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Post image for Drama Spec Script 2010 — What is hot and what is not

After criss-crossing several sources, it is now time to review what dramas are good to spec, and which are not.
As usual, when available, a sample script is offered for each show listed — usually the pilot episode.

Let’s do again a quick recap of how this works.

The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers — and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (newcomers that could potentially become popular down the line — if they’re not canned first)

There is also a grade regarding the show’s longevity in relation to specs of said show.
Meaning, how long can you keep your spec script without having to throw it in the trash?
To do this, we use what I think is the greatest grading system on Earth; stars:
★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

And here we go.


Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

CSI/Law & Order (CBS/NBC)
Type: Police procedurals
Past their expiration date.
Longevity: ★★★★ — Nothing’s A-Changin’ for this one. It still will get “real old, real fast.”

Dexter (Sho)
Type: Serialized crime drama
As predicted last year, the Dexter time has passed, killed by its own popularity (commonly known as the hotness monster).
Longevity: ★★★★★ — If you’ve seen the end of season four, you know what I mean when I say your spec won’t survive the fifth season premiere.

Grey’s Anatomy/Private Practice/House (ABC/FOX)
Type: Medical procedurals
It is harsh putting these three shows at the same level, but the truth of the matter is that they’ve all already been done to death(s), literally.
Longevity: ★★★★★ — Renewed, and renewed, and renewed.

Mad Men (AMC)
Type: Serialized historical drama
This might be a surprise for some, but it’s the same reasoning as 30 Rock: everyone is doing it. Sure, you won’t go wrong with a Mad Men spec, but it certainly won’t be an original choice.
Longevity: ★★★★★ — And not only that, but who knows what’s going to happen with all the massive changes at the end of last season? You would need to stumble on major plotlines to get this spec going, which is never good.


Mainstream
The current and new widespread shows in town that are getting read.

Bones (FOX)
Type: Police procedural
Still a mainstream procedural that’s probably living its last year(s) as a tangible spec.
Longevity: ★★★★★ — Doesn’t mean the show is going to die soon though (you know, strong ratings and all that).

Breaking Bad (AMC)
Type: Serialized character/family drama
Although it was last year a “Wild Card”, the series has now become pretty much mainstream, replacing Mad Men as one of the most sought-out speccable shows. As much as this is true, I would still not recommend beginning a new spec for three reasons: first, the show is way more popular than you’d think (meaning more competition), second it’s heavily serialized, and third…
Longevity: ★★★★★ — …the end of season two hinted at a different character dynamic altogether for season three. See Mad Men on why that could be problematic.

Chuck (NBC)
Type: Light spy/action procedural
On the one hand, Chuck is still an offbeat drama that has a lot of potential, so you shouldn’t throw your current spec out the window.
Longevity: ★★★★★ — On the other hand, the series recently scored its lowest rated episode ever. Beyond that however, the status quo is simply not quo anymore, so it’s hard to find the correct balance between serialized stories and “mission of the week.”

Fringe (FOX)
Type: Police/Science-fiction procedural
At this point, the show is more fantasy-fiction than science-fiction. With that said, its procedural side is undoubtedly attractive to many.
Longevity: ★★★★ — It got beaten hard in its new Thursday timeslot, and despite this, the notoriously-fickle FOX network renewed it. Yeah, it’s safe. Plus, the core dynamics of the show will probably not change much in these next episodes.

Gossip Girl/90210 (The CW)
Type: Teen dramas
When it comes to this subgenre, there’s no debate that, yet again, these are the shows to spec.
Longevity: ★★★★ — The CW is hanging tight on those two.

The Mentalist (CBS)
Type: Police procedural
Surely the hottest specced procedural right now. Maybe you can play with the Red John storyline.
Longevity: ★★★★★ — This one is pretty much safe.

True Blood (HBO)
Type: Serialized fantasy drama
At one point an “Outsider”, it has now become surprisingly common. I say surprisingly because it is a hard speccer, given both its dense mythology and the fact that it is based on a series of books.
Longevity: ★★★★★ — HBO is certainly not going to can it. Maybe you can predict the future of the show via said novels, but Alan Ball has already changed major stuff. Would your season one spec really fit into a season three narrative?


