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Post image for Comedy Spec Script 2013 — What is hot and what is not

Like every year, it is now time to review which TV shows are good to spec, and which are not.
Dedicated posts will be made respectively for the best comedies (half-hour) and the best dramas (one-hour).
As the title says, this post is all about the comedies.
In addition, you’ll also find (when available) a script for the corresponding show.
Canceled or dead shows have been removed since last season’s spec list.

NOTE:
Given Warner Bros’ new rules for their fellowship, I have indicated with an asterisk (*) series that they will not accept specs for (mainly first-season series).

Here is a quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

Let’s get started.


Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

Archer (FX)
It’s surprising to see Archer here, but the truth is that after four years of existence, it’s difficult to see why it should not be.
Longevity: ★★★★ — FX isn’t giving up this soon.

The Big Bang Theory (CBS)
For many years the go-to multi-camera sitcom to spec, Big Bang has seen countless of variants.
Longevity: ★★★★★ — The show’s running jokes have been beaten to a pulp.

Community (NBC)
You could spec this, but why would you?
Longevity: ★★★★ — Yes, it got renewed, but who did it not surprise?

How I Met Your Mother (CBS)
Season 9 is going off a completely new format…
Longevity: ★★★★ — …and it’ll be the last.

It’s Always Sunny in Philadelphia (FX)
Remember when this show was fresh? I don’t.
Longevity: ★★★★ — Standing on its last leg(s).

Two and a Half Men (CBS)
Really?
Longevity: ★★★★★ — Everyone is jumping off-board at this poin



Mainstream
The current and new widespread shows in town that are getting read.

Cougar Town/The Middle (ABC)
A change of network for the former couldn’t have come at a better time. Both series are not that watched, but are surprisingly popular in spec-world.
Longevity: ★★★★★ — Good enough numbers.

Louie (FX)
Everyone is dying to make their own Louie spec. But can they be any good?
Longevity: ★★★★ — [Insert stand-up routine]

Modern Family (ABC)
Its mass appeal can be seen in the spec world.
Longevity: ★★★★ — 10 seasons and 2 TV movies?

Mike & Molly (CBS)
If you’re looking for an old-school multi-camera, this is the one.
Longevity: ★★★★ — CBS has a working sitcom. Shocker.

New Girl (FOX)
The frontrunner for any “friends” comedy spec around.
Longevity: ★★★★ — A critical darling on top of being watched.

Parks and Recreation (NBC)
One of the best comedies on TV, and it’s still fresh in its fifth season. What could be better?
Longevity: ★★★★ — Now that The Office is gone, Parks is NBC’s strongest Thursday night show.

Raising Hope (FOX)
An extremely popular spec ever since it premiered, Raising Hope may not set you apart, but it’ll get read.
Longevity: ★★★★ — A bonafide hit for FOX.

Shameless (Showtime)
When it comes to premium cable comedies, this is a goodie.
Longevity: ★★★★ — No reason to think Showtime is letting this go.

Suburgatory (ABC)
It’s funny and original.
Longevity: ★★★★ — Be careful with the ratings.

Two Broke Girls (CBS)
If you’re into more edgy racist jokes, then maybe this is the sitcom to pick.
Longevity: ★★★★ — No decline to be seen.



Wild Cards
Not quite fully widespread but will get there given the chance.

Girls (HBO)
There’s a new kid on the block. And it likes to show its ass.
Longevity: ★★★★ — Yeah, I don’t see this going anywhere.

House of Lies/Nurse Jackie (Sho)
One is taking over the other. Both are surprisingly popular choices.
Longevity: ★★★★★ — Growing old.

The Mindy Project (FOX) *
It’s a hit or miss for most, but it’s one of the rare romantic network comedies getting past a first season.
Longevity: ★★★★ — Continuing to build their comedy block, FOX is holding on tight.

The Neighbors (ABC) *
Do you really want to spec a show that has been eviscerated by critics?
Longevity: ★★★★ — It did get a new season off average numbers.

Veep (HBO)
A political comedy! From Armando Iannucci! Difficult to harness, but if you’re succesful you may hit the jackpot.
Longevity: ★★★★ — Is it that serialized?



Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Eastbound & Down (HBO)
Still kicking and screaming…
Longevity: ★★★★ — …for one last effort.

The League (FX)
An overlooked charming comedy from FX that could be a good contender for a very atypical spec.
Longevity: ★★★★★ — Pretty formulaic but it works.



Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Anger Management (FX) *
Nope.
Longevity: ★★★★ — FX has shot a gazillion episodes.

Childrens’ Hospital/NTSF:SD:SUV (Cartoon Network/Adult Swim)
Not sure why you’d spec 15-minute shows…
Longevity: ★★★★★ — …but they’re growing in popularity.

Legit/Workaholics (FX/MTV) *
Only a handful of spec-readers would watch these show.
Longevity: ★★★★ — One got super-renewed, the other is helping launch a spin-off network.



