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Today is TV Calling’s two-year anniversary.
It has been a long time coming, and I must say I’m proud of all the great content, and of all the visitors who have passed through our doors.


Perhaps the greatest change in this past year has been the redesign which prompted a two-month long hiatus.
But let’s not dwell on this.

There has been a more recent lack of posting (and tweeting), for which I must now come clean.
Truth be told, I could write pages of (actual) reasons of why this happened, ranging from two hard-drive failures to being “too busy” (with a Star Trek marathon).
For the most part though, I just didn’t feel it.
I did not have much to add to the ongoing “conversation” so, instead of blabbering around, posting empty meaningless content, I decided to take a step back.
Nothing is better than irrelevant, right?

This short break incidentally allowed me to take care of more pressing matters.
In the past month, I have begun to finally break a pilot I had been holding off.
More importantly though, I was able to plan more thoroughly my move to L.A.
I started this blog two years ago in part to tell you guys about my own experience and steps toward becoming a (future) television writer. I did talk about my various visits to the West Coast and how I successfully obtained my Green Card (yay!).
But being both geographically and temporally so far away from this life-change (let’s call a spade a spade), I admit I did not have much to tell about what went on–until recently.
This is obviously why the blog has been diverging at times from its original purpose to center on a more analytical aspect of television (though with great articles).

Maybe this post seems either like bragging or a list of personal accomplishments, and maybe I wrote it for cathartic reasons, but I wanted to let you know how important this blog and your support have been to me.

And now, we are about to arrive to our final destination.
In a month, I will be moving to Los Angeles.
Square one.

This jump into the unknown is both thrilling and, dare I admit it, scary.
Perhaps this site, this log of my daily struggles, will ease the transition. (Bonus points for actual advice in the posts.)
I will continue to sporadically update the blog, bringing it back to its roots.

I hope you will continue to follow me on this journey.
Here’s to you fellow reader, and to another two years of TV Calling!


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Post image for The best Lost parodies

The best Lost parodies

by Alex on May 22, 2010

in Random

During its six-year run, Lost amassed countless of fans, and needless to say, provoked numerous parodies.
Here’s a look at some of the best ones around — from the first few seasons of the show.



Brokeback Island
A classic and one of the first ‘viral’ Lost parodies. Obviously inspired by Brokeback Mountain, the clip even caught the eye of Darlton and J.J.



Lost: The Musical
Needless to say, Jimmy Kimmel’s team is known for its numerous Lost references (it helps that the late-night show is on the same network). This is hands-down one of their best sketches.



MadTV Lost
Before Dominic Monhagan appeared in another skit next to Bobby Lee, another, better, one had already been made for the show (with twice the length). Bonus points for Jeff Probst’s self-deprecating presence. Also, note the presence of our polar bear (last seen in the Lost Musical above).



Conan O’Brien’s Emmy Montage
When he hosted for NBC the 2006 Emmy Awards, O’Brien took part in this montage that was hotly debated for its portrayal of a plane crash following the real-life catastrophe of Comair Flight 191. The presence of the parody at the award show was basically seen as being in bad taste.
Despite all of this, this is a nice tip of the hat to numerous TV shows, including a great Lost–style opening.



The Writers Of Lost
A great, completely ludicrous, look at the Lost writers’ room (not involving any of them in any way). Ironically, the preposterous plot-points exposed here look a lot crazy than what actually happened.



Nobody’s Watching Lost
This is hands-down one of the best Nobody’s Watching, aka the dead-in-the-egg show by Bill Lawrence, Neil Goldman & Garrett Donovan. Not much can describe this parody of (sorta-)fans watching a now-cult show.



Lost Rhapsody
Released in October 2005, this is one of the most widely spread Lost video around. Especially popular amongst the fans, this clip even got a sequel. A lot more trivia can be found on this page.


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Redesign

by Alex on October 2, 2009

in Announcements

Design should never say, “Look at me.” It should always say, “Look at this.”
— David Craib

As previously hinted, I’ve been working for the past weeks on “something special” for the blog.
It is now time to (partially) reveal what this mysterious project is.
Although far from being over, I’m currently in the process of redesigning the site for a future move on a proper webhost and platform. The permalinks shouldn’t change much; everything will just be cleaner, more accessible, and better looking. Especially the Archives and Labels that are pretty much a mess right now.
If you’re interested in my advancements, I’ll be tweeting the updates.
When the time comes, I’ll transfer all the posts and content for a total relabeling. This process will most likely last a week in itself with about 400 posts to revitalize, so a limited blog shutdown should be expected.
Don’t worry though, this might still be weeks away, so don’t expect any sudden changes out of the blue.