Wild Cards
Not quite fully widespread but will get there given the chance.

Burn Notice/Psych (USA)
Type: Light action and crime procedurals
Although less popular than a few months back, story ideas have not been exhausted yet…
Longevity: ★★★★ — …and USA isn’t letting them go anytime soon.

Caprica (Syfy)
Type: Serialized science-fiction drama
This category choice might also surprise some people. If you look at Caprica, unlike the early days of Battlestar Galactica (or SGU), you don’t have a standard formula, at least regarding a potential ‘procedural’ aspect. There are overarching stories that more or less get expanded throughout the various episodes, but you don’t have a stand-alone crisis each episode. If you do decide to spec this, tread lightly…
Longevity: ★★★★★ — …especially considering the regular character and mythological developments, as well as its lukewarm ratings.

Castle (ABC)
Type: Police procedural
Will most likely take over Bones’ place in the spec world.
Longevity: ★★★★ — Strong 10PM ratings means its nearly-assured renewal. Its classic ‘case of the week’ format is also a crowd-pleaser.

Glee (FOX)
Type: Light serialized high-school drama
Probably one of the most difficult specs out there, despite its overwhelming popularity. It is indeed hard to get past the serialized aspect of the series, as well as its primary use of popular songs which contradicts with the need for a spec script to be realistically producible.
Longevity: ★★★★Glee is definitely in for the long run. Try to be careful with the arrival of new cast-members and soapy twists.

Leverage (TNT)
Type: Light heist/con/action procedural
Most likely will become one of the hottest spec, the series proved this season it could go beyond the basic “con of the week” and offer actual season-long arcs (and big pay-offs). Regardless, the show’s procedural formula can still be applied to your spec. John Rogers’ blog has tons of other behind-the-scenes info about the writing.
Longevity: ★★★★ — A major drama for TNT getting renewed early. I would say wait until the season three premiere (and Gina/Sophie’s comeback) before going the hands-on approach.

NCIS:LA (CBS)
Type: Police procedural
A spec as worthy now as its older brother was in its heydays…
Longevity: ★★★★★ — …thanks in part to phenomenal ratings.

Southland (TNT)
Type: Police procedural
The little cop show that could. Saved by the bell, it is still the underdog police drama on TV and a speccer with great potential.
Longevity: ★★★★ — Don’t take it as granted though: the ratings are going down fast. You should wait for a definite yes from TNT before beginning a breakdown.


Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Eureka/Warehouse 13 (Syfy)
Type: Science-fiction procedurals
Yes, believe it or not they are getting specced; and for good reasons. Stand-alones are easy to place inside any of their seasons. Even Eureka, soon in its fourth season, still has some spec potential as a procedural. Not to mention the fact that there are not many other science-fiction shows out there.
Longevity: ★★★★ — You can count on them being on TV for some time, and major mysteries/arcs can be easily avoided in a potential story.

The Good Wife (CBS)
Type: Legal procedural
IT is hard to define this show, but one thing’s for sure: it will become a hot speccer very soon.
Longevity: ★★★★ — You shouldn’t be worried for Julianna Margulies anymore, she has found her goldmine.

Stargate: Universe (Syfy)
Type: Serialized science-fiction procedural
This might seem antinomic, but the truth is, SGU is way more serialized than its two predecessors. Still, some episodes can center around the usual “problem of the week,” and therefore give a more procedural aspect to the show, which makes it much more speccable than you’d think.
Longevity: ★★★★ — Long live the Stargate franchise. Be careful that future episodes don’t change major events in your spec.

White Collar (USA)
Type: Light crime procedural
This year’s dark horse, it could down the line become a major speccer for light procedurals.
Longevity: ★★★★ — It definitely seems it’s going to be here for a few seasons.


Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Dark Blue (TNT)
Type: Police procedural
This is a gambler simply because it is virtually unknown compared to the other police procedurals. This might be a good thing usually, but I’d hold off speccing this…
Longevity: ★★★★ — …until it’s deep into its second season and more acknowledged.