A wide variety of choices this year from the comedy landscape, although maybe less than the drama side (for the first time in a while).
With the departure of 30 Rock and The Office, plus the spec semi-retirement of Community and (bound to happen) Archer, the comedy spec market is wide open. The top seats are taken by hot contenders like New Girl and Raising Hope, which were both very popular right off the bat when they premiered.
HBO is able to succesfully compete against Showtime, with the addition of Veep and, yes, Girls. Who knew nudity would sell? On the other end of the spectrum, there are no real changes when it comes to multi-camera sitcoms.
It is known.

Click here for the Drama Spec Script list.

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Post image for Drama Spec Script 2012 — What is hot and what is not


UPDATED:
A brand new 2013 list has been posted.
Click here to access it.


Like every year, it is now time to review which TV shows are good to spec, and which are not.
Dedicated posts will be made respectively for the best comedies (half-hour) and the best dramas (one-hour).
As the title says, this post is all about the dramas.
In addition, you’ll also find (when available) a script for the corresponding show.
Canceled or dead shows have been removed since last season’s spec list.

NEW ADDITION:
Given Warner Bros’ new rules for their fellowship, I have indicated with an asterisk (*) series that they will not accept specs for (mainly first-season shows).

Let’s do another quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

And here we go.


Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

Burn Notice (USA)
Type: Light action procedural
The fact it’s entering its sixth season should give you an idea of why Burn Notice is here.
Longevity: ★★★★★ — Very formulaic but with enough of a twist to keep its fresh vibe.

CSI/Criminal Minds (CBS)
Type: Police procedurals
“Never give up, never surrender” should be their motto.
Longevity: ★★★★ — Past its prime for about five years now.

Dexter (Sho)
Type: Serialized crime drama
Following last season’s cliffhanger, it is hard to tell where the series is headed
Longevity: ★★★★★ — Only two seasons left.

Grey’s Anatomy/Private Practice/House (ABC/FOX)
Type: Medical procedurals
I’m going to bet a lot of people are able to say: “Been there, specced that”.
Longevity: ★★★★ — Virtually all medical storylines have already been explored through those three shows.

Mad Men (AMC)
Type: Serialized historical drama
“Out of sight, out of mind” does not hold true for the AMC classic that is still amongst the most popular.
Longevity: ★★★★★ — One of the over-specced shows with possibly the longest longevity factor attached to it. Doesn’t mean the competition isn’t fierce.



Mainstream
The current and new widespread shows in town that are getting read.

Boardwalk Empire (HBO)
Type: Serialized historical drama
A lot of people have fallen in love with Steve Buscemi’s eyes apparently.
Longevity: ★★★★ — A third season, good ratings, great cast, big producers.

Bones/Castle (FOX/ABC)
Type: Light police procedural
Possibly the last season in the mainstream category for Bones. Castle on the other hand probably has at least a few years ahead of it.
Longevity: ★★★★★ — One is renewed for an eighth season, the other is still awaiting its fate on a fifth.

Breaking Bad (AMC)
Type: Serialized character/family drama
One of the best shows on TV, and one of the hardest ones to spec.
Longevity: ★★★★★ — This is going be its last season, albeit cut in two, which gives a bonus year before you can say farewell to it.

Fringe (FOX)
Type: Science-fiction procedural
There’s only so much science-fiction shows on TV right now, and Fringe is clearly the go-to drama in its genre. This will probably be the last season where I can say it hasn’t been over-speced already.
Longevity: ★★★★ — Highly volatile.

Glee (FOX)
Type: Light serialized high-school dramedy
As popular in the spec world as on TV, the danger of a Glee spec continues to be that a major part of it will end up being lyrics. Some people might take that for laziness.
Longevity: ★★★★★ — Beware: major cast overhaul upcoming.

The Good Wife (CBS)
Type: Legal procedural
A very smart show to spec, if only for its near-perfect hybrid mix of procedural and serialization. Plus it’s on a network, which makes it more well-known than some of its cable counterpart.
Longevity: ★★★★ — A slow-burner that will probably garner a few more seasons.

Gossip Girl/90210 (The CW)
Type: Teen dramas
Last season for at least one of the two as being considered “mainstream”. Perhaps there are better show alternatives to consider.
Longevity: ★★★★★ — Potentially entering its sixth season this fall, Gossip Girl has still some life left into it. 90210 continues to be hit or miss on the cancellation scale.

Hawaii Five-0 (CBS)
Type: Police/Action procedural
As expected last season, Hawaii Five-0 has become a great action-procedural mainstream spec to add to your arsenal.
Longevity: ★★★★ — Renewed and with a long life ahead of it.

Justified (FX)
Type: Police procedural
Justified is another series that completely exploded into the Mainstream category and has become one of the top specced show around.
Longevity: ★★★★ — A fourth season is upcoming, and me thinks it will keep on going.

