Chuck

Post image for Drama Spec Script 2010 — What is hot and what is not


UPDATED:
A brand new 2011 list has been posted.
Click here to access it.


After criss-crossing several sources, it is now time to review what dramas are good to spec, and which are not.
As usual, when available, a sample script is offered for each show listed — usually the pilot episode.

Let’s do again a quick recap of how this works.

The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers — and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (newcomers that could potentially become popular down the line — if they’re not canned first)

There is also a grade regarding the show’s longevity in relation to specs of said show.
Meaning, how long can you keep your spec script without having to throw it in the trash?
To do this, we use what I think is the greatest grading system on Earth; stars:
★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

And here we go.


Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

CSI/Law & Order (CBS/NBC)
Type: Police procedurals
Past their expiration date.
Longevity: ★★★★ — Nothing’s A-Changin’ for this one. It still will get “real old, real fast.”

Dexter (Sho)
Type: Serialized crime drama
As predicted last year, the Dexter time has passed, killed by its own popularity (commonly known as the hotness monster).
Longevity: ★★★★★ — If you’ve seen the end of season four, you know what I mean when I say your spec won’t survive the fifth season premiere.

Grey’s Anatomy/Private Practice/House (ABC/FOX)
Type: Medical procedurals
It is harsh putting these three shows at the same level, but the truth of the matter is that they’ve all already been done to death(s), literally.
Longevity: ★★★★★ — Renewed, and renewed, and renewed.

Mad Men (AMC)
Type: Serialized historical drama
This might be a surprise for some, but it’s the same reasoning as 30 Rock: everyone is doing it. Sure, you won’t go wrong with a Mad Men spec, but it certainly won’t be an original choice.
Longevity: ★★★★★ — And not only that, but who knows what’s going to happen with all the massive changes at the end of last season? You would need to stumble on major plotlines to get this spec going, which is never good.


Mainstream
The current and new widespread shows in town that are getting read.

Bones (FOX)
Type: Police procedural
Still a mainstream procedural that’s probably living its last year(s) as a tangible spec.
Longevity: ★★★★★ — Doesn’t mean the show is going to die soon though (you know, strong ratings and all that).

Breaking Bad (AMC)
Type: Serialized character/family drama
Although it was last year a “Wild Card”, the series has now become pretty much mainstream, replacing Mad Men as one of the most sought-out speccable shows. As much as this is true, I would still not recommend beginning a new spec for three reasons: first, the show is way more popular than you’d think (meaning more competition), second it’s heavily serialized, and third…
Longevity: ★★★★★ — …the end of season two hinted at a different character dynamic altogether for season three. See Mad Men on why that could be problematic.

Chuck (NBC)
Type: Light spy/action procedural
On the one hand, Chuck is still an offbeat drama that has a lot of potential, so you shouldn’t throw your current spec out the window.
Longevity: ★★★★★ — On the other hand, the series recently scored its lowest rated episode ever. Beyond that however, the status quo is simply not quo anymore, so it’s hard to find the correct balance between serialized stories and “mission of the week.”

Fringe (FOX)
Type: Police/Science-fiction procedural
At this point, the show is more fantasy-fiction than science-fiction. With that said, its procedural side is undoubtedly attractive to many.
Longevity: ★★★★ — It got beaten hard in its new Thursday timeslot, and despite this, the notoriously-fickle FOX network renewed it. Yeah, it’s safe. Plus, the core dynamics of the show will probably not change much in these next episodes.

Gossip Girl/90210 (The CW)
Type: Teen dramas
When it comes to this subgenre, there’s no debate that, yet again, these are the shows to spec.
Longevity: ★★★★ — The CW is hanging tight on those two.

The Mentalist (CBS)
Type: Police procedural
Surely the hottest specced procedural right now. Maybe you can play with the Red John storyline.
Longevity: ★★★★★ — This one is pretty much safe.

