Leverage

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It is now time to review which current dramas are good to spec, and which are not.
A sample script is provided (when available) with the corresponding show.

Let’s do another quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

And here we go.


Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

CSI/Criminal Minds/Law & Order/The Closer (CBS/NBC/TNT)
Type: Police procedurals
Move along folks, nothing to see here.
Longevity: ★★★★ — If you’re really thinking of speccing these, you’re pretty much five years too late.

Dexter (Sho)
Type: Serialized crime drama
Once upon a time, Dexter was a clear favorite. Now however, the show has past its expiration date for specs.
Longevity: ★★★★★ — Since every season reinvents the show (in an interesting or bad way), it’s never good to put one’s spec stories to the test like that.

Grey’s Anatomy/Private Practice/House (ABC/FOX)
Type: Medical procedurals
Honestly, there’s just no real point in crafting a brand new spec for one of these three.
Longevity: ★★★★★ — Shockingly, they’re all getting another season. Doesn’t mean it’s a good sign.

Mad Men (AMC)
Type: Serialized historical drama
Putting Mad Men as over-specced may once again ruffle a few feathers, but if you know what’s good for you then you’re pretty much aware already that this won’t be an original choice.
Longevity: ★★★★★ — Although there’s a very low risk of AMC ending its flagship drama, treading on serialized plotlines is virtually impossible to avoid.


Mainstream
The current and new widespread shows in town that are getting read.

Bones/Castle (FOX/ABC)
Type: Light police procedural
Bones still has a year or two ahead of it, while Castle joins the mainstream list by becoming the go-to light police procedural specced.
Longevity: ★★★★ — Both are going strong and the ‘case of the week’ format is a proven crowd-pleaser.

Breaking Bad (AMC)
Type: Serialized character/family drama
The show continues to grow in fame and is probably reaching its peak, which means this might one of the last mainstream years for it.
Longevity: ★★★★★ — The problem isn’t that the show won’t get renewed (it will), it is its serialized aspect. I’ll slow-clap anyone who successfully specs a stand-alone episode of Breaking Bad.

Chuck (NBC)
Type: Light spy/action procedural
Everybody loves Chuck. Sadly this means that it is pretty much on the verge of being over-specced.
Longevity: ★★★★★ — Definitely not as much on the bubble as a couple of seasons ago.

Fringe (FOX)
Type: Police/Science-fiction procedural
The number one science-fiction show specced presently (mainly because there aren’t so many out there). Fringe is a strong option, although…
Longevity: ★★★★★ — …you already know how “on the bubble” this show is, so I’d probably wait to see what FOX choses to do with it.

Glee (FOX)
Type: Light serialized high-school dramedy
As predicted, last year’s major Wild Card is now on top of the Mainstream pile. Still a very hard show to spec mainly because of its atypical world. Also might not be the greatest way to showcase your talent given that a third of the script will probably end up being music lyrics.
Longevity: ★★★★ — It’s always a good bet to spec the number one show on television, right? Be careful when juggling with all the soap elements (they might give you a headache).

The Good Wife (CBS)
Type: Legal procedural
Jumping from Outsider to Mainstream is no easy task, but The Good Wife has proven times and times again these past few months its popularity. This is clearly a smart show to spec (watch out for the serialized elements).
Longevity: ★★★★ — Strong ratings and a great procedural/serial balance allows room for a potential spec.

Gossip Girl/90210 (The CW)
Type: Teen dramas
It’s not as if there’s an overwhelming array of teen dramas out there, right?
Longevity: ★★★★ — Never-ending.

The Mentalist (CBS)
Type: Police procedural
A new classic police procedural to spec. It’s hot all right.
Longevity: ★★★★★ — No need to double check, this one is safe.

NCIS:LA (CBS)
Type: Police/Action procedural
Last year it was about to break big, this year it is big. Its older sister show would be proud.
Longevity: ★★★★★ — Another secure CBS procedural.

True Blood (HBO)
Type: Serialized fantasy drama
Somewhat common in the spec pile, despite its heavy reliance on the books’ mythology. Making a loner out of this one will prove difficult.
Longevity: ★★★★True Blood is a big success, but its stories are all over the place (i.e. it is hard to find a status quo to base a spec on).



Wild Cards
Not quite fully widespread but will get there given the chance.