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Elephant Appreciation Day

by Alex on September 22, 2009

in Random

Today is Elephant Appreciation Day.


September 22 was declared Elephant Appreciation Day in 1996 by Mission Media, a graphics and publishing firm who got the day included in “Chase’s Calendar of Events.” Why bother celebrating elephants? Mission Media says elephants deserve a day of their own because they are the largest land mammal of our era and are undeservedly threatened with extinction.

What better way to celebrate this magnificent occasion than to show to the world the best picture ever taken: an elephant eating a giant pumpkin.

And in these tough times, everyone needs to cheer up:


Ha ha.


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The Emmys still fail.
There, I said it.
Despite Neil Patrick Harris doing an incredible job (obviously way superior to last year’s abysmal opening), most of the results did suck.

Obviously, there were no major surprises regarding who won the major awards.
Overhyped much?

On a completely random subject, I was surprised to see Elisabeth Moss kissing Fred Armisen.

Turns out, they’re engaged.
(Yeah, I’m not one to peruse the E! Online pages)

And was that a dig from Glenn Close at the poor writing from Damages’ Second Season?
Said Close:

I wanna begin by thanking Todd, Glenn and Daniel for giving me, probably, maybe, the character of my lifetime — depending on what they do this season. (awkward laugh)

Anyways, Little Dorrit garnered the most Emmy wins of the night with a total of seven, closely followed by Grey Gardens.
I was pretty disappointed that Generation Kill didn’t win best mini-series. Poor Flight of the Conchords never had a chance either.
30 Rock is at five, one more than…Pushing Daisies, the second TV show on the list!
Kristin Chenoweth winning was both surprising and well-deserved.
HBO dominated the Emmys with 21 awards (NBC comes in second with 16, ABC third with 11, and FOX fifth with 10).

It’s funny seeing how the Academy of Television Arts & Sciences categorizes the web-based wins.
For instance, the network (yes) for Dr. Horrible Sing-Along Blog (which won “Outstanding Special Class – Short-Format Live-Action Entertainment Program”) is actually drhorrible.com.
For you Lost fans out there, in case you didn’t know, the show did win something else: “Outstanding Creative Achievement in Interactive Media (Fiction)”, thanks to the latest Dharma Initiative ARG.
As you might have guessed, the same thing applies here; dharmawantsyou.com is listed instead of ABC or some other studio.
Ironically, this was the worst received of all Lost ARGs.
That, and the website is now dead.

Even the NBC web-based content (such as The Late Night with Jimmy Fallon Digital Experience) is not filed under NBC but NBC.com.
It’s certainly an interesting shift to note, especially given the fact that this year’s broadcast seemed to be under the theme of network failure.

Moving on to the other wins, I was very happy for both Bryan Cranston and Michael Emerson and was even more ecstatic to see Kristin Chenoweth win.
Cherry Jones is a great actress but her 24 material was pretty weak compared to the extraordinary In Treatment.
Sadly, Colbert didn’t win anything. I’m awaiting the fallout next Tuesday.
There was a bit of an emphasis this year on Battlestar Galactica (probably since it was its last season).
First, a few clips were shown in the “One Year of Drama” section. Pretty late in the game for that, especially given the quality of the final season.
Also, Bear McCreary’s fantastic score for the series was used for the same section.
Pretty neat.

However, perhaps the most talked-about moment from last night’s show was the “surprise” appearance of Dr. Horrible.

Now that was great.

On the polar opposite, we have CBS advertising in the middle of an acceptance speech the In Memoriam!

What the hell?!

Despite this little mishap, and a few skits that bombed (like that “greatest TV fan badly seated” one), these 61st Primetime Emmy Awards were definitely enjoyable, if only for Neil Patrick Harris.
Certainly not for their results though.


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Post image for Why the hell do you have an iPhone?

Nifty, the second post in a row starting with a “why.“
I wonder…

Anyways, this was a provocative question for a provocative post as, today, I will try to challenge some misconceptions about what makes the iPhone so great.

Spoiler alert: it sucks.