The Mentalist (CBS)
Type: Police procedural
In its prime.
Longevity: ★★★★ — Already going on to its fifth season, The Mentalist is still the most solid police procedural around.

NCIS:LA (CBS)
Type: Police/Action procedural
Similar to Hawaii Five-0, NCIS:LA seems to deliver to people looking for an action/police hybrid drama.
Longevity: ★★★★ — Let me guess; renewed?

Sons of Anarchy (FX)
Type: Serialized ensemble drama
Similar to Breaking Bad, Sons of Anarchy’s serialized elements may prove difficult to spec. With that said, the FX series has definitely grown into becoming a high speccer.
Longevity: ★★★★★ — Those storylines, they keep on moving!

True Blood (HBO)
Type: Serialized fantasy drama
Although on the verge of being overspecced, the (supposed) unpredictability of the show makes it prone to fresh takes on the main characters. Or so they say.
Longevity: ★★★★★ — The upcoming season is the last for Alan Ball, and the show is catching up on the books. Be careful.

The Vampire Diaries (The CW)
Type: Serialized fantasy drama
On paper, it seems like a great, popular choice when it comes to fantasy series, with that said…
Longevity: ★★★★★ — …the constant flux in storylines may make you mad enough that you’d want to avoid speccing this one.

The Walking Dead (AMC)
Type: Ensemble/horror drama
Undeniably a very popular show, both on screen and on the page. The strong stand-alone aspect of the series makes it prone to lessen the serialized elements within your spec.
Longevity: ★★★★ — Regardless of your stance about how good or bad the show is, it’s not going anywhere anytime soon.



Wild Cards
Not quite fully widespread but will get there given the chance.

Game of Thrones (HBO) *
Type: Serialized fantasy drama
People think they can easily write great adaptations, which makes Game of Thrones the best candidate for top-specced show of 2013. But just because you love the book doesn’t mean you can write it. And there’s also this small issue of coming up with original stand-alone stories not found in the novels.
Longevity: ★★★★ — Hugely successful and over six books. Enough said.

Homeland (Sho) *
Type: Serialized thriller
The Showtime series made it surprisingly big last season, which inevitably transformed it into a popular spec show.
Longevity: ★★★★ — The serialization may put some people off, but it shouldn’t be that difficult to craft an episode around a specific subset of Abu Nazir’s terrorist plot (oh, look, free advice).

Leverage (TNT)
Type: Light heist/con/action procedural
Take it now before it goes over the hill.
Longevity: ★★★★★ — Five seasons and still going strong; however, the amount of original cons left are dwindling by the episode.

Nikita (The CW)
Type: Action/spy procedural
The only spy drama option as of now (that will surely change next year).
Longevity: ★★★★ — Average ratings and a pricey show means The CW could pull the plug, but Nikita is almost its only viable alternative series to the teen dramas.

Once Upon A Time (ABC) *
Type: Fantasy family drama
The most family-friendly show on this list, OUAT will probably be very specced by this time next year.
Longevity: ★★★★★ — A near-infinite pool of fairy tales coupled with big ratings means ABC has found its new long-standing drama.

Parenthood (NBC)
Type: Serialized family drama
First world problems: family edition.
Longevity: ★★★★★ — The serialized nature of Parenthood makes it hard to create a true stand-alone storyline, but a renewal is quasi-certain.

Person of Interest (CBS) *
Type: Crime procedural
The sci-fi touch is light but nonetheless makes Person of Interest an interest new addition to the crime procedural arena.
Longevity: ★★★★ — Renewal is a done deal.

Revenge (ABC) *
Type: Serialized family drama
The ultimate breakout soap of the past season, Revenge will clearly become a great series to spec…
Longevity: ★★★★★ — …depending on where the dominoes will fall at the end of this season.

The Secret Circle (The CW) *
Type: Serialized fantasy drama
If you feel The Vampire Diaries has been overdone, then this is for you.
Longevity: ★★★★ — Is it going to last? Two words: Kevin Williamson

Smash (NBC)
Type: Serialized musical drama
Make way for another musical series. Unlike Glee, you can showcase your lyrics talent given the show’s use of original songs.
Longevity: ★★★★ — Already renewed.

Touch (FOX) *
Type: Serialized fantasy/family drama
It is probably too soon to begin thinking about writing a spec for this mid-season show.
Longevity: ★★★★ — There’s too much serendipity in Touch for me to care, but at least it adds an interesting dynamic to the usual “problem-solving” storyline.

Treme (HBO)
Type: Serialized historical drama
Even if Treme is not that well known to be a good stand-out spec, let’s just say going toe-to-toe with David Simon is not recommended.
Longevity: ★★★★ — A third seasons premiering this fall and a fourth one already planned; looks like New Orleans is en vogue.



Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Hart of Dixie (The CW) *
Type: Serialized medical/family drama
If you’re aiming for broad appeal with a cute soapesque family/medical drama, Hart of Dixie will suit you just fine.
Longevity: ★★★★★ — More WB than CW, the series will most likely always be on the bubble.

Psych (USA)
Type: Light crime procedural
A little less used (and known) than its spy counterpart making it not quite as overspecced.
Longevity: ★★★★★Psych’s run is impressive, with a recent renewal for another full-16 episode season order, continuing its records as the longest-running series on USA Nework.

Southland (TNT)
Type: Police procedural
Southland offers a great option in the “edgy/realistic” police drama procedural.
Longevity: ★★★★★ — Once upon a time, the show was on its deathbed. It is now a popular basic-cable drama, in more ways than one.

Warehouse 13 (Syfy)
Type: Science-fiction procedural
Despite growing old, there are almost no purely procedural contenders in this genre. Like Eureka, Warehouse 13 will probably keep this slot until it bites the dust.
Longevity: ★★★★★ — You can never tell what crazy move Syfy will do next to shoot itself in the head.

White Collar (USA)
Type: Light crime procedural
A clear new winner for the blue-sky dramas from USA.
Longevity: ★★★★ — No way Jose that this show is biting the dust anytime soon.



Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Blue Bloods (CBS)
Type: Police/family drama
Blue Bloods is still too much under the radar to be considered as a main spec to send out, however the series offers an interesting family/procedural dynamic not really found on any other network shows.
Longevity: ★★★★★ — It’s on Fridays, so you can never know for sure.

Body of Proof/Harry’s Law (ABC/NBC)
Type: Medical/Legal procedurals
The shows are fairly weak to begin with, so trying to break out of the crowd by speccing either of them is disrespectful to your writing.
Longevity: ★★★★★ — Even if renewed, it would be quite hard to write a compelling episode.

Forty-five shows are listed this year and, like last season, a few things can be observed.

Network dramas are coming back in force, slowly eating away the piece of older, aging cable dramas from the big five (AMC, FX, Syfy, USA, and TNT). HBO continues to be home to bigger, grander series that are always more hazardous to spec. NBC continues to be absent for the most part, while CBS and (surprisingly) ABC are taking over the lion share, leaving FOX in the wind.

A clear trend is forming this time around when it comes to popular specced show: serialization.
With a growing and fiercer competition, people are ready to take more risks with bolder choices. Stand-alone procedurals have mostly fallen out of favor for most people, even diminishing the light character serialized dramas’ dominance of the past few years.
Interestingly enough, “fresh is best” seems also to be a new intrinsic concept for now, with first and second-season series being extremely popular out of the gate.

With pilots being the most requested samples, are we moving towards “throwaway specs”, lasting merely a season?
Fudging with mythology, choosing new shows, the classic spec rules are slowly starting to fade away.

Serial or not, as long as a script and the show reflect your voice, it ends up being all about the writing.
Make your choice.

Click here for the Comedy Spec Script list.

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Post image for Comedy Spec Script 2012 — What is hot and what is not


UPDATED:
A brand new 2013 list has been posted.
Click here to access it.


Like every year, it is now time to review which TV shows are good to spec, and which are not.
Dedicated posts will be made respectively for the best comedies (half-hour) and the best dramas (one-hour).
As the title says, this post is all about the comedies.
In addition, you’ll also find (when available) a script for the corresponding show.
Canceled or dead shows have been removed since last season’s spec list.

NEW ADDITION:
Given Warner Bros’ new rules for their fellowship, I have indicated with an asterisk (*) series that they will not accept specs for (mainly first-season series).

Here is a quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

Let’s get started.


Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

30 Rock (NBC)
Going strong with its sixth season currently airing, the show is still the to-go one when it comes to single-camera comedies. Which means additional competition within the very competitive field of spec writing.
Longevity: ★★★★★ — How many original ideas are left to tackle?

How I Met Your Mother (CBS)
Renewed for an additional two more (final?) seasons, HIMYM has been for a while, and probably will continue to be, an interesting hybrid animal in the spec world.
Longevity: ★★★★★ — It is clear that speccing an 8-season plus show is not the greatest idea. Would you have done a Friends spec around their seventh season?

It’s Always Sunny in Philadelphia (FX)
The format of Philly, although fairly unique for its time, has been put through every mold and peripeties imaginable. Writing a new spec may make you late to the party.
Longevity: ★★★★★ — Ten seasons and three movies?

The Office (NBC)
The change of cast brought a fresh perspective to the near-decade old show but it is kind of too little too late in the originality department.
Longevity: ★★★★★ — On its death bed with the inevitable Dwight spin-off.

Two and a Half Men (CBS)
If you’re that desparate for a Chuck Lorre-related spec, there are better choices out there.
Longevity: ★★★★★ — The Ashton Kutcher switcheroo brought new life to the series, which will probably make it last a few more seasons.