Boardwalk Empire/Treme (HBO)
Type: Serialized historical drama
Now those are hard shows to spec. If you think you can make a Mad Men or even a True Blood spec work, I’d recommend taking a gander at these two first. Especially Boardwalk Empire (which definitely has a lot of potential).
Longevity: ★★★★ — With all the acclaim, it’s no wonder HBO is keeping both series tightly where they are.

Hawaii Five-0 (CBS)
Type: Police/Action procedural
Like NCIS:LA last year, this is undoubtedly the breakout procedural hit of the season, which is sure to become Mainstream real fast.
Longevity: ★★★★★ — Hit show, clear-cut formula and procedural aspect leads to a long spec life.

Justified (FX)
Type: Police procedural
A critical darling and great numbers means Justified is getting hotter by the second. It will probably enter Mainstream land by next season.
Longevity: ★★★★ — The show that keeps on giving (certainly for FX).

Leverage (TNT)
Type: Light heist/con/action procedural
With its fourth season about to debut, Leverage is becoming more popular and the series has matured enough that it’s an almost-perfect light action/heist procedural to spec.
Longevity: ★★★★ — Finding a solid con that stays unused by the show might prove tricky.

Nikita (The CW)
Type: Action procedural
It’s CW, meaning it’s not that watched, although it also means not that many people are speccing it.
Longevity: ★★★★ — It is doubtful the network will let this one go seeing as it’s one of their only (relative) hit.

Parenthood (NBC)
Type: Serialized family drama
Speccing this one last season was pretty much a gamble, but since the first year has passed and storylines are settling, it might be an interesting choice.
Longevity: ★★★★★ — Solid numbers indicate renewal, but can you make the family stories work?

Sons of Anarchy (FX)
Type: Serialized ensemble drama
Sure, Sons of Anarchy is FX’s most popular show, yet its extremely serialized aspect makes it very difficult to write for. If you can make it work, go for it.
Longevity: ★★★★★ — Storylines are shaking up every season so it might be tough to keep an SOA spec current.

The Walking Dead (AMC)
Type: Ensemble/horror drama
If a surprise hit was made last year, this is the one. The enormous success of the show and its amazing potential makes it destined for great spec material.
Longevity: ★★★★ — Great news for potential speccers (not for viewers): The Walking Dead has obviously abandoned the comics’ serialized nature for a more procedural-like aspect.



Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Burn Notice/Psych (USA)
Type: Light action and crime procedurals
On the limit of being over-specced if only for the fact that they never were mainstream.
Longevity: ★★★★★ — They are both nearing their death bed (even if it’s still a couple of seasons away).

Eureka/Warehouse 13 (Syfy)
Type: Science-fiction procedurals
With Fringe winding down and Stargate: Universe gone, those two are almost the only science-fiction options out there. They are still strong spec shows all around.
Longevity: ★★★★★ — Original stories might be harder to find, especially with Eureka, entering its fifth season already.

Southland (TNT)
Type: Police procedural
Southland is definitely getting more traction with its third season and it’s one of the only cop dramas right now with a real grittiness to it.
Longevity: ★★★★★ — Renewal beyond the current season is still pretty much on the line given the substantial budget cuts needed.

White Collar (USA)
Type: Light crime procedural
White Collar continues to be the dark horse among light procedurals. Undeniably, the show is still continuing to grow in demand.
Longevity: ★★★★ — Pretty much a success for USA’s standards and a perfect candidate for a more atypical spec show.



Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Blue Bloods (CBS)
Type: Police/family drama
It was a surprise Friday-night hit for CBS, which might make Blue Bloods an interesting spec choice, yet this might still be too unknown.
Longevity: ★★★★★ — It worked for Fridays but not for Wednesdays, so it’s still a toss-up regarding its renewal.

The Chicago Code/Harry’s Law (FOX/NBC)
Type: Police procedural/Legal procedural
Come on, you want to spec this one already? Too soon.
Longevity: ★★★★★ — Chances are Chicago Code is getting the boot sadly. Harry’s Law meanwhile will probably live to see another season.

Forty shows are listed this year and, like last season, a few trends can be observed.

The basic cable market has never been stronger with a big presence by AMC, FX, Syfy, USA and TNT.
On the premium side, beyond the symbolic Dexter presence, Showtime is still pretty much absent from the list due to the lack of dramas. HBO meanwhile is slowly rebuilding its “epic TV” brand (I’m sure Games of Throne will pop up on the list next year).
Network-wise, CBS is still the procedural king, although FOX and ABC are recouping the field with lighter dramas, while NBC is virtually MIA.