The iPhone, like any other Apple product, is extremely expensive. You’re also tied down to that AT&T contract. This amounts to almost a thousand dollars a year.
Don’t you have better things to invest your money in?

It’s sleek, it looks cool, it’s gorgeous, but what does this mean exactly?
A beautifully-carved stick isn’t a knife.
A beautifully-designed iPod isn’t a phone.

And because a picture is worth a thousand words, take a look at the following chart:


3G compatibility wasn’t introduced to the iPhone until earlier last year. Prior to that, it was EDGE-based.
The (literally) 4-year old phone I owned (Samsung Z-500) before my current one (Samsung i900) already had 3G speed, and it’s from 2005, not 2009.
It also had a whole lot of functions that even the current iPhone still does not have as you can see in the chart, including video call capability thanks to a second camera situated on the front of the mobile phone.

All of this begs the question:
With such a hefty price tag and such low technological assets tied to it, why do you have an iPhone?

The first answer that pops into your mind will probably be linked to its incredible touchscreen.
Granted, it’s hands-down one of the best currently on the market. That said, its only superiority to other touchscreen phones is the multi-touch function. And not for long. The Palm Pre for instance already has multi-touch technology.
Also, think about it, are you really using actual multi-touch rather than standard touchscreen on a day-to-day basis? Double-tapping is more widely used for Web surfing or Google Maps. And I think that the primary appeal of the multi-touch technology when it was introduced, because it was so brand new, was that it’s cool to “show off.” But now that everyone has either seen, touched, or owns an iPhone, it’s getting pretty old.
There’s also the fact that the screen is far from the only thing that matters in a phone, especially on a smartphone.

And with that, let’s see what other important features you might need.
I’ll try not being too technical.

First, the hardware.
Save for the screen, it’s almost a decade old.

The iPhone camera is extremely limited with only 3 Megapixels (today’s phones can easily attain the 8MP).
Also, you couldn’t even make videos with the iPhone until a few months ago!
I mean, come on, even the most basic camera phones can do that but you’re telling me that for a few hundred dollars more I must have less?

As stated above, another 3G advancement was the ability to make video calls via a mobile phone.
Problem is, you need a camera at the front of your handheld device (let alone it having a decent quality). This little bonus has now widely spread throughout the smartphone landscape.
Not to the iPhone though.

You don’t really own the phone either, certainly not its hardware since you can’t do anything with it.
Try changing the battery.
Sorry, you can’t, the back is sealed shut.
Oops?

Now on to the software.

Regarding the iPhone’s, it’s also pretty weak.
Customizability is virtually nonexistent compared to its competitors, starting with the most used feature on there, web browsing.
Safari is far from being the best mobile browser. I suggest you compare it to one of the many others available such as Opera Mobile.
That’s right, I said “one of the many,” as elsewhere you can select which one you want to use.
You can’t pick and choose on the iPhone. And Safari can’t even handle Flash content. Sorry about that.

Hey, but good news, MMS is finally coming to the iPhone later this month!
Oh, but wait, it will only be available to 3G users.

Technically, this is only a software limitation, not a hardware problem. An EDGE phone can send an MMS given the opportunity. It just takes two lines of code to fix this (hell, there even have been several apps allowing MMS available for months).
Yet this seems to be way too complicated for Apple.
I wonder why.

It would take way too long to list all the basic functions lacking.
What’s more revolting is that the iPhone is considered by many as a “smartphone,” similar to a Blackberry. More and more businesses have actually started using the iPhone. And yet, there’s so much missing.
You can’t even do data tethering (use your phone as a modem for your laptop)!
A phone from the last decade could do it, why not one introduced only three months ago?

But you can read movies you say?
Did you check if you could read non-MP3/MP4 files, such as DivX AVIs or Lossless FLAC?
The answer is no, you cannot read those on the iPhone (or any iPod for that matter).

Regarding third-party applications, that’s a whole other story.
They were not even officially supported until the release of the second iPhone OS last year!
At the end of the day though, unless you “jailbreak” your iPhone, you’re entirely dependent on Apple’s goodwill via iTunes.
Case in point with Google Voice. Sadly, it’s not coming to the store.