Human Target (FOX)
Type: Action procedural
As virtually the only reliable (formula-wise) action-drama on television, you’d think it would be the go-to show to spec. But if you look at it more carefully, there are just too many unknown variables for now.
Longevity: ★★★★★ — If anything, the series is in strong danger of getting canceled. Try to wait for a renewal before starting on your script.

Parenthood (NBC)
Type: Serialized family drama
Are you seriously considering speccing this one? Let’s get real.
Longevity: ★★★★★ — Despite a possible second season, already finding a formula you can lean on for your spec is near-impossible this early.

With over thirty shows reviewed, we can spot of few trends.

Showtime is almost totally absent from this list mainly because of their lack of dramas (they’re more into half-hours it seems). FX is also not listed thanks to their current programming renewal. The basic-cable shows from AMC, TNT, and even Syfy and USA, continue to rise on the spec market.

A lot of new shows are already getting specced right off the bat, primarily due to some early pick-ups, shorter seasons, and dying classics.
I would advise against getting too invested into a spec unless you know for sure the show has been renewed.
Besides the cancelation factor, you also have to consider if the show is heavily serialized or not.
I didn’t include series like FlashForward, V, or even Sons of Anarchy, as they are all nearly impossible to spec at this time. Your spec would be hard to put into “stasis mode” due to the ever-changing storylines.
(Semi-)Procedurals are still the norm, though a lot more serialized shows are getting some sense of success. Even what appear to be classic procedurals such as The Mentalist still have a few arcs you can play with.
The bottom line is the same as usual: chose a show that reflects your voice, your aspirations, and what you like. You really do have a wide array to choose from.

So now, let me ask you this: What are you speccing?


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Additions

by Alex on August 28, 2009

in News

While I was posting my little rant about the Weinstein Company’s “way out”, some new infos have been surfacing regarding TV stuff:

Damages’ third season has added another regular to its table: Royal Pains’ Campbell Scott.
Also, Greek’s Jesse Williams (who will soon star in Cabin in the Woods) has just joined Grey’s Anatomy for a multi episode arc.

Dollhouse has added loads of great actors including kind of a Whedonverse reunion with Summer Glau and Alexis Denisof. Michael Hogan and Keith Carradine are also joining the cast.
Does the show have the best cast on TV right now or what?

And Superman Returns’ Brandon Routh is joining Chuck for a substantial arc.

Speaking of, Josh Schwartz is teaming up again with another Chuck exec, Matt Miller, to write a multicamera sitcom script for CBS. The potential show would follow young newlyweds shortly after their honeymoon. The series is supposedely inspired by both Miller and Schwartz’s recent marriages.
I wonder how that will turn out.

After The L Word, here comes another letter-word Showtime series, The C Word.
The cable network has ordered to pilot a show that would star none other than Frasier/John Adams’ Laura Linney. C Word, created by Darlene Hunt, will be a dark comedy about cancer. Linney will play “a suburban mom forced to deal with a cancer diagnosis”.
I’m intrigued.

And finally, some fantastic news for all Leverage fans out there.
The show has already been renewed for a third season (to be aired later next year).
Awesome.


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Post image for One Year of (various) Posts

First post of the birthday week.
This might feel to some like one of those sitcom epis with clip shows of the best moments because writers have become lazy.
Don’t worry though, this is just a blog taking a look back at a year’s worth of random posts, because I’m lazy.

Like J.D. said:


I know I’d love to forget all the [things] that have happened to me. But unfortunately I keep replaying them in my head like some clip show from a bad sitcom too lazy to come up with a fresh story.

So much incredible stuff happened in the past year…

Let’s get started with TV.
This year has been marked by crazy actions on this side of the biz.
From CBS to FOX or HBO, we’ve seen some pretty incredible stuff.
Most of all, there was some serious NBC talk thanks to Dumb and Dumber’s stupid moves, especially moving Leno to the 10PM slot, Mondays thru Fridays.
You can bet I’ll be talking about this more in Wednesday’s post.

Equally as mind-boggling was SciFi’s atrocious name-change planned for July (SyFy? Really?):

Let me get this straight.
You want to change everything from your logo to your slogan, and from the brand to your core audience (you know, the one that made you what you are now). And do all that for absolutely no reason at all (given the channel’s top-10 network status)?