Unsurprisingly, a vast majority of the top shows are procedurals with light character serialization. They are the ones which offer a wide range of storylines without compromising the status quo.
Interestingly enough though, the harder shows to spec (relying on more complex mythologies and serialized plots) are still considered attractive. They are indeed a great platform to showcase more in-depth writing skills, but they come at the price of spec longevity.

The bottom line is the same as usual: select a show that reflects your voice, your aspirations, and what you like.
The choice is yours.

Click here for the Comedy Spec Script list.


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Post image for Drama Spec Script 2010 — What is hot and what is not


UPDATED:
A brand new 2011 list has been posted.
Click here to access it.


After criss-crossing several sources, it is now time to review what dramas are good to spec, and which are not.
As usual, when available, a sample script is offered for each show listed — usually the pilot episode.

Let’s do again a quick recap of how this works.

The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers — and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (newcomers that could potentially become popular down the line — if they’re not canned first)

There is also a grade regarding the show’s longevity in relation to specs of said show.
Meaning, how long can you keep your spec script without having to throw it in the trash?
To do this, we use what I think is the greatest grading system on Earth; stars:
★★★★★ — Excellent
★★★★ — Very Good
★★★★★ — Average
★★★★★ — Fair
★★★★ — Poor

And here we go.


Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

CSI/Law & Order (CBS/NBC)
Type: Police procedurals
Past their expiration date.
Longevity: ★★★★ — Nothing’s A-Changin’ for this one. It still will get “real old, real fast.”

Dexter (Sho)
Type: Serialized crime drama
As predicted last year, the Dexter time has passed, killed by its own popularity (commonly known as the hotness monster).
Longevity: ★★★★★ — If you’ve seen the end of season four, you know what I mean when I say your spec won’t survive the fifth season premiere.

Grey’s Anatomy/Private Practice/House (ABC/FOX)
Type: Medical procedurals
It is harsh putting these three shows at the same level, but the truth of the matter is that they’ve all already been done to death(s), literally.
Longevity: ★★★★★ — Renewed, and renewed, and renewed.

Mad Men (AMC)
Type: Serialized historical drama
This might be a surprise for some, but it’s the same reasoning as 30 Rock: everyone is doing it. Sure, you won’t go wrong with a Mad Men spec, but it certainly won’t be an original choice.
Longevity: ★★★★★ — And not only that, but who knows what’s going to happen with all the massive changes at the end of last season? You would need to stumble on major plotlines to get this spec going, which is never good.


Mainstream
The current and new widespread shows in town that are getting read.

Bones (FOX)
Type: Police procedural
Still a mainstream procedural that’s probably living its last year(s) as a tangible spec.
Longevity: ★★★★★ — Doesn’t mean the show is going to die soon though (you know, strong ratings and all that).

Breaking Bad (AMC)
Type: Serialized character/family drama
Although it was last year a “Wild Card”, the series has now become pretty much mainstream, replacing Mad Men as one of the most sought-out speccable shows. As much as this is true, I would still not recommend beginning a new spec for three reasons: first, the show is way more popular than you’d think (meaning more competition), second it’s heavily serialized, and third…
Longevity: ★★★★★ — …the end of season two hinted at a different character dynamic altogether for season three. See Mad Men on why that could be problematic.

Chuck (NBC)
Type: Light spy/action procedural
On the one hand, Chuck is still an offbeat drama that has a lot of potential, so you shouldn’t throw your current spec out the window.
Longevity: ★★★★★ — On the other hand, the series recently scored its lowest rated episode ever. Beyond that however, the status quo is simply not quo anymore, so it’s hard to find the correct balance between serialized stories and “mission of the week.”

Fringe (FOX)
Type: Police/Science-fiction procedural
At this point, the show is more fantasy-fiction than science-fiction. With that said, its procedural side is undoubtedly attractive to many.
Longevity: ★★★★ — It got beaten hard in its new Thursday timeslot, and despite this, the notoriously-fickle FOX network renewed it. Yeah, it’s safe. Plus, the core dynamics of the show will probably not change much in these next episodes.

Gossip Girl/90210 (The CW)
Type: Teen dramas
When it comes to this subgenre, there’s no debate that, yet again, these are the shows to spec.
Longevity: ★★★★ — The CW is hanging tight on those two.

