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Posts tagged as “The CW”

TV Criticism ft. Heather Mason (SyFy Fangrrls/Amy Poehler’s Smart Girls) & LaToya Ferguson (The A.V. Club/IndieWire) (PT81)

Alex and Nick invite Heather Mason (from SyFy Fangrrls & Amy Poehler’s Smart Girls) and LaToya Ferguson (from The A.V. Club & IndieWire) for a lighthearted conversation about the current state of TV criticism in the era of peak content and serialized storytelling.

What does TV criticism look like today? What is the process of reviewing a TV show? What can writers learn from critics? When are shows reviewed as a whole as opposed to episodically? How can critics review so much content in the era of peak TV? What are common misconceptions about TV criticism?

Plus, a special WonderCon 2018 reminder.

The Paper Team rates this episode “A+”…

SHOWNOTES

Content

WonderCon 2018 panel reminder (00:00:33)
A casual conversation about TV criticism (00:01:45)
Resources and Next Week On (01:14:18)

Reminder

Paper Team is going to WonderCon 2018! Join our panel “Reimagined for TV: Writing shows based on popular IP” on Sunday, March 25 at 1:00PM in Room 209.

Links

Heather Mason on Twitter
LaToya Ferguson on Twitter
The TV Sisters
LaToya Ferguson on Tumblr
SyFy Fangrrls
IGN
HelloGiggles
Amy Poehler’s Smart Girls
The A.V. Club
IndieWire
Uproxx
Television Without Pity
“San Junipero” (3×04 – Black Mirror)
Scream (TV Show)
Teen Wolf (TV Show)
Pretty Little Liars
Scream Queens
The Strain
Metacritic
Rotten Tomatoes
Drop Dead Gorgeous
Don’t Trust the B—- in Apartment 23
Great News
The Vampire Diaries
Hannibal (TV Show)
Sasha Alexander
Greg Beeman
Dark
Television Critics Association (TCA)
Grace and Frankie
Electric Dreams
Charlie’s Angels (2011 TV Show)
666 Park Avenue
Dave Annable
Rachael Taylor
Robert Buckley
The Slap
The Slap (US Version)
Jonathan LaPaglia

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Navigating Your First TV Writing Job ft. Britta Lundin (Riverdale) (PT67)

Alex and Nick invite Britta Lundin, story editor on The CW’s Riverdale and author of Ship It, to discuss everything you need to know about your first TV staff writing job and working on a popular show.

What is the process of getting staffed on a TV series? What is the experience of working in a writers’ room for the first time? How do you approach the “room etiquette”? From pitch to draft, and season to episode, what is the writing process like on Riverdale? How do you adapt your voice to that of a showrunner? How should you build on studio and network notes? What is a writer’s job on set and in post-production? How is writing a novel different than TV writing?

The Paper Team gets a script…

SHOWNOTES

Content

Getting staffed on Riverdale, expectations vs. reality of a TV writers’ room, adapting your voice, breaking the season and episodes, dealing with notes, writers’ room etiquette, being on set and in post, engaging with fandom, converting a screenplay into a novel and differences between the two forms (00:56)
Resources and Next Week On (57:57)

Links

Britta Lundin on Twitter
Riverdale on The CW (Wednesdays 8/7c)
Pre-order “Ship It” by Britta Lundin
Roberto Aguirre-Sacasa
“Chapter Ten: The Lost Weekend” (1×10 – Riverdale)
Jughead’s “I’m Weird” Speech Meme
“How To Practice “Safe” Shipping w/ The Riverdale Cast” (Video)

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

TV Writing Competition Winners: What Happens Next? (PT55)

Alex and Nick invite three TV writers to discuss what comes after winning a major screenwriting or TV writing competition.

Guests include: Talia Gonzalez (Teen Wolf/iZombie) from the 2013 Tacking Board Launch Pad Feature Competition, David Hoffman (Timeless) from the 2015 Launch Pad Pilot Competition, and T.A. Snyder from the 2017 Launch Pad Pilot Competition.

Why is entering screenwriting competitions important? What should you look out for before submitting a script? What should you expect and do after winning a writing contest? How should you brand yourself as a TV writer with your samples? What is the process of selecting the right agent or manager for you? How do you balance working on a TV writing staff and developing your own projects?

The Paper Team competes…

SHOWNOTES

Content

Winning a screenwriting competition and what comes after (01:08)
Resources and Outro (59:50)

[NOTE: Our usual “Next Week On” segment at the very end was unexpectedly cut. We’ll be talking about working in TV as immigrants in next week’s episode!]

Links

David Hoffman on Twitter
Talia Gonzalez on Twitter
T.A. Snyder on Twitter
Matthew Weiner
Charlie Kaufman
Shawn Ryan
Eric Kripke
Launch Pad mentors
TV Writing Fellowships
WTF with Marc Maron Podcast
Radiolab Podcast
Traffic
The Limey

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]