Cannes

Well, that surely was riveting (not).
Sure, The Hurt Locker probably wasn’t the best 2009 movie, but nowadays I’m happy if good work is even recognized.
So, yay.

I was pleasantly surprised by Neil Patrick Harris’ opening number.
At least they know who to call for these sorta things.

On the other hand, this didn’t really show much confidence in Alec Baldwin/Steve Martin’s duo (not even seen on stage until the fifth minute).
Twice the host, half the screentime.


The banter following their arrival felt tame at best.
It almost seemed as if they were listing a bunch of famous celebrities in hopes that fangirls all around would “squee”. Alas that wasn’t the case.
Clooney certainly didn’t seem to care about the ceremony.
The jokes themselves didn’t feel much inspired.
Case in point with James Cameron’s “micro-roast” that revolved around, you guessed it, 3-D glasses.

Did anyone else notice that, right after Steve Martin made his joke about Christoph “Jew Hunter” Waltz having hit “the motherload”, they cut to…Ethan Coen?!
Bad taste much?

I was surprisingly surprised at one win: Best Foreign Language Film.
Seemed as if Das Weisse Band was going to get it. Ended up going to El Secreto de Sus Ojos.
Yes, I’m happy about that.

Another shock came when Michael Giacchino was given the Oscar for Best Original Music.
No, I wasn’t shocked because he had won, rather because he hadn’t won before that.
Indeed, this was his first Academy Award ever.
What a shame it didn’t happen sooner. Though great speech.
Incidentally, I’m actually listening to one of the Lost soundtracks as I’m writing this.
And a note to Jennifer Lopez: it’s pronounced Ja-Key-No.

Continuing on the Lost–related talk:
If you were thinking that J.J. Abrams, or, hell, even Terry O’Quinn/Michael Emerson, were going to win an Oscar way before the guy playing Minkowski, think again.

If you’re wondering about that “Kanye West” moment, as people are calling it now, check this out.

Up winning best animated film was a disappointment.
I wish Coraline or Fantastic Mr. Fox had the award.

What’s up with Colin Farell being Jeremy Renner’s actor-buddy on stage and talking about SWAT?!
Weren’t TPTB able to get, I don’t know, any co-star from The Hurt Locker?
Seriously, who thought we would hear about that SWAT movie ever again, let alone at the Academy Awards?

Anyhow, the horror tribute was a bit weird since it included a bunch of movies I’d describe as belonging to the “fantasy” genre (Edward Scissorhands to name just one).

Speaking of, the award for the scariest moment of the evening goes to:


Who knew a comedian painted in blue was going to be a highlight.
Haven’t seen that on TV since a guy named Tobias.

Notice my total lack of thought regarding the major categories.
That’s because I don’t have any.
I’m obviously happy for Bigelow (they took their sweet time to make the historic kudos).
Big “duh” for all the other wins.
And that’s about it.

To finish us off, here’s the genius Modern Family promo they made especially for the Oscars:


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Post image for Five under-the-radar movies you should watch

Many movies are made each year, a few are box-office successes, and even less garner critical acclaim. Some great movies unfortunately pass through all the cracks and are almost never heard of, let alone recognized.
This post is here to repair this terrible mistake with the five “under-the-radar” films you should check out right now.
The films are here listed alphabetically, so pay no attention to the order they’re in.

Blindness

Crew and Cast: Julianne Moore stars in a movie helmed by Cidade de Deus/The Constant Gardener’s director, Fernando Meirelles. Don McKellar adapted the José Saramago novel of the same name. Also in the cast are Danny Glover, Mark Ruffalo, Alice Braga and Gael Garcia Bernal.

IMDb’s one-line pitch: A city is ravaged by an epidemic of instant “white blindness”. Those first afflicted are quarantined by the authorities in an abandoned mental hospital where the newly created “society of the blind” quickly breaks down.

Why you should watch it: Besides the gut-wrenching performances, the movie offers a brutal (albeit allegorical) view at our society.
Says LAT’s Cristiana Ferraz Coimbra:

In both book and film, blindness is not only a physical condition but a metaphor for the darker side of human nature: prejudice, selfishness, violence and willful indifference.