With other phones, like Windows Mobile-based ones, you don’t have to “jailbreak” them since you’re not dependent on the one store to get your apps.
And, unlike with Apple, no one is looking over the developer’s shoulder to check if the app is “good enough” for the phone (read: doesn’t compromise the manufacturer’s evil master plan).
Sure, the World Wide Web is less “cool-looking” than iTunes, and it takes more time to find the perfect app, but they’re usually cheaper, do a better job, and can even be, wait for it, open-source.

The worst part in all of this is that if you look at the iPhone objectively, it doesn’t suit anyone’s needs.
If you’re a professional businessman that can afford such an expensive contract, then in that case you’re better off looking at other, more professional, phones (Blackberry-types).
You might also be a technogeek, and, if you really are one, then chances are you either don’t own an iPhone, or if you do, don’t know what you’re missing.
And in the rare case that you’re an average customer, then, again, go check out the competition.
Compare.

The iPhone is not only overhyped and expensive; it is also very limited and limiting.
Sure, it’s probably the best iPod player there is, but since it’s supposed to be a smartphone, it’s far from being enough.
I suggest you either look into an iPod Touch if you’re only interested in the iPhone’s multimedia capabilities. And if you want a true multi-task phone, go take a look over at some of Sony Ericson’s, or better yet Samsung’s, most recent mobile phones.

Unfortunately though, you’ll have to trade your cool “pinch to zoom out” feature…


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Post image for Interview with CSI:NY’s Hill Harper

A month and a half after my interview with CSI:NY’s actor Hill Harper, here it finally is online.
Why would you care you ask?
Well, for one, he talks about online technology, and especially Twitter, in relation to TV and his show. And as you’ll see, the guy loves Twitter.
There’s also that part about the future of TV and how budgets are getting sliced.
And I don’t watch CSI.

Interview conducted on July 2nd
(Thanks to Toutelatele.com)

Can you talk a little about your atypical journey to acting?

Hill Harper (HH): When I went to college, to Brown University, I studied theatre, but I didn’t know if I was going to make a career out of it. I certainly wanted to go to grad school, so I decided to do a joint degree at the Kennedy School of Government and Harvard Law School. That is where I met President Obama, he and I were classmates. I just really felt at the time that I loved acting, and I loved being an artist. I think all of us come to a realization, maybe sometimes earlier in life, maybe sometimes later in life, that nothing else matters except following your heart. I really do believe that you’ve got to do what you love. That was reinforced when my uncle passed away when I was very young. He was 45 years old, and I was in law school. I realized that in life, nothing’s promised. Too many people I know put off saying I’m going to do this when, etc. And I’m the type of person who said: “you know what, what’s in my heart I’m going to follow.”

How do you feel about your CSI:NY character?

HH: I love that my character, Dr. Sheldon Hawkes, breaks many stereotypes. He’s the most intelligent character on the show. All the other characters have to come to my character for answers. It’s not the typical portrayal of the African American male on television and in the media in general. I like breaking stereotypes.

What do you think of the two other CSI shows?

HH: I think it’s better acted; I’m going to be honest. Not to take anything away from their shows, but I know our actors are the best, in my opinion.

In what ways did CSY:NY succeed in differentiating itself from other shows?

HH: If you look at the stories, they’re unique and interesting, and that starts with your writing. I don’t care how good your actors are, if you don’t have great writing, there’s no way you can have a good show. Really, television is all about the scripts. We’re in a wonderful time right now for American television. I call it the golden age of television. The best TV shows in the world at the moment are coming out of the US. I think that’s all about the cultivation of really good writing talent. They’ve been doing a great job. At the same time, you see the quality of American films decreasing. So it’s interesting in a time where the quality of American television is going up, the quality of American films is going down in comparison to the filmmaking around the world. I really do think the big difference has to do with the writing talent.

A lot of directors, writers, and even some actors, are moving to web-based content. Would you be interested in working on a creatively-strong web-series, even if it would mean a pay cut and reaching only a tenth of your current CSI audience?

HH: A lot of that depends on the content. I’m more of an artist who wants to do great content. If it’s great content, it doesn’t matter. I mean, I do theatre too and that’s a very small audience. That’s only the actual number of people that can actually fit in the actual seats. So, it’s not about reaching. Certainly doing a show like CSI:NY, where we reach millions and millions of people worldwide every week, that’s wonderful. But, it’s still to me about the content.

I know you use Twitter a lot, and we’re seeing a lot of celebrities now using it. What do you think is its primary appeal?