Weeds (Sho)
Despite the first two seasons being pretty straightforward and very speccable, the show has changed so much over the years that it’s hard to predict what misadventures are up next.
Longevity: ★★★★ — Dead show walking.



Mainstream
The current and new widespread shows in town that are getting read.

Archer (FX)
One of the best, if not the best contender in the animation comedy category.
Longevity: ★★★★ — Three seasons under its belt, a strong track-record of quality episodes; looks like the up-and-comer has become in vogue.

The Big Bang Theory (CBS)
If you’re thinking of a classic sitcom in its prime, this is the one. Careful though as it may go over the overspec hill pretty fast.
Longevity: ★★★★★ — One more season means twenty less storylines available, but don’t let this detract you from the most popular sitcom around.

Community (NBC)
A dangerous show to spec, if only for its tricky “on the nose” storytelling/dialogue, and the fact that it is always bordering cancellation.
Longevity: ★★★★★ — Tread very carefully.

Cougar Town/The Middle (ABC)
Surprisingly enough, despite being very low-key on either coasts, these two shows have begun what one might call a cult speccing trend.
Longevity: ★★★★★ — Never underestimate the under-underdogs.

Modern Family (ABC)
A mainstream single-cam that has matured enough to become the new king of comedy world.
Longevity: ★★★★ — What a joke it would be if the show were to get canceled.

Parks and Recreation (NBC)
Not only is it one of the best comedies around, it is still very fresh and very popular.
Longevity: ★★★★ — Beware of the constant flux within the characters’ dynamics.

Raising Hope (FOX)
This one is quickly becoming a very popular series to spec, thanks to its atypical humor.
Longevity: ★★★★ — Despite dips in ratings, it looks unlikely that FOX will cancel Raising Hope for at least another season.



Wild Cards
Not quite fully widespread but will get there given the chance.

Eastbound & Down (HBO)
Gathering cult status.
Longevity: ★★★★ — The show’s third season has been announced as being the last. Send it out while you can.

Happy Endings (ABC)
Its countless meta pop-culture references may be reminiscent of Community, but unlike its NBC counterpart, the ABC shows deals with contemporary pop-culture instead of cultish/classic trends.
Longevity: ★★★★★ — With three other “group” comedies premiering the same season, no one expected Happy Endings to not only do as well as it did, but also be as good as it is. It’s the little network show that could, and does.

Mike & Molly (CBS)
Another classic multi-cam comedy that hasn’t been tapped to its fullest potential.
Longevity: ★★★★ — With McCarthy’s new-found success, CBS will have a hard time justifying a cancellation of the sitcom.

New Girl (FOX) *
First we had Modern Family, then Raising Hope, and now New Girl. Watch out, we got a badass over here.
Longevity: ★★★★ — Renewed without any surprise.

Suburgatory (ABC) *
A great light and fun family comedy that fits right in the ABC comedy line.
Longevity: ★★★★ — Inventive and renewed; what more can you ask?

Two Broke Girls (CBS) *
If you like making racist jokes, the choice has been made for you. Just kidding?
Longevity: ★★★★ — It’s a done deal on the renewal.

Up All Night (NBC) *
The new show under everybody’s radar, yet with one of the strongest comedy casts around.
Longevity: ★★★★★ — Although a lukewarm track-record, it is doubtful that NBC will cancel this one for now.



Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

House of Lies*/Nurse Jackie (Sho)
Despite seeming like ridiculous contenders, Nurse Jackie specs have gone surprisingly far in various fellowships. And House of Lies’ freshness, coupled with its hyper-cast, gives the Sho show potential for a strong script.
Longevity: ★★★★★ — Emmy-winning this, Oscar-nominated that. Two dramedies that are not going anywhere for the next few months, or years.

The League (FX)
The macho-man show has transformed into a great outsider spec.
Longevity: ★★★★★ — Recently renewed for a fourth season, The League may not go past another couple of seasons given the cast’s career trajectory.



Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Childrens’ Hospital/NTSF:SD:SUV/Eagleheart (Cartoon Network/Adult Swim) *
None of them are strictly speaking half-hours, so it would be quite tough for any of these shows to be sufficient by themselves.
Longevity: ★★★★★ — They’re dirt cheap enough to not be canceled soon.

The Life and Times of Tim (HBO) *
Like the Adult Swim block, Tim is not only amongst the most un-politically correct show on this list, but more importantly is in a short-form structure that might not appeal to the mass spec market.
Longevity: ★★★★★ — Saved from the dead at the last minute this past season, it is unclear if a miracle can be pulled twice in a row.


