Technology & Art

In case you didn’t already know, I have a Twitter account.
The thing is, I have never actually twatted about my life, or anything really.
Up ’til now, this Twitter account was nothing more than some kind of weird RSS feed of my blog posts.

Not anymore.

Yup, I’ve decided to officially take the dive into Twitter land.

Since I basically only have time on my hands right now, I’ll most likely post daily — who am I kidding? — hourly updates of my impressions of the current thing I’m watching, and sometimes I might even post interesting stuff (don’t count on it).

If you wish to follow my completely-pointless-yet-still-somewhat-entertaining-but-not-really updates of my daily TV or Movie life, as well as other what-have-yous, feel free to go visit my Twitter updates on: @TVCalling.
Or just look at the column on your right.


Email This Post Print This Post

Be the first to comment

Post image for Four Reasons why Dollhouse will be Cancelled

As promised, here is my follow-up article to my previous Four Reasons why Dollhouse might be Renewed. Unfortunately, the sad truth is that Whedon’s Dollhouse is going to be gone soon, and there’s nothing we can do about it.
Okay, that may not exactly be what is going to happen, but if we’re facing the harsh and bitter reality, FOX, the “notoriously-fickle” network, is often going one-way with shows that are not instant hits.
It’s hard, but here are four reasons why I believe Dollhouse will get cancelled.

Reason 1 : Ratings The most obvious reason on this list: ratings are bad, real bad. Only 3.6 million viewers tuned in last Friday, the same numbers as for The Sarah Connor Chronicles season (series?) finale. The rest is pretty much straightforward: in the conventional TV world, bad ratings mean no renewal. And if you’re thinking of a pity renewal just there, Dollhouse as of yet still does not have as strong a following as Firefly has, so a pity renewal has yet to be seen regarding fanbase. Though the numbers have been steady, they are, at the end of the day, very weak, and weak is not good.

Reason 2 : Death Slot This reason is quite self-explanatory. It’s no secret that Friday is also known as the death slot. Movies open on Fridays, people like to go out on Friday nights, almost no one is left to watch some TV. And when you combine Friday night with FOX, you get cancellation. Take a look at the 20 shows that were in this same death slot and were subsequently cancelled in the last 10 years, or just ask Firefly and Wonderfalls. Friday nights on FOX have always been the place where shows go to die in pain. Also, Tim Minear is producing the show, and we all know that Fox and Minear do not compute.

Reason 3 : Slow on the Uptale Last time we were here discussing in length the Dollhouse, I was talking about something I called the “Fourth Media Dilemma”. Picking up for a second season Dollhouse, despite its atrocious ratings and FOX’s precedents regarding the death slot, would mean in some way recognizing the (good) iTunes and Hulu numbers of the show, and therefore officially giving some power to the Internet, or at least acknowledging it. I doubt FOX execs have the balls to give some credit to the Internet just yet and basically vet the Fourth Media in relation to a TV show’s fate. TV execs are known to be “slow on the uptake”, or at the very least having a hard time acknowledging new technologies and new forms of content. This is basically no different, if not greater than that. A renewal would mean showing faith in iTunes sales, and this is a one-way leap of faith. Is FOX really ready to take that step?

Reason 4 : Direct-to-DVD Last Thursday was announced that the “real” first (and only?) season finale of Dollhouse would only be available on DVD and not be shown on FOX, à la Middleman (although there the finale wasn’t actually produced, albeit available only in comic-book format). The official reason behind such a move is because FOX has already fulfilled its 13-episode order via the pilot’s reshooting. Tim Minear explained this better:

Because we scrapped the original pilot — and in fact cannibalized some of its parts for other eps — we really ended up with 12 episodes. But the studio makes DVD and other deals based on the original 13 number. So we created a standalone kind of coda episode. Which is the mythical new episode 13. The network had already paid for 13 episodes, and this included the one they agreed to let us scrap for parts. It does not include the one we made to bring the number back up to 13 for the studio side and its obligations.

If you believe in the show getting renewed, you’re going to show what looks like the best episode of the series and show it to the world as soon as you can.
If you don’t, on the other hand, no point in wasting your precious broadcast time for a dead show walking.
You’ve gotta admit though that FOX not even bothering to broadcast the final episode shows a certain lack of trust in Dollhouse’s future to say the least.
Ultimately, my previous “renewal” reasons are still valid, and, depending on your dubiousness, you can side either way on Dollhouse’s fate.
Hope is still not lost, and FOX might still have the balls to renew Dollhouse (and The Sarah Connor Chronicles for that matter).
Like always: Watch, Wait, and See.


Email This Post Print This Post

Be the first to comment

This morning were unveiled the 2008 Peabody Award winners, including HBO’s Entourage (!) & John Adams, ABC’s Lost, and AMC’s Breaking Bad.

The award ceremony will take place on May 18 at the Waldorf-Astoria in New York and will be hosted by NBC’s Brian Williams.

What is most peculiar is that among the winners is non other than YouTube.
Add to that The Onion’s online news-network, and the NY Times’ website, and you’ve got yourself the first time Web entities actually receive the coveted prize.

Interestingly enough, the Peabody Award has now become an “International Competition for Electronic Media, honoring achievement in Television, Radio, Cable and the Web.”

