normal surroundings).
Given that about 40% of the movie should be live-action, I’m still waiting to make up my mind regarding Cameron’s use of 3-D in non-VFX scenes.
Probably the main disappointment however came from the main action sequence featured in the preview (a chase between Jake Sully and an alien creature through a forest). The camera and editing were way too quick. The scene was almost all a blur. With 3-D, eyesight cannot really adapt to the various depths.
Also another minor quarrel: Given that I saw the preview in Paris, the movie was subtitled (fortunately not dubbed). You might have noticed the use of subtitles yourself during the native Na’vi language as well as its Papyrus font. They were pretty distracting overall. The eye has to deal with the subs in the forefront, plus the whole movie behind with its own depth of field.

Anyway, in case you’re wondering, theatres aren’t being equipped with Avatar-only technology. It’s your standard run-of-the-mill modern 3-D tech, including XpanD glasses (the ones you might have used on Up).


Incidentally, Cameron has just inked a deal with Panasonic to help promote 3-D TV and 3-D Blu-Ray players. The home video business plan for Avatar will be extremely interesting to see…
That said, what separates Avatar from previous movies is its use of the revolutionary Fusion/Reality Camera System 1 developed by James Cameron and Vince Pace allowing groundbreaking stereoscopic imaging.

Remember when I said:

If [typical 2-D movies were meant for 3-D], something huge would have been missing from the first time we laid eyes on them.

Avatar is exactly that.
Seeing the 2-D trailer just shows how great the gap between the two “dimensions” is.
Even on a big screen, I doubt Avatar 2-D would visually work, or at the very least if it would be as immersive as 3-D.
James Cameron clearly revolutionizes 3-D not by the way it is made but by the way it is used.
We’re far from Journey to the Center of the Earth or My Bloody Valentine with their “gimmicky” use of the tech.

We’ll just have to see the 2-hour result on December 18th.


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Post image for The teaser is out!

The teaser is out!

by Alex on August 20, 2009

in My Life 101,News

Not much time today to post something worth it but there’s one thing you should check out either immediately or tomorrow, post–Avatar Day: the freakin’ Avatar teaser.

Personally, I’m waiting ’til after I’ve seen the 15-minute preview on the big screen in 3-D.

More on that tomorrow.


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Post image for Setup

Setup

by Alex on August 14, 2009

in My Life 101,News

Given that I’m in the middle of writing, or rather rambling, about spoilers (for an upcoming post), I didn’t really have time today to come up with some deep, great, thought-provoking content for you.
I deeply apologize.

Anyhow, there has been a lot of interesting news in the last few days.

For starters, Bryan Singer is set to direct Battlestar Galactica for the big-screen.
Before you ask, this version won’t have anything to do with the current Ron D. Moore canon from the Syfy show.
Universal owns the rights so they can do whatever.
I’m assuming they think they are holding a million-dollar franchise they can reboot whenever they want to make tons of cash (think Superman or Batman).

And since we’re on the subject of Bryan Singer, The Usual Suspect’s screenwriter Christopher McQuarrie is going to pen the Wolverine sequel set in Japan. The story will be based off Chris Claremont & Frank Miller’s graphic novel.
Lots of work for McQuarrie. Indeed, as you might also recall, he’s also currently working on an NBC show, Persons Unknown.

The X-Files’ Frank Spotnitz has meanwhile a few new opportunities set at HBO and at FX.
He has indeed penned two futuristic drama pilots that could move into series (though with the current track-record held by HBO, that’s going to be tough).

The first potential show is named Humanitas and is a medical-thriller where advances in medicine have become so massive that doctors face everyday dilemmas while trying to fight against potential pandemics.
Sounds like Medical Investigation meets ReGenesis.