Once again, it seems the comedy landscape is outshining this year the drama side with its many choices.
Following last season’s footsteps into marking their comedy territory, both ABC’s and FOX’s lineups are giving NBC a run for their (lack of) money. Parks & Rec, 30 Rock, The Office and (ironically?) Community are still the most popular specs, but it’s become clear that the alternatives will soon take the top seat. While the big dogs are fighting, the cable world is slowly pushing its underdogs to the top. Who’d have thought Archer would be the mainstream animation show when it premiered?
With Eastbound and probably Tim gone by next season, HBO is left in the wind in the face of Sho’s dramedies (which, for the most part, are strangely categorized as dramas). Meanwhile, Lorre is still reigning supreme over multi-cams while they are, little by little, slowly phased out from our screens.
The tone has been set.

Click here for the Drama Spec Script list.

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First off, I can’t believe this is already my fourth Emmy review on this site.
I’d like to thank — Oh, who am I kidding. I made myself.

Anyways, on to business.

I’ve gotta admit, this was a pretty good year for the Emmys.
Jane Lynch was a great host, and it started off fairly well with her opening number.
It did drag on a bit but, overall, it was a nice time (I’m still a fan of last year’s Born To Run though).
One thing I did note about the stage was the huge FOX logo at the top of the gigantic video tower.
We get it, we’re on FOX. The Simon Cowell network.

The big awkward running gag of the night (you’ve gotta have one of those) was the Emmytones. Or, as I call it, the “why the fuck am I doing this” choir, composed of such talented actors as Joel McHale and Zach Levi.
Forced smiles coupled with bad timing meant one bad musical number after another.
LL Cool J’s surprise guest song towards the end of the night only reinforced the contrast between a “cool” number and…that.

As expected, we were treated with funny presenters mixed with more, shall we say, somber ones.
It started pretty well with the two Jimmys (Fallon and Kimmel) boxing it out.
The first part of the night was, as Jane Lynch called it, the Modern Family Awards.
Beyond the fact that it was a clean sweep for the show, I actually did not expect Julie Bowen and Ty Burrell to win. They did deserve the awards though.
Ricky Gervais’ pre-recorded message was way too tame to be funny. I know it was supposed to be the joke but, still, too on the nose. Here’s to hoping he’ll be back in some capacity live on another award show.
Another annoying thing about the night was the overbearing announcer/voice-over guy making pretty crappy jokes about each winner as they walked onto the stage. They definitely need to cut that gag out next time around.

I honestly thought there would be an upset in the comedy writing department with Louis C.K. winning. After all, the show is widely loved in LaLaLand.
And if not a Louie episode, then at least the final Steve Carell/The Office one.
So, yes, this was another Modern Family Emmy I didn’t really anticipate.
Same comment for ‘best actor’ where I really thought Steve Carell’s final year would be recognized.
Charlie Sheen’s speech was beyond awkward. Was he being serious or ironic? It all sounded so hollow and strange. I can understand Jim Parsons being creeped out.

At this point in the post I have to take a moment and acknowledge the great dramatic presentation that was the Outstanding Lead Actress in a Comedy Series category.
All the nominated actresses going up on stage ‘impromptu’-style was great.
Yay for McCarthy. I’m not a big Mike & Molly fan though I’m seeing this victory as a recognition of McCarthy’s past work (Gilmore Girls!). And Bridesmaids certainly didn’t hurt.

The best moment of the night was undoubtedly the great Office comedy bit with fellow characters/actors popping in and out of the short. The biggest laughs were had with Jesse Pinkman giving Creed some meth. Brilliant.


I also cannot help but be amused by Cee-Lo’s chair malfunction.

Moving on the the Reality/Variety category, I have to say that Top Chef: All-Stars was a shoe-in for the Emmy, not Amazing Race (for what feels like a decade of wins).
Speaking of gazillion victories, The Daily Show once again took the top prize. I can’t complain, although I’m still waiting on The Colbert Report to get the Emmy.

We then got blasted with a Lonely Island medley (sorta).
Look, I enjoy the occasional skit as much as the next guy, but doing a live remake of the Michael Bolton song was unoriginal to say the least.
It was a nice touch to have (I think) Ed Helms, Maya Rudolph and John Stamos in the set as well, but overall, a fairly weak (albeit crazy) skit.

And this brings me to the ‘best drama writer’ category.
Holy smokes.
Huge surprise (in my mind) with Jason Katims’ oh-so-deserved victory for the series finale of Friday Night Lights.
Finally some recognition!
Now, I’m still a season behind, but I’m super stoked about this win.
Ditto for Kyle Chandler’s Emmy prize.
Those are upsets I enjoy seeing.
Martin Scorsese winning best director was one of the most obvious awards of the night (save for the finale two).
On the other side of the coin, Peter Dinklage won!


It might not have seemed like the role of a lifetime but it sure feels like it now.
Game of Thrones is currently the number one talked-about show in every writers room so it might not be as surprising as it seems.

Following last year’s debacle, the ‘In Memoriam’ segment was anticipated (for lack of a more politically-correct description).
What we got this time around was a music clip promoting a Canadian boys band singing a terrible version of Hallelujah.
Better luck next season, right?