Its portrayal of the blind community has on the other hand been deemed controversial. Make your own mind by seeing the film.

Brick

Crew and Cast: Rian Johnson wrote and directed this indie film starring Joseph Gordon-Levitt in the title role. He is accompanied by Nora Zehetner, Emilie de Ravin and Matt O’Leary.

IMDb’s one-line pitch: A teenage loner pushes his way into the underworld of a high school crime ring to investigate the disappearance of his ex-girlfriend.

Why you should watch it: If you like film noir or hardboiled detective fiction (such as The Maltese Falcon), this one’s for you. Brick is the kind of film you need to rewatch to start understanding what’s going on, and the dialogue is so fine-tuned it makes you wonder if those high-school characters aren’t going to suddenly transform into Humphrey Bogart or Gloria Grahame.
You can see this is a passion project of Johnson’s. He even offers on his website the shooting script annotated with footnotes!
There’s also the great Joseph Gordon-Levitt in it. As to why this should be reason enough to see the movie, that’s for another post.

Children of Men

Crew and Cast: Adapted for the screen by Alfonso Cuarón (director of Y tu mamá también) based on P.D. James’ novel of the same name. Clive Owen has the title role. Julianne Moore, Michael Caine and Chiwetel Ejiofor are also present.

IMDb’s one-line pitch: In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child’s birth may help scientists save the future of humankind.

Why you should watch it: Where to start? First, the directing is incredible.
Talk about awe-inspiring single-shot sequences! One of them even lasts for seven minutes and a half.
As for the story, it is, in my opinion, one of the best adaptation of a novel ever done. Its depiction of this bleak future is simply astounding
To be honest, it would probably take weeks to list all the reasons why Children of Men is a science-fiction classic. Wikipedia has actually a very detailed page on the many, many themes and complex production of the dystopian film, though you should first see the movie.

Lars and the Real Girl

Crew and Cast: Written by Six Feet Under’s Nancy Oliver and directed by United States of Tara’s Craig Gillespie, the drama stars Ryan Gosling. There’s also in the mix Emily Mortimer, Patricia Clarkson, Paul Schenider, and a sex-doll.

IMDb’s one-line pitch: A delusional young guy strikes up an unconventional relationship with a doll he finds on the Internet.

Why you should watch it: Well, Ryan Gosling is great (as is the rest of the cast), and the story is atypical to say the least (a sex-doll as a central character?).
Nancy Oliver’s screenplay was actually nominated at the Oscars, WGA Awards and won a Humanitas Prize. Kudos to her.

Oldboy

Crew and Cast: Adapted for the screen by Chan-wook Park (director of Mr. Vengance, Lady Vengeance, and the recent Bakjwi a.k.a. Thirst) based on a Nobuaki Minegishi manga. South Korean actor Choi Min-sik plays the title role.

IMDb’s one-line pitch: After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days.

Why you should watch it: Probably the most well-known movie on this list given its international status (it won, amongst other prizes, Cannes’ Grand Prix).
This thriller is at its core a dark and twisted tale of revenge, part of the filmmaker’s Vengance Trilogy. There’s also a live octopus being eaten whole and one of the most memorable continuous take ever made.
Unfortunately, an American remake is currently in preparation. Given its somewhat scandalous side, this doesn’t bode well for the American “reimagination.”

It’s now time for you to rent some movies out.
Enjoy.


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Post image for One Year of My Life 101
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Part 5 of 9

    I’ll pretty much be talking about the various experiences from the past year or so.
    This will most likely bore you if you’re not Claire Danes…


    (who got my reference?)

    Anyway, let’s begin with the beginning, or rather the stuff I wrote early on.
    Way back when, in July, I made a two-part breakdown of all the Visa types that might interest an international writer (yes Canada included) in search of guidance to work in the U.S., or like I said back then:

    The hypothesis that will be used in the breakdown is that you are “a writer in Europe or Canada who wants to be able to work as a writer in the U.S.A. and has no immediate relative there”.

