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Posts published in “Year: 2009

Lorne, what have you done?

This post was long overdue…

Unsurprisingly, Megan Fox has today been officially announced as the Sept 26 host for Saturday Night Live‘s 35th season.

And after last week’s news, I’m wondering:
Seriously, what the hell is Lorne Michaels thinking?

A year ago, he was actively looking for more “diverse cast members” (read: someone who can do a decent Obama impersonation without blackface).
After auditioning dozens of incredible actors, it turns out he’s not hiring any of them and is sticking with Fred Armisen.
No offense to the latter, but I just don’t find his Fauxbama that good (same for Maya Rudolph’s Michelle I’m afraid).

That said, let me get Lorne Michaels’ thinking straight:
Everyone (including the President himself) is telling you to hire someone being able to do a good Obama impersonation, so you audition great comedians, and then you don’t hire any of them?

What. The. Fuck.

And now, he’s adding two new female cast peeps.
Okay, that’s a good thing.

But then he subsequently fires two other female cast members (Michaela Watkins and Casey Wilson)?!

What. The. Fuck.

I saw last year Watkins at the Groundlings, she was fantastic.
Though I’m not a big fan of the whole Today show skit, her other impersonations/characters on SNL are great.
Fortunately for her, she doesn’t seem über-pissed about the firing (and there may be a show for her down the line).

Now as for Casey Wilson, that’s a whole other thing.
According to E!’s Ted Casablanca, Wilson was asked to loose 30 pounds during the hiatus (and was fired because she didn’t).

What. The. Fuck.

SNL has now officially become a boring, safe, formula show, without anything new or groundbreaking about it.
I wish Watkins and Wilson the best of luck with all their future endeavours.
At least they won’t be limited to 5-second background roles anymore.

Medium: Can’t You See?

For this blog, I will talk about a veteran show that will return on CBS on September 25th. A show that mixes crime and paranormal elements, that garnered the lead actress an Emmy win in 2005, and was produced by arguably one of the greatest showrunners of the past 20 years.

That little show, you’ll have guessed, is called “Medium”, and was saved from cancellation by CBS, whose sister studio, CBS Paramount, also produces the show.

“Medium” is one of the rare shows that is barely recognized by critics, yet makes solid ratings and performs well in the key demographics. Even in France, where network M6 airs it, there’s barely any talk about the show. Granted, on the surface, it deals with familiar territory: a medium start having visions and helps the local district attorney to solve crimes and murders. Notice I didn’t elaborate on the visions. That’s because, at first, it was only dead people trying to communicate with her, either by showing them minutes before their murder, or actual clues about the identity of the murderer. But over the episodes, the creativity of Glenn Gordon Caron-who created one of the great comicbook-inspired shows of the last decade in “Now And Again”, and of course “Moonlighting”-is to play with the visions, and have them in a bunch of different ways: in a noir-from-the-50s way, in 3-D, in cartoon….The real treat is to see where those visions lead Allison, and how she interprets them. And even if the viewer can quickly expect some kind of routine, as Allison finds out soon she’s wrong about the visions, and someone is caught at the end of the episode, the show finds a way to defy expectations.

In a recent interview, Glenn Gordon Caron said: “This may look like a crime show, but it’s really about an American marriage”. And the heart of the show is the DuBois family. Actually, as other writers would introduce cheating, betrayals and other soapish devices to give drama and scandal to the DuBois life, Caron makes a point about keeping the DuBois family very much together and maintain their cocoon of joy they call “home”. One of the reasons may be to balance the depressing and scary visions perturbing Allison. But the show is kept realistic thanks to a honest portrayal by the tag team of Patricia Arquette and Jake Weber, who does a consistently great job every episode. Weber, and Joe DuBois, don’t look like the tanned, well dressed husbands with a good haircut, but he’s believable as an understanding and levelled father without sounding corny or plain weak. Actually, “Medium” may be pleasing to Denny Crane given how effectively the Republican values are portrayed in the show. But it never hammers the point home, no matter how the crazy family crises get solved. When focusing on the couple, “Medium” has released one of their best episodes, “Twice Upon a Time”, a beautiful take on alternate realities and a great exploration of what glues Allison and Joe together.

It boggles the mind to see that, in the span of a few months, two great shows watched by people over 50 were taken off the air of their networks: one being the cancelled “Boston Legal”, and “Medium” was fortunately rescued by CBS. In a TV world obsessed by young and sexy characters, “Medium” offers a couple who are grown and mature, with no troubles in their relationships, raising three adorable children despite consuming jobs. How boring, right?

So, “Medium” succeeds on three plans: the crime mystery, who actually manages to keep one guessing without falling in procedural traps- yes, there are investigations, but they are paramount to solving the mystery of the visions themselves-; the paranormal aspects, who give creepy, eerie visions in a variety of visual styles-what other show can give the viewer the impression that he’s choking in a plastic bag this convincingly?-; and the family aspect, which gives fuel to heart-warming scenes and entertaining banter, as well as a few choice zingers from Joe DuBois. But those three aspects are misunderstood by the critics, who’d rather see a routine crime show full of independent episodes, and no discernible or lasting character arcs. Let’s hope that the sixth season with a decent promo budget, and a good lead-in (in terms of ratings, of course) in “Ghost Whisperer” will solve those problems.

PS: The title of this post was brought to you by R&B group Total feat. The Notorious B.I.G.

Trailer(ing) the movies

Trailers have always been an important part of a movie’s marketing campaign (for obvious reasons).
Even so, nowadays it’s pretty common to find unoriginal, or dare I say clichéd teasers that barely bring anything new to the table, let alone peak people’s interest.
Fortunately though, a few recent (somewhat) innovative trailers have been popping up. They also are incidentally attached to pretty cool feature films coming up this fall.

From Sept. 25 ’til Nov. 25, here are, in chronological order, all the movies you must absolutely check out, if only for their epic trailers.

Special mention to both A Serious Man and Where the Wild Things Are.

Coming out Sept. 25
Brief Interviews with Hideous Men (adapted and directed by John Krasinski)

Why should you go see this movie?
For one, it has an incredible cast.
For two, incredible is the cast.
But most importantly, it looks fun.

Pandorum (written by Travis Milloy, directed by Christian Alvart)

At first, it looks like Alien meets Resident Evil.
Turns out, it’s way more epic.

Coming out Oct. 2
A Serious Man (written and directed by Ethan & Joel Coen)

Ding, ding, ding!
Here comes the next Coen classic.

Zombieland (written by Rhett Reese & Paul Wernick, directed by Ruben Fleischer)

Woody Harrelson going on a little zombie-hunting trip.
Who doesn’t want to see this?

Coming out Oct. 16
Where the Wild Things Are (adapted by Spike Jonze & Dave Eggers, directed by Spike Jonze)

It already has one of the best movie trailer ever made, what more can you ask?

Coming out Oct 30
Gentlemen Broncos (written by Jared & Jerusha Hess, directed by Jared Hess)

Emmy-nominated Jemaine Clement stars in this (probably soon-to-be cult) movie.
I smell comic genius.

Coming out Nov. 6
The Men Who Stare At Goats (adapted by Peter Straughan, directed by Grant Heslov)

Yet again, a movie with a great cast.
Plus, there’s George Clooney staring at a goat.

Coming out Nov. 25
The Road (adapted by Joe Penhall, directed by John Hillcoat)

One year later, it’s finally here , ready for the 2010 Academy Awards.
But before you go see it, do one thing first: read the book.

This fall, there’s finally a reason (actually, multiple reasons) to go back to the movie theatre.