And now about the final awards.
Clearly no surprise there for Downtown Abbey which holds the BS record for “most acclaimed series in the world”.
I haven’t got much else to add about Mad Men’s victory.
And as for Modern Family winning. Well. It’s the new 30 Rock.

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Post image for TV Writing Fellowships: The Big Six

We all know that staffing season is right around the corner, but a great way to learn more about the TV writing industry while simultaneously get a major push in “breaking into it” is by getting selected into one of the main TV writing fellowships out there.

Although several lists of them have been posted here and there, I didn’t find an exhaustive one listing both the current application requirements for 2011, as well as the correct submission period (plus other info like eligibility, number of fellows selected, etc.).
So here is one.

For future reference, I have also included the two fellowships whose deadlines have already past.
Note that the listed application requirements exclude the obvious signed agreements/application forms that must always be completed. In addition, I did not include the physical details of the submission process such as number of copies of scripts required, notarization of application, shipping address, etc. (all of it can be found on the official page of the programs).

CBS Writers Mentoring ProgramCBS Mentoring Program
Application Webpage
The focus of this six month program is on opening doors: providing opportunities to build relationships with network executives and show runners; to support new and emerging writers in their efforts to improve their craft; and to develop the interpersonal skills necessary to break in and succeed.
The Writers Mentoring Program is not employment and there is no monetary compensation. It is, instead, a structured program of career development, support, and personal access to executives and decision-making processes, with the goal of preparing aspiring writers for later employment opportunities in television.
Each participant will be teamed with two different mentors.
One is a show mentor who is a senior-level writer on a current CBS drama or comedy series. This relationship builds over the course of the Program and is focused on helping the participant with creative feedback on their writing as well as help and advice on career goals.
The other is a CBS network or studio executive with whom they will meet on a regular basis, to discuss their work, get creative feedback on their material and get advice and support in furthering their career.
Once a week, participants will be invited to attend a small workshop-style meeting with various CBS show runners and other industry professionals. Speakers include executive producers, agents, managers, development and current executives and others. The purpose of these gatherings is for participants to gain a better understanding of how the business works from many different perspectives as well as creating the opportunity to make critical networking connections.
It’s been found that in order to derive the greatest benefit from the Program, participants should be available to 1) attend a once a week (evening) workshop and 2) attend meetings or observe in various situations for a minimum of five full days (not necessarily in sequence) over the course of the six-month Program.
Number of applicants selected: Up to 10
Submission period: February 1, 2011 — April 1, 2011
Dates of program: Late September 2011 — April, 2 2012
Eligibility: The primary focus of The CBS Diversity Institute’s Writers Mentoring Program is to provide access and opportunities for talented and motivated diverse writers with a focus on writers of color. Aspiring diverse writers with a strong desire to write for CBS television series are encouraged to apply. You must be 21 or older to be eligible.
Application requirements:
– One half-hour or hour spec script based on a primetime network or cable series that aired new episodes during the 2010–2011 season
– One original work of writing (screenplay, stage play, short fiction story) except original pilots. The original sample should be similar in tone to the spec sample.
– Current resume or short biographical summary
– Letter of interest
Cost: Free

Disney/ABC TV Writing ProgramABC Writing Program
Application Webpage
The program is designed to expose aspiring writers to key executives, producers and literary representatives – all essential in the pursuit of a writing career. Additionally, while in the program, writers have the opportunity to work one-on-one with a current programming or development executive to create spec scripts of series from the current broadcast season. The ultimate goal is to prepare and nurture the writers for a professional writing career.
Number of applicants selected: Up to 8
Submission period: May 1, 2011 — June 1, 2011
Dates of program: January 2012 — January 2013
Eligibility: Applicants must be at least 18 years old and have US employment eligibility. Prior professional work experience in the entertainment industry is recommended. Post college experience preferred. Although one completed script is required for consideration, the ideal candidates should have a body of work consisting of no less than two spec scripts and at least one original sample. If candidate advances to final stages of interview process, the review of additional scripts and referrals from working entertainment industry professionals will be required.
Application requirements:
– One half-hour or hour spec script based on a primetime network or cable series that aired new episodes during the 2010–2011 season
– Current resume
– An autobiographical summary
– A statement of interest capturing the applicant’s journey thus far in pursuing a career as a TV writer (500 words or less)
– Two letters of recommendation from entertainment industry professionals. The letters must be written on your behalf by working entertainment industry professionals who can discuss your potential as a professional television staff writer.
Cost: Free