True Blood (HBO)
Type: Serialized fantasy drama
At one point an “Outsider”, it has now become surprisingly common. I say surprisingly because it is a hard speccer, given both its dense mythology and the fact that it is based on a series of books.
Longevity: ★★★★★ — HBO is certainly not going to can it. Maybe you can predict the future of the show via said novels, but Alan Ball has already changed major stuff. Would your season one spec really fit into a season three narrative?


Wild Cards
Not quite fully widespread but will get there given the chance.

Burn Notice/Psych (USA)
Type: Light action and crime procedurals
Although less popular than a few months back, story ideas have not been exhausted yet…
Longevity: ★★★★ — …and USA isn’t letting them go anytime soon.

Caprica (Syfy)
Type: Serialized science-fiction drama
This category choice might also surprise some people. If you look at Caprica, unlike the early days of Battlestar Galactica (or SGU), you don’t have a standard formula, at least regarding a potential ‘procedural’ aspect. There are overarching stories that more or less get expanded throughout the various episodes, but you don’t have a stand-alone crisis each episode. If you do decide to spec this, tread lightly…
Longevity: ★★★★★ — …especially considering the regular character and mythological developments, as well as its lukewarm ratings.

Castle (ABC)
Type: Police procedural
Will most likely take over Bones’ place in the spec world.
Longevity: ★★★★ — Strong 10PM ratings means its nearly-assured renewal. Its classic ‘case of the week’ format is also a crowd-pleaser.

Glee (FOX)
Type: Light serialized high-school drama
Probably one of the most difficult specs out there, despite its overwhelming popularity. It is indeed hard to get past the serialized aspect of the series, as well as its primary use of popular songs which contradicts with the need for a spec script to be realistically producible.
Longevity: ★★★★Glee is definitely in for the long run. Try to be careful with the arrival of new cast-members and soapy twists.

Leverage (TNT)
Type: Light heist/con/action procedural
Most likely will become one of the hottest spec, the series proved this season it could go beyond the basic “con of the week” and offer actual season-long arcs (and big pay-offs). Regardless, the show’s procedural formula can still be applied to your spec. John Rogers’ blog has tons of other behind-the-scenes info about the writing.
Longevity: ★★★★ — A major drama for TNT getting renewed early. I would say wait until the season three premiere (and Gina/Sophie’s comeback) before going the hands-on approach.

NCIS:LA (CBS)
Type: Police procedural
A spec as worthy now as its older brother was in its heydays…
Longevity: ★★★★★ — …thanks in part to phenomenal ratings.

Southland (TNT)
Type: Police procedural
The little cop show that could. Saved by the bell, it is still the underdog police drama on TV and a speccer with great potential.
Longevity: ★★★★ — Don’t take it as granted though: the ratings are going down fast. You should wait for a definite yes from TNT before beginning a breakdown.


Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Eureka/Warehouse 13 (Syfy)
Type: Science-fiction procedurals
Yes, believe it or not they are getting specced; and for good reasons. Stand-alones are easy to place inside any of their seasons. Even Eureka, soon in its fourth season, still has some spec potential as a procedural. Not to mention the fact that there are not many other science-fiction shows out there.
Longevity: ★★★★ — You can count on them being on TV for some time, and major mysteries/arcs can be easily avoided in a potential story.

The Good Wife (CBS)
Type: Legal procedural
IT is hard to define this show, but one thing’s for sure: it will become a hot speccer very soon.
Longevity: ★★★★ — You shouldn’t be worried for Julianna Margulies anymore, she has found her goldmine.

Stargate: Universe (Syfy)
Type: Serialized science-fiction procedural
This might seem antinomic, but the truth is, SGU is way more serialized than its two predecessors. Still, some episodes can center around the usual “problem of the week,” and therefore give a more procedural aspect to the show, which makes it much more speccable than you’d think.
Longevity: ★★★★ — Long live the Stargate franchise. Be careful that future episodes don’t change major events in your spec.