The Mentalist (CBS)
Type: Police procedural
Surely the hottest specced procedural right now. Maybe you can play with the Red John storyline.
Longevity: ★★★★★ — This one is pretty much safe.

True Blood (HBO)
Type: Serialized fantasy drama
At one point an “Outsider”, it has now become surprisingly common. I say surprisingly because it is a hard speccer, given both its dense mythology and the fact that it is based on a series of books.
Longevity: ★★★★★ — HBO is certainly not going to can it. Maybe you can predict the future of the show via said novels, but Alan Ball has already changed major stuff. Would your season one spec really fit into a season three narrative?


Wild Cards
Not quite fully widespread but will get there given the chance.

Burn Notice/Psych (USA)
Type: Light action and crime procedurals
Although less popular than a few months back, story ideas have not been exhausted yet…
Longevity: ★★★★ — …and USA isn’t letting them go anytime soon.

Caprica (Syfy)
Type: Serialized science-fiction drama
This category choice might also surprise some people. If you look at Caprica, unlike the early days of Battlestar Galactica (or SGU), you don’t have a standard formula, at least regarding a potential ‘procedural’ aspect. There are overarching stories that more or less get expanded throughout the various episodes, but you don’t have a stand-alone crisis each episode. If you do decide to spec this, tread lightly…
Longevity: ★★★★★ — …especially considering the regular character and mythological developments, as well as its lukewarm ratings.

Castle (ABC)
Type: Police procedural
Will most likely take over Bones’ place in the spec world.
Longevity: ★★★★ — Strong 10PM ratings means its nearly-assured renewal. Its classic ‘case of the week’ format is also a crowd-pleaser.

Glee (FOX)
Type: Light serialized high-school drama
Probably one of the most difficult specs out there, despite its overwhelming popularity. It is indeed hard to get past the serialized aspect of the series, as well as its primary use of popular songs which contradicts with the need for a spec script to be realistically producible.
Longevity: ★★★★Glee is definitely in for the long run. Try to be careful with the arrival of new cast-members and soapy twists.

Leverage (TNT)
Type: Light heist/con/action procedural
Most likely will become one of the hottest spec, the series proved this season it could go beyond the basic “con of the week” and offer actual season-long arcs (and big pay-offs). Regardless, the show’s procedural formula can still be applied to your spec. John Rogers’ blog has tons of other behind-the-scenes info about the writing.
Longevity: ★★★★ — A major drama for TNT getting renewed early. I would say wait until the season three premiere (and Gina/Sophie’s comeback) before going the hands-on approach.

NCIS:LA (CBS)
Type: Police procedural
A spec as worthy now as its older brother was in its heydays…
Longevity: ★★★★★ — …thanks in part to phenomenal ratings.

Southland (TNT)
Type: Police procedural
The little cop show that could. Saved by the bell, it is still the underdog police drama on TV and a speccer with great potential.
Longevity: ★★★★ — Don’t take it as granted though: the ratings are going down fast. You should wait for a definite yes from TNT before beginning a breakdown.


Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Eureka/Warehouse 13 (Syfy)
Type: Science-fiction procedurals
Yes, believe it or not they are getting specced; and for good reasons. Stand-alones are easy to place inside any of their seasons. Even Eureka, soon in its fourth season, still has some spec potential as a procedural. Not to mention the fact that there are not many other science-fiction shows out there.
Longevity: ★★★★ — You can count on them being on TV for some time, and major mysteries/arcs can be easily avoided in a potential story.

The Good Wife (CBS)
Type: Legal procedural
IT is hard to define this show, but one thing’s for sure: it will become a hot speccer very soon.
Longevity: ★★★★ — You shouldn’t be worried for Julianna Margulies anymore, she has found her goldmine.

Stargate: Universe (Syfy)
Type: Serialized science-fiction procedural
This might seem antinomic, but the truth is, SGU is way more serialized than its two predecessors. Still, some episodes can center around the usual “problem of the week,” and therefore give a more procedural aspect to the show, which makes it much more speccable than you’d think.
Longevity: ★★★★ — Long live the Stargate franchise. Be careful that future episodes don’t change major events in your spec.

White Collar (USA)
Type: Light crime procedural
This year’s dark horse, it could down the line become a major speccer for light procedurals.
Longevity: ★★★★ — It definitely seems it’s going to be here for a few seasons.


Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Dark Blue (TNT)
Type: Police procedural
This is a gambler simply because it is virtually unknown compared to the other police procedurals. This might be a good thing usually, but I’d hold off speccing this…
Longevity: ★★★★ — …until it’s deep into its second season and more acknowledged.

Human Target (FOX)
Type: Action procedural
As virtually the only reliable (formula-wise) action-drama on television, you’d think it would be the go-to show to spec. But if you look at it more carefully, there are just too many unknown variables for now.
Longevity: ★★★★★ — If anything, the series is in strong danger of getting canceled. Try to wait for a renewal before starting on your script.

Parenthood (NBC)
Type: Serialized family drama
Are you seriously considering speccing this one? Let’s get real.
Longevity: ★★★★★ — Despite a possible second season, already finding a formula you can lean on for your spec is near-impossible this early.

With over thirty shows reviewed, we can spot of few trends.

Showtime is almost totally absent from this list mainly because of their lack of dramas (they’re more into half-hours it seems). FX is also not listed thanks to their current programming renewal. The basic-cable shows from AMC, TNT, and even Syfy and USA, continue to rise on the spec market.

A lot of new shows are already getting specced right off the bat, primarily due to some early pick-ups, shorter seasons, and dying classics.
I would advise against getting too invested into a spec unless you know for sure the show has been renewed.
Besides the cancelation factor, you also have to consider if the show is heavily serialized or not.
I didn’t include series like FlashForward, V, or even Sons of Anarchy, as they are all nearly impossible to spec at this time. Your spec would be hard to put into “stasis mode” due to the ever-changing storylines.
(Semi-)Procedurals are still the norm, though a lot more serialized shows are getting some sense of success. Even what appear to be classic procedurals such as The Mentalist still have a few arcs you can play with.
The bottom line is the same as usual: chose a show that reflects your voice, your aspirations, and what you like. You really do have a wide array to choose from.

So now, let me ask you this: What are you speccing?


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Additions

by Alex on August 28, 2009

in News

While I was posting my little rant about the Weinstein Company’s “way out”, some new infos have been surfacing regarding TV stuff:

Damages’ third season has added another regular to its table: Royal Pains’ Campbell Scott.
Also, Greek’s Jesse Williams (who will soon star in Cabin in the Woods) has just joined Grey’s Anatomy for a multi episode arc.

Dollhouse has added loads of great actors including kind of a Whedonverse reunion with Summer Glau and Alexis Denisof. Michael Hogan and Keith Carradine are also joining the cast.
Does the show have the best cast on TV right now or what?

And Superman Returns’ Brandon Routh is joining Chuck for a substantial arc.

Speaking of, Josh Schwartz is teaming up again with another Chuck exec, Matt Miller, to write a multicamera sitcom script for CBS. The potential show would follow young newlyweds shortly after their honeymoon. The series is supposedely inspired by both Miller and Schwartz’s recent marriages.
I wonder how that will turn out.

After The L Word, here comes another letter-word Showtime series, The C Word.
The cable network has ordered to pilot a show that would star none other than Frasier/John Adams’ Laura Linney. C Word, created by Darlene Hunt, will be a dark comedy about cancer. Linney will play “a suburban mom forced to deal with a cancer diagnosis”.
I’m intrigued.

And finally, some fantastic news for all Leverage fans out there.
The show has already been renewed for a third season (to be aired later next year).
Awesome.


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Part 2 of 9

    First post of the birthday week.
    This might feel to some like one of those sitcom epis with clip shows of the best moments because writers have become lazy.
    Don’t worry though, this is just a blog taking a look back at a year’s worth of random posts, because I’m lazy.

    Like J.D. said:


    I know I’d love to forget all the [things] that have happened to me. But unfortunately I keep replaying them in my head like some clip show from a bad sitcom too lazy to come up with a fresh story.

    So much incredible stuff happened in the past year…

    Let’s get started with TV.
    This year has been marked by crazy actions on this side of the biz.
    From CBS to FOX or HBO, we’ve seen some pretty incredible stuff.
    Most of all, there was some serious NBC talk thanks to Dumb and Dumber’s stupid moves, especially moving Leno to the 10PM slot, Mondays thru Fridays.
    You can bet I’ll be talking about this more in Wednesday’s post.