    Part One was about all the Non-immigrant Visas, and Part Two was on the various Green Cards.

    TV-wise, I interviewed back in April Lost’s Damon Lindelof and Carlton Cuse.
    I also told you all about the important shows in my life, and especially made an article around my love/hate relationship with Battlestar Galactica shortly after its series finale.

    I also had some pretty nasty technological problems with my hard-drives. Twice.
    But then there was this incredible piece of good news that I (still) can’t share with you given that I don’t want to jinx it (still).
    Basically all in all what I called Even Luck.

    So much events I live-Twittered, the most recent of which is me attending the 62nd Cannes Film Festival last May told in three different parts.

    Earlier this year though I also went to the Jules Verne Festival and also reported live on Twitter at the various events.
    There was also a trip to NYC and LA also in early September and I told you all about my magnificent suitcase. Groundbreaking stuff.
    Fortunately all the events had Twitpictures included.

    Regarding more trivial stuff, I love technology so much I mentioned in September that cool new phone I got (it still is). Yes, the iPhone sucks.

    I think we’ve covered all (official) aspects of my pointless life over the past year.
    Much better tomorrow, I promise.


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    Post image for One Year of (various) Posts
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    Part 2 of 9

      First post of the birthday week.
      This might feel to some like one of those sitcom epis with clip shows of the best moments because writers have become lazy.
      Don’t worry though, this is just a blog taking a look back at a year’s worth of random posts, because I’m lazy.

      Like J.D. said:


      I know I’d love to forget all the [things] that have happened to me. But unfortunately I keep replaying them in my head like some clip show from a bad sitcom too lazy to come up with a fresh story.

      So much incredible stuff happened in the past year…

      Let’s get started with TV.
      This year has been marked by crazy actions on this side of the biz.
      From CBS to FOX or HBO, we’ve seen some pretty incredible stuff.
      Most of all, there was some serious NBC talk thanks to Dumb and Dumber’s stupid moves, especially moving Leno to the 10PM slot, Mondays thru Fridays.
      You can bet I’ll be talking about this more in Wednesday’s post.

      Equally as mind-boggling was SciFi’s atrocious name-change planned for July (SyFy? Really?):

      Let me get this straight.
      You want to change everything from your logo to your slogan, and from the brand to your core audience (you know, the one that made you what you are now). And do all that for absolutely no reason at all (given the channel’s top-10 network status)?

      Syfyllis is still a serious condition and just plain dumb.
      One very recent Twitter justification was equally as spastic (is that what the cool kids are calling it these days?):

      If it’s such a good time for sci fi, why change your network name to SyFy?
      To differentiate our brand in an increasingly competitive category where we’re competing in more countries and on a growing number of platforms. For instance, type “scifi” into Hulu search and you won’t get any results from our shows on the first page. Just one example of many.

      Continuing on the TV side of things, we’ve seen our fair share of TV Shows throughout the year, including an interview I did with Lost’s Damon Lindelof and Carlton Cuse.
      Some shows were unfortunately cancelled, like The Middleman (my favorite from last summer), others surprisingly not, like Dollhouse. Others meanwhile were fortunately renewed, such as Leverage.
      There was also an introduction to this new little ABC show called Flash Forward (now renamed FlashForward, following the author’s original wish).

      We talked a bit as well about the Arrested Development movie that shouldn’t come out for another year or two.
      In the meantime, you should check out the awesome Arrested Developement documentary (yes there is one) when it comes out (2009?).

      Perfect segue to the movie front of the year, which had a lot of…interesting happenings (besides Cannes).
      Watchmen was probably the most talked-about film here, followed closely by Star Trek.
      Speaking of, Warner Bros. just loved my posting of the epic Watchmen opening sequence and asked Blogger to delete my post with no warning.
      Like I said at the time:

      I’m not going to post the sequence again for the sake of it, but suffice to say that I’m quite disappointed by the behind-my-back actions taken.
      I also find quite ridiculous that said actions were done in the name of the Digital Millennium Copyright Act, let alone the crusade against people posting the opening Watchmen sequence.
      Are they afraid people will find it is so awesome they decide not to go watch the rest of the movie?
      Even yU+Co was forced to take it down, even though it’s their own company that made the titles.
      Quite ridiculous indeed.

