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Posts published in December 2008

Script registration 101

How to register a screenplay isn’t as complex as it may seem.
Because when everything is done you might just need to sue some dude, here is a quick rundown of the two most used script registration services.

Library of Congress, U.S. Copyright Office
Why?: Probably the first one you should check out for your script registration.
I suggest you use the online registration. It’s cheaper, trackable, and faster.
Why not?: This services should be used for actual finished script registration, not treatments or drafts. This is for script copyright, not broad unfinished ideas.
Duration: The life of the author plus an additional 70 years
Prices:
$35 for via the online service
$45 with paper forms

WGA’s Script Registry Service
Why?: The most popular of all script registration services.
Registrable material is anything that can assist you “documenting the creation of your work” (scripts, treatments, synopses, outlines, etc.).

The WGA registration, which stands for Writers Guild of America registration, is a crucial step for writers looking to protect their intellectual property. By registering their work with the WGA, writers establish a legal record of their authorship and ownership. This process ensures that in case of any future disputes or infringement, they have evidence to support their claims. The WGA script registration provides writers with a sense of security and confidence in their creative endeavors, as it serves as an official certification of their work’s existence and originality.

Why not?: As stated on their website:

Registering your work with the WGAW Registry does not take the place of registering with the Library of Congress, U.S. Copyright Office.

Also, once material is registered, the file cannot be changed in any way.
Duration: 5 Years (renewable)
Prices:
$20 for the general public
$10 for WGA members

It is still debatable as to which of the two should be used primarily, or if registering to both at the same time is useful.
It is clear though that both can be used in court.

Depending on how much dough you are willing to shed for the protection of your work, two is better than one obviously. If you intend to register at both, I would suggest starting with the Copyright Office, and while waiting for the paperwork (it generally takes some time to come) go register to the WGA.

Let’s note however that none of these services are International-proof. Protecting your material via these services will only work the in States.

Good luck!

The smell of change in the morning

Some more fresh news hot off the printer.

Let’s begin with a quick follow-up to my awesome prediction from the other day on how 3-D will rule us all in a decade or so.

What’s the one industry that can make or break a format? Or, in our case, a new era of entertainment pleasure?
Was your first thought ‘porn’?
If yes, then you’d be right.
If we would have been talking about the 90s.
Porn embraced first HD DVD and look where that format went.
Bottom line is: Porn endorsement is now kinda useless, especially when everyone is basically downloading his (her?) porn.
There’s also no 3-D Porn in the works as far as I know.
But I have high hopes (or is that low expectations?) that one is coming our way soon.
No pun intended.
Seriously.

Don’t worry, I’m going somewhere with all of this.

So, back to the question.
What’s the industry that will lead Joe Six Pack to watch 3-D stuff?
It’s not per se an entertainment industry, but it definitely has its own (big, huge) weight.
I am of course talking about sports.
And to be more precise, the NFL.
Tomorrow night will be broadcast live in 3-D to theaters in Los Angeles, New York and Boston a game between the San Diego Chargers and the Oakland Raiders.


I may go out on a huge limb here again, but I’m pretty sure that in 2 decades, if not less, watching 3-D sports at home will become a common thing.

Also, LG announced that they would try to market at least one 3-D TV in 2009.
And we’re already in December 2008 folks.

Meanwhile, CBS just announced its mid-season schedule while ABC the premiere date of some of its new shows.

Let’s begin with CBS.
First things first, Flashpoint season 2 will premiere Jan. 9.
Did I forget to mention that the missing 4 episodes from season 1 are added to the whopping total of 18 season 2 episodes ordered?
That’s a full season of 22 episodes for you.
The 13-hour Harper’s Island (I sense a backdoor series somewhere) will be broadcast from April 9 to July 2.

Not much more news regarding dramas since there hasn’t been much canceling lately on CBS’ side.

Remember how NBC only announced their January skeds?
Well it seems that ABC is announcing the premiere of its new shows — for around March-April.
Mondays (March 9) will see the arrival of the long-awaited Castle (by most Nathan Fillion fans).
The reboot of Rob Thomas’ Cupid will premiere meanwhile starting March 24 on Tuesdays.
The Unusuals will take place on Wednesdays (beginning April 8).

Why so late?
Well, you might have guessed this, but ABC wants to finish showing its fall shows before beginning its mid-season’s.

Notice a trend in all of this?
Mid-season shows are beginning more and more frequently to premiere late in the season (as late as April-May for some).
Are we converging to year-long original drama programming or what?