HH: Unlike Facebook and MySpace where it’s just so long, it takes time, Twitter is short-hand. With Twitter, I could literally within 30 seconds, in the middle of this interview, tweet and have responses. That’s the quickness of it. Technology is supposed to enhance your life, not detract it. You can get to a point where you feel chained to Facebook, where you have to go on, read it all. It’s just too much. With Twitter, it’s instantaneous. I’m going to be the first actor that I know of, certainly on my show, that is going to be tweeting from the set. I’m even tweeting live, asking questions to the audience: “Do you want me to wear glasses?”, or, “this is what this scene is about, do you want me to drink coffee?” I’m going to allow the audience to interact. It’s going to be three levels: my character Dr. Hawkes, me, Hill Harper, and the audience relating to both through Twitter. I’m excited about this. I want that feedback worldwide. The audience will feel they have an impact on the show, and when they see the scene, they’re like “I remember when he was tweeting about that!” I’m really interested in using technology in all ways.

Isn’t that becoming too dependent on reaction and feedback though?

HH: I think that you can pick and choose. As an artist, you need your own point of view or you’re not interesting. But we don’t do art in a vacuum. It’s meant to be seen, or else you’re masturbating. There’s always this tension. I have friends that don’t read critics or reviews, because they say, well, if I read the good reviews and I believe them, then I have to believe the bad reviews too. I think that everyone can figure out for themselves how much interaction they can have versus not. Certainly, if it s
tarts taking away from who you are, like if you’re reading reviews and it starts to change your work in a negative way, then stop. If you’re tweeting and you’re having an interaction with your audience, and it starts making yourself too self-conscious, and it’s affecting the way you do things, then stop. I think we can all find our own way. The more people you can welcome in, to who you are and the work you do, and allow them to be part of it in whatever way, can heighten the experience. Because everything that we do, I believe, should cause an experience.

Would you be interested in writing an episode for your show?

HH: The writers are so good at what they do so specifically, and it would just take me so long to write an episode, I wouldn’t be interested in that. I’d be more interested in directing an episode. I may get that opportunity to do it later on this year. I’m hoping to, but it’s very political when it comes to actors directing. Every actor wants to direct an episode and thinks they can, so it’s very political getting the opportunity. This is the last year of my contract, so we’ll see what happens.

How do you see the show’s future?

HH: I would like to stay with CSI and do a couple more seasons. But, you know, Without a Trace just got cancelled. It’s a good example of a top show that they decided was just too expensive to continue. You just don’t know what’s going to happen. The entertainment business is changing very quickly, and I think if you’re smart in the business, you have to think about other things. The days of sitting back on a show, thinking that you’re character is not getting killed off, are over. Just look at how they did the last episode of our fifth season: the entire cast was in a bar and they shot up the entire bar. You don’t know who’s going to live or die. And they’re negotiating with people. The creative and the business side are getting much more linked in a way that I don’t think is necessarily good. It’s a little manipulative. It gets negotiation advantage in a way, but at the same time that’s the reality of the business. Its called show-business not show-art, they have to make money or they can’t produce the show. And if the advertising revenues are dropping, we have to make changes. This year we’re making changes like special effects. I know we’re going to be shooting on HD digital format rather than film for the first time. They’re definitely making certain changes that are going to affect different things. But, at the end of the day, what I think has made CSI:NY so good is the writing. All television begins with the writing, period. We have the best writers in my opinion.

What other projects do you have?

HH: My third book, called The Conversation, is coming out in September. It’s my first book directed towards adults. The previous two were motivational books for teens and this book is about relationships. It’s from a single man’s perspective. It’s going to be interesting to see how it’s received. I purposely push buttons in it. It’s all about the idea of sparking conversation and communication between men and women, hopefully to make for successful relationships. I have a non-profit foundation, the Manifest Your Destiny Foundation, where I give scholarships to low-income young men and women. I also do a lot of speaking around the country, so I’ll continue doing that. The state department has sent me on two missions to speak to young people; they sent me to Italy and to Turkey. All of this because of my relationship with President Obama and because they know what I do with young people. It’s really great. That’s why I love doing a show such as CSI, it has such an international reach that it offers me a platform to speak to young people around the world that I otherwise wouldn’t have. I think that that can be a positive benefit. Any celebrities can use their platform for positive or for not so positive in a way. I personally believe that what’s the use of having a platform if you’re not going to do something good or positive with it.


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