      Another Watchmen scandal was with its ending.
      Squid or no Squid? I asked back in November.
      You should know by now the answer (spoiler alert: it’s not like in the graphic novel).
      Let’s not forget as well the FOX versus WB case regarding the movie’s rights.
      Ultimately, and unsurprisingly, they settled.
      No harm done.

      What is however a harm (to my brain) are phenomenons such as that Twilight thing.
      Remakes of remakes were as well discussed.
      And I almost forgot to talk about all the game adaptations, like Monopoly, and Clue.
      Where is the originality?
      Here it is:
      The big talk of upcoming 2009 films must be James Cameron’s Avatar.
      You know, the movie I’m saying will revolutionize 3-D.
      This is like my own personal TOLDJA! moment regarding 3-D (and Avatar):

      Sound was introduced in 1927.
      Color was introduced in 1938.
      3-D will be introduced in 2009.

      I think I called it.

      Continuing on the entertainment industry…
      We’ve seen our fair share of (not-that-funny) award shows this year, from the Golden Globes to the Oscars.
      This year might prove different with either Neil Patrick Harris or Craig Ferguson hosting the Emmys.
      That’s epicness right here.

      Moving on, there was a lot of talk about technology.
      From the floppy disk to Twitter (who had even heard of Twitter a year ago?).
      Some talk around the future of entertainment, especially television, has as well been present throughout the year.
      Whether it is via Strike.TV in last August, or more re
      cently Hulu, with its financial investments.
      Yet again, we’ll talk more about this on Friday’s post thanks to a couple of new articles regarding rebranding (SyFy) and broadcast future (NBC and CBS specifically).

      Finally, there were changes in the political landscape this year, with the arrival of a new President and the departure of another.
      Shifts in the economy as well were felt. Both in the TV industry and elsewhere.
      And to finish us off, we shall mention this Lego man, who didn’t after all go on I’m a “Celebrity” (sarcasm quotes not included in original title).

      Incredible postings aside, this year was riveting.
      More to come tomorrow.


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      Post image for Thirst

      Thirst

      by Alex on June 20, 2009

      in News

      On this off-season there isn’t much news about the industry, but don’t worry there are some news about a movie I’ve been mentionning a few times now: Thirst (aka Bak-Jwi), by Oldboy director Park Chan-wook.

      The movie wasn’t as outstanding as Oldboy (one of my fave) but it was still pretty great.

      A priest becomes a vampire…another man’s wife is coveted…a deadly seduction triggers murder. Thirst is the new film from director Park Chan-wook (Old Boy, Sympathy for Mr. Vengeance, Sympathy for Lady Vengeance). Already a boxoffice smash in Korea, Thirst was honored with the Prix du Jury [Jury Prize] at the 2009 Cannes International Film Festival.

      Continuing his explorations of human existence in extreme circumstances, the director spins a tale that he conceived and then developed over several years with co-screenwriter Chung Seo-kyung.

      Sang-hyun (played by top Korean star Song Kang-ho, of The Host) is a priest who cherishes life; so much so, that he selflessly volunteers for a secret vaccine development project meant to eradicate a deadly virus. But the virus takes the priest, and a blood transfusion is urgently ordered up for him. The blood he receives is infected, so Sang-hyun lives – but now exists as a vampire. Struggling with his newfound carnal desire for blood, Sang-hyun’s faith is further strained when a childhood friend’s wife, Tae-ju (Kim Ok-vin), comes to him asking for his help in escaping her life. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins.

      Focus Features has now put out a website for the film, and a Red-Band trailer is up on IGN.

      The movie comes out in select U.S. theatres on July 31.
      Go see it.


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