The other project is based on Robert Silverberg’s 1970/1971 novel, The World Inside. The story is set in 2381 where the human population has reached over 75 billion people. And where urban centers (in this case a massive city-tower named Urban Monads aka Urbmon) have been built to control all the hate going on around (all wars and crimes have been eliminated).
Also, bonus points, since we’re talking of an HBO show: there’s lots of sex.
Here’s what Wikipedia has to say about the rest of the story:

The Urbmon population is supported by the conversion of all of the Earth’s habitable land area not taken up by Urbmons, to agriculture. The theoretical limit of the population supported by this arrangement is estimated to be 200 billion. The farmers live a very different lifestyle, with strict birth control. Farmers trade their produce for technology and the two societies rarely have direct contact; even their languages are mutually unintelligible.
The Urbmons are a world of total sexual freedom where men are expected to engage in “night walking”; a woman refusing an invitation for sex is considered a crime. In this world it is a blessing to have children: most people are married at 12 and parents at 14. Just thinking of controlling families is considered a faux pas. Privacy has been dispensed with due to the limited area. Because the need to be outdoors and to travel has been eliminated, thoughts of wanderlust are considered perverse.
[…]
Although great effort is spent to maintain a stable society, the Urban Monad lifestyle causes mental illness in a small percentage of people, and this fate befalls the book’s two main characters. “Social engineers” reprogram those who are approaching an unacceptable level of behavior.
Given the extremes of life in the Urban Monads, law enforcement and the concept of justice employ a zero tolerance policy. There are usually no trials, and punishment is swift — anyone who threatens the stability of the Urbmon society (a “flippo”) is forcibly removed by being thrown into a shaft that terminates in the building’s power generator. This gives one of the book’s characters the idea that humanity has been selectively bred for life within the Urbmons.

Frank Spotnitz is, on this one, co-writing the script with The L Word’s Adam Rapp.

As for his FX show, named Arc, it centers around a Jason Bourne-type character trying to fit into normal life.
Burn Notice anyone?


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Post image for Oh, boy.

Oh, boy.

by Alex on August 3, 2009

in Entertainment Talk,My Life 101,News

Well well well…
You’re gone one week during Comic-Con and suddenly there’s tons of stuff to see.

I’m not gonna go into lengthy details about the various panels. There’s just too many of them.
Speaking of, can someone explain to me why Glee and The Middle had one?
I’ve only seen a few for now and listing the various announcements would be pointless (besides, you probably know the ones regarding your favorites).

The Lost panel was fun I thought but utterly pointless. Given that this was the last Comic-Con panel for the show, I feel a little disappointed.
Dollhouse was one of the best for sure (and Epitaph One is great). Season 2 looks interesting to say the least.

Moving on to other news, the new Coen movie (A Serious Man) looks great:

Same goes for Wes Anderson’s Fantastic Mr. Fox:

And don’t forget Avatar Day on the 21st (incidentally the same day Inglourious Basterds opens).

On a more serious (and TV) note, you probably have heard about the Emmy changes this year, including the pre-taping of 8 of the 28 categories of the “live” telecast (to cut a few minutes from the three-hour long program).
Even though the categories were split between directing, acting, producing and writing, only four writing categories were on the Emmy cast to begin with.
A few days ago, the WGA sent out this statement:

This action of the board of governors is a clear violation of a longstanding agreement the Writers Guilds have with the Academy of Television Arts & Sciences regarding their awards telecast. It is also a serious demotion for writing and a fundamental misunderstanding of the importance of writers in the creation of television programs. Last year’s Emmys suffered a tremendous decline in quality and ratings because of a lack of scripted material. That the Academy would then decide to devalue the primary and seminal role that writing plays in television is ridiculous and self-defeating.

Over 100 TV writers are protesting these changes to the format, including Ronald D. Moore, Doug Ellin, Seth MacFarlane, Jason Katims, Shonda Rhimes, David Shore and Carlton Cuse & Damon Lindelof.
I’m not sure the Academy will back out on this one despite the movement, but we’ll have to see.

To conclude this catching-up post, some great info regarding the Late Late Show side. On August 31, the most underrated late-night show on TV is (finally) getting an HD upgrade!
There’s also going to be a new show opener with Ferguson going around famous L.A. locations, coupled with an updated version of the current theme song.
Like Craig said at the TCA Press Tour:

I think my show’s probably closer to Pee-Wee’s Playhouse than anything else I’ve seen, and that’s an aspiration.

 You go man.


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