Syfyllis is still a serious condition and just plain dumb.
One very recent Twitter justification was equally as spastic (is that what the cool kids are calling it these days?):

If it’s such a good time for sci fi, why change your network name to SyFy?
To differentiate our brand in an increasingly competitive category where we’re competing in more countries and on a growing number of platforms. For instance, type “scifi” into Hulu search and you won’t get any results from our shows on the first page. Just one example of many.

Continuing on the TV side of things, we’ve seen our fair share of TV Shows throughout the year, including an interview I did with Lost’s Damon Lindelof and Carlton Cuse.
Some shows were unfortunately cancelled, like The Middleman (my favorite from last summer), others surprisingly not, like Dollhouse. Others meanwhile were fortunately renewed, such as Leverage.
There was also an introduction to this new little ABC show called Flash Forward (now renamed FlashForward, following the author’s original wish).

We talked a bit as well about the Arrested Development movie that shouldn’t come out for another year or two.
In the meantime, you should check out the awesome Arrested Developement documentary (yes there is one) when it comes out (2009?).

Perfect segue to the movie front of the year, which had a lot of…interesting happenings (besides Cannes).
Watchmen was probably the most talked-about film here, followed closely by Star Trek.
Speaking of, Warner Bros. just loved my posting of the epic Watchmen opening sequence and asked Blogger to delete my post with no warning.
Like I said at the time:

I’m not going to post the sequence again for the sake of it, but suffice to say that I’m quite disappointed by the behind-my-back actions taken.
I also find quite ridiculous that said actions were done in the name of the Digital Millennium Copyright Act, let alone the crusade against people posting the opening Watchmen sequence.
Are they afraid people will find it is so awesome they decide not to go watch the rest of the movie?
Even yU+Co was forced to take it down, even though it’s their own company that made the titles.
Quite ridiculous indeed.

Another Watchmen scandal was with its ending.
Squid or no Squid? I asked back in November.
You should know by now the answer (spoiler alert: it’s not like in the graphic novel).
Let’s not forget as well the FOX versus WB case regarding the movie’s rights.
Ultimately, and unsurprisingly, they settled.
No harm done.

What is however a harm (to my brain) are phenomenons such as that Twilight thing.
Remakes of remakes were as well discussed.
And I almost forgot to talk about all the game adaptations, like Monopoly, and Clue.
Where is the originality?
Here it is:
The big talk of upcoming 2009 films must be James Cameron’s Avatar.
You know, the movie I’m saying will revolutionize 3-D.
This is like my own personal TOLDJA! moment regarding 3-D (and Avatar):

Sound was introduced in 1927.
Color was introduced in 1938.
3-D will be introduced in 2009.

I think I called it.

Continuing on the entertainment industry…
We’ve seen our fair share of (not-that-funny) award shows this year, from the Golden Globes to the Oscars.
This year might prove different with either Neil Patrick Harris or Craig Ferguson hosting the Emmys.
That’s epicness right here.

Moving on, there was a lot of talk about technology.
From the floppy disk to Twitter (who had even heard of Twitter a year ago?).
Some talk around the future of entertainment, especially television, has as well been present throughout the year.
Whether it is via Strike.TV in last August, or more re
cently Hulu, with its financial investments.
Yet again, we’ll talk more about this on Friday’s post thanks to a couple of new articles regarding rebranding (SyFy) and broadcast future (NBC and CBS specifically).

Finally, there were changes in the political landscape this year, with the arrival of a new President and the departure of another.
Shifts in the economy as well were felt. Both in the TV industry and elsewhere.
And to finish us off, we shall mention this Lego man, who didn’t after all go on I’m a “Celebrity” (sarcasm quotes not included in original title).

Incredible postings aside, this year was riveting.
More to come tomorrow.


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TVLeverage — Pilot by John Rogers & Chris Downey MovieThe Royal Tenenbaums by Wes Anderson & Owen Wilson Enjoy.


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Post image for Spec Script 2009 — What is hot and what is not

UPDATE: A new updated 2010 version is available here.