The technological shift continues as Disney just got itself a 30% share in Hulu, making it equal partner with NBC-U and News Corp.
Providence Equity Partners still has its 10%.

The following seemed odly appropriate:

Everyone is trying to get on board now it seems.

CBS is still on the sideline though, sticking with YouTube who is launching April 16 its premium content site and Hulu’s main competitor, Sling.

Somewhat ironically, only clips of ABC’s shows will be available on YouTube.

In the meantime, Business Week has just posted an article in why Hulu attracts eyes, but not advertisers.

Venture Beat notes another ironic subtext: Apple’s Steve Jobs is also the largest shareholder at Disney’s table as well as on the board of directors. Ultimately it seems that Hulu’s free ad-supported streaming will have to go head to head with the iTunes’ ad-free pricey content.

Let the fighting continue (or is it begin?).
The times, they are a-changin’.


Email This Post Print This Post

Be the first to comment

Post image for 3-D is coming

I came across last night two articles on the Time website about how 3-D might revolutionize the entertainment industry.

There is some talk about 3-D history, but if you’re really interested in the origins of 3-D movies, I suggest you check out this book.

The two articles were interesting reads, especially since they basically said the exact same things I blogged about last November (“the third sea change to affect movies after sound and color”).
As Nikki Finke would say: TOLDJA!

More to the point, the first linked article talks about limits of 3-D technology that I consider currently ridiculous, and most likely will become completely preposterous limitations a few years down the line (and since we’re talking about the future here…).

Let’s take a look at the first “problem”: glasses.

Imagine the popular resistance to the first talkies if audiences had to don headsets to hear Al Jolson sing “Swanee.” What would the odds on the success of three-strip Technicolor have been if people had to wear specs to see Gone With the Wind or The Wizard of Oz, or the 99% of movies now shown in color?

The similes are completely wrong here.
The correct comparison would be saying people had to put on headsets not only the talkie part of the movie, but sound itself ; or put more speakers for a clearer, more immersive, sound experience.
Guess what, people are doing that.
Putting specs to see color is equally as ridiculous of a question.

Regardless, saying the current glasses limit this barrier between the screen is false as current technology reduces loss of colors.
Everyone would be wearing contact lenses if glasses were that annoying to go see a movie.

Glasses will get better, thinner, until they’re gone completely.
3-D TVs already exist without the need for glasses.

Now, about the genre thingy.

Paul Blart, or the kids from Slumdog Millionaire, would not have benefitted from the in-your-lap urgency of 3-D.

This comes down to one word: gimmick.
Like I pointed out in my TOLDJA! moment back in November, a technological revolution is not one until it transcends that “gimmick” barrier.
Cellphones were considered only gimmicks a few years ago.
The same can be said about sound and color. None of them were believed to be true advancements back in the days (technology already existed before their official introductions).
We’re talking about a shift in the use of 3-D technology.
Black and white movies are still being made, yet how does “Paul Blart” benefit from being in color?
3-D hasn’t for now surpassed the gimmick stage.
I believe Avatar will change that.
In a few years, the technology will not be a novelty item anymore.

Moving on to the home entertainment business:

Even Jeffrey Katzenberg acknowledges that 3-D won’t be a major factor in home viewing for quite some time. And he’s talking only about DVDs. What about pay-cable? How would HBO show the 3-D version of Monsters vs Aliens — on a separate, 3-D-only channel, with glasses that came with your cable bill?

That sound you hear is my head bashing against the wall.
First things first. There is no special equipment needed to show 3-D, case in point with Chuck.
All you need at best are glasses. Not only is that solely on the viewer’s side of things, but technology already exist to suppress the need for glasses in 3-D TV.

And if you still think glasses = automatic failure, the 3-D home version of Journey to the Center of the Earth was quite a success last year, even though 3-D was mostly still a gimmick effect there, and you needed basic anaglyph glasses.
Once this stage is passed, home entertainment will catch up.
Hell, it’s already starting to as a matter of fact, thanks to 3-D sport.

And in conclusion:

As a rabid movie watcher, I’m not immune to the pleasures 3-D can bring to certain genres. It’s an advance in visual appeal similar to, but not greater than, Blu-ray. Which is to say, a difference in degree, not in kind. And with Blu-ray, you don’t need the damn glasses.

The hole in my wall is getting bigger.
DVDs are doomed, and so is Blu-Ray for that matter.
Also, comparing 3-D to HD is ludicrous at best.
Of course you don’t need glasses to see HD, that would be like you saying you needed special glasses to see colors or headphones to hear the “talkie” part of a movie.
Oh, wait. You did say that.
Please keep your metaphors straight next time.

Given the fact that you have most likely seen only gimmicky 3-D movies, including every single 3-D movie ever, you haven’t seen the barrier being breached yet.
3-D is not the same kind of advancement as High Def.
3-D is a major technological shift in the entertainment industry similar to, if not greater than, sound or color.


Email This Post Print This Post

1 comment

Oh no!

Jennifer Aniston has ended her relationship with John Mayer because he was allegedly obsessed with Twitter.

Beware of the Tweets!


Email This Post Print This Post

Be the first to comment