White Collar (USA)
Type: Light crime procedural
This year’s dark horse, it could down the line become a major speccer for light procedurals.
Longevity: ★★★★ — It definitely seems it’s going to be here for a few seasons.


Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Dark Blue (TNT)
Type: Police procedural
This is a gambler simply because it is virtually unknown compared to the other police procedurals. This might be a good thing usually, but I’d hold off speccing this…
Longevity: ★★★★ — …until it’s deep into its second season and more acknowledged.

Human Target (FOX)
Type: Action procedural
As virtually the only reliable (formula-wise) action-drama on television, you’d think it would be the go-to show to spec. But if you look at it more carefully, there are just too many unknown variables for now.
Longevity: ★★★★★ — If anything, the series is in strong danger of getting canceled. Try to wait for a renewal before starting on your script.

Parenthood (NBC)
Type: Serialized family drama
Are you seriously considering speccing this one? Let’s get real.
Longevity: ★★★★★ — Despite a possible second season, already finding a formula you can lean on for your spec is near-impossible this early.

With over thirty shows reviewed, we can spot of few trends.

Showtime is almost totally absent from this list mainly because of their lack of dramas (they’re more into half-hours it seems). FX is also not listed thanks to their current programming renewal. The basic-cable shows from AMC, TNT, and even Syfy and USA, continue to rise on the spec market.

A lot of new shows are already getting specced right off the bat, primarily due to some early pick-ups, shorter seasons, and dying classics.
I would advise against getting too invested into a spec unless you know for sure the show has been renewed.
Besides the cancelation factor, you also have to consider if the show is heavily serialized or not.
I didn’t include series like FlashForward, V, or even Sons of Anarchy, as they are all nearly impossible to spec at this time. Your spec would be hard to put into “stasis mode” due to the ever-changing storylines.
(Semi-)Procedurals are still the norm, though a lot more serialized shows are getting some sense of success. Even what appear to be classic procedurals such as The Mentalist still have a few arcs you can play with.
The bottom line is the same as usual: chose a show that reflects your voice, your aspirations, and what you like. You really do have a wide array to choose from.

So now, let me ask you this: What are you speccing?


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Additions

by Alex on August 28, 2009

in News

While I was posting my little rant about the Weinstein Company’s “way out”, some new infos have been surfacing regarding TV stuff:

Damages’ third season has added another regular to its table: Royal Pains’ Campbell Scott.
Also, Greek’s Jesse Williams (who will soon star in Cabin in the Woods) has just joined Grey’s Anatomy for a multi episode arc.

Dollhouse has added loads of great actors including kind of a Whedonverse reunion with Summer Glau and Alexis Denisof. Michael Hogan and Keith Carradine are also joining the cast.
Does the show have the best cast on TV right now or what?

And Superman Returns’ Brandon Routh is joining Chuck for a substantial arc.

Speaking of, Josh Schwartz is teaming up again with another Chuck exec, Matt Miller, to write a multicamera sitcom script for CBS. The potential show would follow young newlyweds shortly after their honeymoon. The series is supposedely inspired by both Miller and Schwartz’s recent marriages.
I wonder how that will turn out.

After The L Word, here comes another letter-word Showtime series, The C Word.
The cable network has ordered to pilot a show that would star none other than Frasier/John Adams’ Laura Linney. C Word, created by Darlene Hunt, will be a dark comedy about cancer. Linney will play “a suburban mom forced to deal with a cancer diagnosis”.
I’m intrigued.

And finally, some fantastic news for all Leverage fans out there.
The show has already been renewed for a third season (to be aired later next year).
Awesome.