    Equally as mind-boggling was SciFi’s atrocious name-change planned for July (SyFy? Really?):

    Let me get this straight.
    You want to change everything from your logo to your slogan, and from the brand to your core audience (you know, the one that made you what you are now). And do all that for absolutely no reason at all (given the channel’s top-10 network status)?

    Syfyllis is still a serious condition and just plain dumb.
    One very recent Twitter justification was equally as spastic (is that what the cool kids are calling it these days?):

    If it’s such a good time for sci fi, why change your network name to SyFy?
    To differentiate our brand in an increasingly competitive category where we’re competing in more countries and on a growing number of platforms. For instance, type “scifi” into Hulu search and you won’t get any results from our shows on the first page. Just one example of many.

    Continuing on the TV side of things, we’ve seen our fair share of TV Shows throughout the year, including an interview I did with Lost’s Damon Lindelof and Carlton Cuse.
    Some shows were unfortunately cancelled, like The Middleman (my favorite from last summer), others surprisingly not, like Dollhouse. Others meanwhile were fortunately renewed, such as Leverage.
    There was also an introduction to this new little ABC show called Flash Forward (now renamed FlashForward, following the author’s original wish).

    We talked a bit as well about the Arrested Development movie that shouldn’t come out for another year or two.
    In the meantime, you should check out the awesome Arrested Developement documentary (yes there is one) when it comes out (2009?).

    Perfect segue to the movie front of the year, which had a lot of…interesting happenings (besides Cannes).
    Watchmen was probably the most talked-about film here, followed closely by Star Trek.
    Speaking of, Warner Bros. just loved my posting of the epic Watchmen opening sequence and asked Blogger to delete my post with no warning.
    Like I said at the time:

    I’m not going to post the sequence again for the sake of it, but suffice to say that I’m quite disappointed by the behind-my-back actions taken.
    I also find quite ridiculous that said actions were done in the name of the Digital Millennium Copyright Act, let alone the crusade against people posting the opening Watchmen sequence.
    Are they afraid people will find it is so awesome they decide not to go watch the rest of the movie?
    Even yU+Co was forced to take it down, even though it’s their own company that made the titles.
    Quite ridiculous indeed.

    Another Watchmen scandal was with its ending.
    Squid or no Squid? I asked back in November.
    You should know by now the answer (spoiler alert: it’s not like in the graphic novel).
    Let’s not forget as well the FOX versus WB case regarding the movie’s rights.
    Ultimately, and unsurprisingly, they settled.
    No harm done.

    What is however a harm (to my brain) are phenomenons such as that Twilight thing.
    Remakes of remakes were as well discussed.
    And I almost forgot to talk about all the game adaptations, like Monopoly, and Clue.
    Where is the originality?
    Here it is:
    The big talk of upcoming 2009 films must be James Cameron’s Avatar.
    You know, the movie I’m saying will revolutionize 3-D.
    This is like my own personal TOLDJA! moment regarding 3-D (and Avatar):

    Sound was introduced in 1927.
    Color was introduced in 1938.
    3-D will be introduced in 2009.

    I think I called it.

    Continuing on the entertainment industry…
    We’ve seen our fair share of (not-that-funny) award shows this year, from the Golden Globes to the Oscars.
    This year might prove different with either Neil Patrick Harris or Craig Ferguson hosting the Emmys.
    That’s epicness right here.

    Moving on, there was a lot of talk about technology.
    From the floppy disk to Twitter (who had even heard of Twitter a year ago?).
    Some talk around the future of entertainment, especially television, has as well been present throughout the year.
    Whether it is via Strike.TV in last August, or more re
    cently Hulu, with its financial investments.
    Yet again, we’ll talk more about this on Friday’s post thanks to a couple of new articles regarding rebranding (SyFy) and broadcast future (NBC and CBS specifically).

    Finally, there were changes in the political landscape this year, with the arrival of a new President and the departure of another.
    Shifts in the economy as well were felt. Both in the TV industry and elsewhere.
    And to finish us off, we shall mention this Lego man, who didn’t after all go on I’m a “Celebrity” (sarcasm quotes not included in original title).

    Incredible postings aside, this year was riveting.
    More to come tomorrow.


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    TVLeverage — Pilot by John Rogers & Chris Downey MovieThe Royal Tenenbaums by Wes Anderson & Owen Wilson Enjoy.


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