‘Tis the season to write great scripts.
Staffing season is fast approaching and I’ve been perusing the various blogs in search of good spec advices, so I decided to put all those info in common into a clear list of speccable drama shows.
The ideal portfolio would probably be composed of three specs script.
One safe, “mainstream”, another more marginal, “borderline”, and a third which would be an original pilot/feature.
Basically balance the “safe” with the “risky”, the “light” with the “dark”, and procedurals with genre shows.

The shows are divided into 4 somewhat self-explanatory categories regarding their appeal to readers and how well they are known/read:
– Over-specced (forget it)
– Mainstream (everyone’s doing it)
– Wild Cards (soon, everyone will do it)
– Outsiders (get out of the pack)

There is also a grade regarding the shows’ longevity in relation to specs of said shows using the greatest grading system on Earth: stars.

★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

C. S. I./Law & Order (CBS/NBC)
Let’s begin with the obvious.
Once the hottest specs in town, now not so much.
Longevity: ★★★★ — The type of spec that is probably going to get real old real fast. I wouldn’t start a new one, it’s been over-done.

House (FOX)
A now-classic medical procedural yet slowly fading in demand.
Longevity: ★★★★★ — Even though FOX is probably going to renew the show for several years to come, speccability is going down fast for House.

Mainstream
The current and new widespread shows in town that are getting read.

Dexter (Sho)
Seems like this once-must-have spec won’t pass another season. Probably the last “hot” year for Dex.
Longevity: ★★★★★ — Clearly not as in high demand as it was a couple of years ago but should live for another year or two.

Bones (FOX)
I don’t know the show well enough, but from what I can gather, it’s a solid procedural.
Longevity: ★★★★ –Steady ratings on the verge of 10M viewers should ensure another couple of seasons.

Mad Men (AMC)
The hotest spec on the market right now. Everyone and their mothers seems to be doing one. Has obviously gone mainstream given the amount of specs produced around it.
Longevity: ★★★★★ — AMC is not going to let this one slide.

Gossip Girl (The CW)
If you’re aiming for this type of show then probably the show to spec.
Longevity : ★★★★★ — Do you really think The CW is going to cancel that show anytime soon?

Wild Cards
Not quite fully widespread but might get there given the chance.

Fringe (FOX)
Clearly the fresh FOX show to spec right now with a lot of potential.
Longevity : ★★★★ — Unless the show tanks in the ratings and/or FOX finds a new hit show next year, Fringe surely has at least a second and third season pretty much guaranteed with 24 and Prison Break soon gone and no real lighthouse shows for the network.

The Mentalist (CBS)
A classic CBS procedural that, given its ratings, is most likely the new Cold Case/Without a Trace.
Longevity: ★★★★★ — Given the fact that C.S.I./Cold Case/Without a Trace still continue, the show probably has a few years ahead of it

Dollhouse (FOX)
One might think a very speccable show as the serialized nature of the show successfully balances out the SF aspect, but the risk may be be too great.
Longevity: ★★★★ — I wouldn’t hold my breath given the atrocious ratings and the Friday timeslot on FOX. Wait for a definite renewal to start on that spec.

Flashpoint (CBS)
Well…We’ve discussed in depth this already. Its freshness should give you a wide array of stories, and its procedural aspect should give it a wide enough reach.
Longevity: ★★★★Flashpoint rules the Fridays, no reason to get canceled yet.

Chuck (NBC)
Fun, light-hearted spy drama with a lot of story elements to choose from.
Longevity: ★★★★ — Unless NBC cancels the show (doubtful given the Super-Bowl and 3-D money behind it), there’s still a couple of years ahead.

90210 (The CW)
Will soon join in the ranks of Gossip Girl.
Longevity : ★★★★★ — Same question Gossip Girl: Why cancel it?

Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you over the rest of the pack.
After that, it depends on the willingness of the reader.
Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Breaking Bad (AMC)
Not as major as Mad Men but clearly a lot of potential. Might prove hard to spec though.
Longevity : ★★★★ — Seems like AMC is on a streak so it most likely will renew the show for a couple of years at the very least as it will become more and more speccable.