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Post image for The Ballad of G.I. Joe

The Ballad of G.I. Joe

by Alex on August 11, 2009

in Random

The parody has more stars than the real G.I. Joe movie, go figure…



Starring:
Laz Alonso as Doc, Alexis Bledel as Lady Jaye, Billy Crudup as Zartan, Zach Galifiankais as Snow Job, Tony Hale as Dr. Mindbender, Vinnie Jones as Destro, Joey Kern as Tomax, Joey Kern as Xamot, Chuck Liddell as Gung Ho, Julianne Moore as Scarlett, Henry Rollins as Duke, Alan Tudyk as Shipwreck, Olivia Wilde as The Baroness, and Sgt. Slaughter as Himself
Also featuring:
Jamin Fite as Cobra Commander, Frankie Kang as Storm Shadow, Geoff Mann as Buzzer, Andreas Owald as Snake Eyes, Daniel Strange as Torch, Kevin Umbricht as Ripper
Written by Daniel Strange & Kevin Umbricht
Directed by Daniel Strange


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In important TV news today was the NBC panel over at the TCA press tour.

What a hilariously sad presentation by Angela Bromstad that was!
A few highlights:

To start us off, Bromstad blames the lack of any real summer shows on the fact that they’re not “on brand”. In case you’re wondering what the hell is NBC’s brand, apparently it’s a mix of 30 Rock and Heroes.
And I’m serious. Case in point with this quote:
Heroes is on brand, Office, 30 Rock, SVU… those live up to the legacy of what NBC has always stood for.

What especially got a big laugh in the crowd was her comment on Ben Silverman:

I think this has always been Ben’s plan. It’s always been Ben’s plan to transition back to his entrepreneurial roots. He brought Paul and I in, and I think that was part of putting everything in place.

About Leno, Bromstad defines the show’s future success as depending on “a lot of things”. Are they going to declare victory whatever the ratings?
Clearly, the exec didn’t want to give straight-forward answers regarding Leno, Conan, or any of the shows. 
But supposedly, they’ll take into account the whole 52-week ratings for the show.
I’m assuming now that Leno is going to be on during the whole year 5 days a week.
This is utterly crazy.

Regarding the rest of the shows:
Friday Night Lights didn’t have the ratings “to justify [it’s presence] on the fall schedule,” so it’s premiering during the summer. But didn’t you just say that summer shows are not really “on brand”?

Explaining why Kings got canned, she said:

In a really crowded marketplace, people want to know what something is about.

She also described the show as too “difficult” and “high-brow”.
The show can’t be sold in 30-second spots so it gets canceled.
How can you sell Lost in 30 seconds?
Or…The Wire?

Be wary of Southland’s new season. Apparently, some “creative adjustments” were made. Also, the show is on Friday nights so probably no third season.

Speaking of, Chuck will most likely also get a summer ending. NBC knows that the fans are now ready to follow the show wherever it is like good lil’ puppies… Or so Bromstad implies:

We have talked about ‘Is Chuck something that we allow to run over into summer and be part of our summer programming?’ […] It is something we can move around.

Nice touch there.
The show not being a replacement of Parenthood instead of Mercy really show the Peacock’s confidence.

Oh, and Heroes is supposedly “is doing exceptionally well creatively” without Bryan Fuller.

And last but not least, don’t except a second season for the future-event show Day One that premiers around the Olympic Winter Games next year.
Says Angela Bromstad:

We’ve always looked at ‘Day One’ as a big event for us and not necessarily a show that would be a returning for a second season. The serialized nature [of genre shows become] tougher to sustain on broadcast.

Did I forget to point out that Jesse Alexander says Day One is such a serialized show that he compares it more to Fringe, X-Files and even China Beach than, say, Lost or Alias?
And, indeed, the pilot really tends to imply that the show will be more “crisis of the week” à la Jericho (first half of Season One) than huge mythological cliffhangers.

NBC without Silverman seems all too familiar…


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Post image for The Guessing Game 2009 — Rundown
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Part 3 of 3

    Now that I’m (almost) fully caught up on the Upfronts, time to make a rundown of The Guessing Game 2009.