FOX Diversity Writer’s InitiativeFOX Diversity
Application Webpage
Writers selected will be invited to attend a six-week session at Writers Boot Camp and subsequent consultation with WBC mentors during which their scripts will be rewritten and improved. The goal is to execute scripts at a level of professional quality equal to those purchased by Fox in the course of its normal television development.
Submission period: TBD (Deadline is usually end of June)
Eligibility: The emphasis in the FOX Writer’s Initiative is to support the development of original television series ideas by diverse writers, or by non-diverse writers who are writing about inherently diverse themes and/or diverse lead characters. African-American, Latino, Native American, Middle Eastern, East and South Asian writers are particularly encouraged to apply. Candidates should also be recommended by either agency representation or an individual with considerable industry experience. Applicants must be at least 18 years old to submit.
Application requirements:
Writer without representation:
– One half-hour or hour original spec script pilot.
– The script must be read and evaluated by an individual with considerable industry experience (e.g. a writer that is currently working on a TV show [producer or above], a television or film creative executive, writing professor, a community entertainment group, a national media coalition group). The evaluator is to write a letter of recommendation on the letterhead of the company or school with which (s)/he is affiliated.
– A cover letter indicating writer’s desire to participate in the FOX Writer’s Initiative
– Current resume
Writer with representation, talent agent must submit:
– One half-hour or hour original spec script pilot.
– A cover letter indicating writer’s desire to participate in the FOX Writer’s Initiative
– Current resume of applicant writer
Cost: Free

NBC/Universal Writers on the VergeWriters on the Verge
Application Webpage
Writers on the Verge is a 12-week program focused on polishing writers and readying them for a staff writer position on a television series. The program will consist of two night classes, which will be held on Tuesdays and Thursdays (7-10pm), weekly at NBC in Universal City, CA. Once accepted, students must attend all classes and turn in all written assignments.
Classes concentrate on creating an exceptional spec script and understanding the dynamics of pitching oneself in the television industry. Writers are given the chance to interact with industry players ranging from network executives to showrunners to agents and receive valuable feedback on their work and pitch style.
Number of applicants selected: Up to 8
Submission period: May 30, 2011 — June 30, 2011 (3:00 PM PST deadline)
Dates of program: October 4th, 2011 — January 12th, 2012
Eligibility: Anybody can apply. The program is especially looking for writers who are “almost there” but need that final bit of preparation with their writing and personal presentation skills. They particularly encourage writers of diverse backgrounds to apply.
Application requirements:
– One half-hour or hour spec script based on a primetime network or cable series that aired new episodes during the 2010–2011 season
– Current resume
Cost: Free

Nickelodeon Writing FellowshipNick Fellowship
Application Webpage
Operating in a three-phased structure, the Fellowship provides a salaried position for up to one year and offers hands-on experience writing spec scripts and pitching story ideas in both live action and animation television.
This three-phased structure allows fellows an opportunity to nurture relationships with creators, network executives, line producers, head writers, showrunners and story editors.
As part of their script writing, each fellow will be assigned to an Executive in Charge of Production and have an opportunity to write a spec script for an on-air Nickelodeon show.
In addition, all fellows are integrated into the activities of both the development and production departments. This allows the fellows an opportunity to attend storyboard pitches, notes meetings, records, table reads, show pitches and show tapings, all while being exposed to top creators and key production crews.
Number of applicants selected: Up to 4
Submission period: January 2, 2011 — February 28, 2011
Dates of program: October 2011 — October 2012
Eligibility: Applicants must be at least 18 years old and have US employment eligibility.
Application requirements:
– One half-hour comedic spec script based on a primetime network or cable live-action or animation series that aired new episodes during the 2010–2011 season
– Current resume
– Half-page biography
Cost: Free

WB Writers’ WorkshopWB Writers Workshop
Application Webpage
The Warner Bros. Television Writers’ Workshop consists of three components, all geared towards preparing the writer for a successful career in television writing.
Lectures: Weekly lectures feature guest speakers currently working in television and include a mix of showrunners, directors, actors and agents. Each seminar will teach a new skill essential for surviving and excelling in a writers’ room as a staff writer and beyond.
Simulated Writers’ Room: After the lectures, the Workshop participants are divided into smaller groups for an intensive writing experience. Each participant will be required to complete a new spec script under the same deadlines found on a show currently in production. How participants perform during this exercise will determine whether they will be chosen for a possible staffing position on a Warner Bros. show.
Staffing: Upon completion of the program, Studio executives will help participants, who pass the Writers’ Room, obtain a staff position on a Warner Bros. television show currently in production. We can’t guarantee you will get staffed, but we will get your material in front of the people who make the ultimate decisions – the showrunners.
Number of applicants selected: Up to 10
Submission period: May 2, 2011 — June 1, 2011
Dates of program: October 2011 — March 2012
Eligibility: Applicants must have US employment eligibility.
Application requirements:
– One half-hour or hour spec script based on a primetime network or cable series that aired new episodes during the 2010–2011 season
– Current resume
– A one-page composition telling “why you want to be a television writer and how your background will add a unique perspective to television.“
Cost: $30 application fee per script (multiple scripts can be entered through separate applications)

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