Leverage (TNT)
Perhaps a new dark horse. The show is fresh enough to give a new spin on the heist and con storyline of your choice.
Longevity: ★★★★ — A second season order bodes well for this new show.

Burn Notice/Psych (USA)
Good light procedurals and both shows are not majorly specced right now.
Longevity: ★★★★ — I don’t see any reason why USA would cancel those shows anytime soon as the network doesn’t have much else going for it.

Even though it’s obvious only the major, more or less “speccable”, shows around were put down on this list, it’s interesting to note the rise of the basic cable spec market (AMC, TNT, USA) yet there is no real ABC nor HBO contender this year, mostly because ABC only has either dying or over-specced shows (Ugly Betty, Grey’s Anatomy) and HBO doesn’t have that much shows anymore.

You can still try the
very risky route of speccing The Tudors for instance, but be sure to see check if who you’re sending it to will actually read it.

Also, try to net get too invested in a spec (even an almost-surefire Fringe) unless you know the show has been renewed.

As for the Comedies, well, I don’t know much about that, except what probably everyone else knows: 30 Rock is in and The Office is over-specced.

Good luck!


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The small game

by Alex on February 2, 2009

in News,TV Analysis

The Super Bowl Office was kind of a letdown.
On the one hand there was some hilarious stuff, but on the other hand, most of it was way out there (like the fire stuff) and I really didn’t see the point of the Jack Black stuff. That was actually quite lame I thought.

There also seem to be a drought of interesting ads these days.

The only one worth it was probably that Hulu one.

Pixar didn’t bother to make a new Up trailer, and the Monsters VS Aliens clip shown was basically the one that was leaked months ago.

Finally, some breaking news: Nestor Carbonell is not wearing any eyeliner!

At the TV Critics Association press tour, some reporters asked if you wore eyeliner, which Damon Lindelof and Carlton Cuse denied. What do you think of this?

Carbonell: My brother sent me this link about the TCA, where you guys were at. Someone had asked about whether I was wearing eyeliner. I think Carlton came to my defense, and he said, “He’s 100 percent sans makeup” or something like that. I could see why some people would think I have eyeliner on because [my eyelashes] are dark. Especially the bottom row, they’re pretty dark. I’ve been dealing with it since I was a little kid, and so to me it’s very funny when it comes up, especially at TCA. My brother told me to look online and sort of Google something about that, and my name came up as a couple things. One of them was Maybelline Man. I’ve been dubbed by some people as Guyliner. It’s very amusing.

Read the full interview over at SciFi Wire.

UPDATE: TNT has just ordered a 15-episode second season for Leverage.

UPDATE 2: The Amy Poehler show will finally be named Parks and Recreation.


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Post image for Un, dos, tres

Un, dos, tres

by Alex on January 31, 2009

in News

Over at ABC, 3 new drama pilots have been picked up.
And guess what, out of the three, one of them is brought to you by Jerry Bruckheimer TV and the other by McG.

The Bruckheimer-produced one is currently untitled and is penned by Mark Friedman.
I’m sure you’re on the verge of your seat, waiting for me to reveal the content of this amazing ground-breaking show.
Don’t hold your breath on that last one there.
The show is about a team of amateur detectives resolving cases around unidentified victims.
Sounds mysterious and edgy.

The McG one is called Limelight and is written by Gossip Girl’s K.J. Steinberg.
The show centers around teachers and students of a performing arts college in NYC.
Limelight is supposed to be loosely based on Pharrell Williams’ life.
Fame meets Un Paso Adelante meets hip-hop, right?

As for the third one, by Michael Seitzam, the show is called Empire State and is about a modern-day Romeo and Juliet where two families on each end of the social ladder, one blue collar, the other very wealthy, clash when a romance occurs.
Hasn’t this been tried before?

Speaking of ABC, Bill Lawrence has confirmed that Scrubs will stop after its eight season (that means this one).
We will also learn the Janitor’s name in the finale, and if you want to know what it is right here right now, go google the name of Clone High’s janitor.
It’s the same.

Oh, and if you’re still not on board for Leverage, read TV Squad’s ten reasons why it is the best new show this season.


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