    Like I said previously, what was the most surprising for me weren’t the actual pick-ups, but the schedules the networks made for this fall (and mid-season).

    First, CBS.
    I gladly called 3 of the new shows as well as their new timeslots save for Accidentally on Purpose which goes on Mondays.
    The NCIS spin-off is now called NCIS: Los Angeles.
    Ground-breaking.
    We also have the renewals.
    It wasn’t Cold Case that got canned, rather Without a Trace. Meanwhile, Old Christine also got renewed. NBC’s Medium jumped ship, joining the Eye on Fridays.
    So that’s 6 out of 9 guesses correct for renewals.

    Some previews:

    Most of the CBS previews are unfortunately kinda nuked.
    Not that much of a loss though.

    On to NBC.
    Now here starts the weird stuff.
    I already posted the various previews for those of you interested.
    Again, not a lot of surprises regarding the picks for the new shows, and as for the renewals, well, I’ve been waiting since several months to say that but: I frakkin’ called it for Chuck getting renewed! Hell yes.
    As for the rest of the renewals, I think I can get half a point for Medium at least, making 6.5 out of 7 guesses correct.
    Now, the strange part comes with the actual schedule.
    Trauma is put right after Heroes on Mondays, a slot I would have thought Day One was gonna be put in. But no, Day One is mid-season after the 2010 Olympics and coupled with a 13-episode Chuck season. Perhaps too soon to tell, but I’m thinking neither Heroes not Chuck will live past the 2009–2010 season.
    Community has been put on Thursdays whilst 100 Questions was as well pushed for mid-season.

    Moving on to ABC and probably the strangest schedule yet and its 11 (!) new shows.
    Some of the drama picks surprised me (like Copper), but overall pretty straight-forward choices with V, Happy Town, Cougar Town, and Eastwick.
    Regarding the renewals however, there we have a few strange moves, not the least of which were the renewals of Better Off Ted, and also Scrubs, getting a ninth season (a disappointing renewal for me). Castle also gets a second season and keeps its slot, making 2 of my 5 guesses the right ones.
    Time to talk a bit about the scheduling.
    What the frak?
    First, you’re putting what might possibly be your next new SF hit (Flash Forward) before Grey’s Anatomy, on Thursdays, and moving Ugly Betty on Fridays.
    Then, you’re trying to imitate NBC’s old Thursdays, but on Wednesdays, putting 4 comedies followed by a drama.
    This is madness!

    And now, time for FOX.
    Pretty surprised AbFab wasn’t taken, as for the rest, we’ll see.
    Regarding the renewals, the biggest surprise on my part was Dollhouse, although I guess they succeeded in cutting the budget. The other picks were again somewhat obvious, so that is 6 out of 7 guesses correct.
    FOX’s schedule, like the other nets this season is peculiar to say the least.
    Dollhouse was obviously put on Fridays, but behind ‘Til Death and Brothers. I don’t really see the point of picking up Brothers and Dollhouse if you’re just gonna throw them out to die.
    Another really strange move is not only changing Fringe’s timeslot, putting it behind Bones, but putting it on Thursdays head-to-head against C.S.I., The Office, and Grey’s Anatomy, making this in my opinion one of the dumbest moves this season.
    Human Target on the other hand gets a nice push by being put in mid-season just behind American Idol. I’m not sure though the audience will stay given that Target is sandwiched before and after its run by Glee. And let’s just say I doubt the audience for Glee and Target share much similarities.

    Previews as usual:

    Brothers

    The Cleveland Show

    Human Target

    Past Life

    Sons of Tucson

    To sum up:
    CBS — 6 out of 9 guesses correct
    NBC — 6.5 out of 7 guesses correct
    ABC — 2 out 5 guesses correct
    FOX — 6 out of 7 guesses correct

    All done.
    Not bad for a first timer, right?

    As for the actual shows, we’ll see this fall how all those crazy moves, pick-ups, and schedules, play out.
    It should definitely be an interesting season…


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