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Posts tagged as “3D”

Taylor Lautner: Badder, Bulkier, and Sparklier

Taylor Lautner: Badder, Bulkier, and Sparklier

Lordy is a big fan of the “tween-sucking vampire franchise that made Summit tens of millions” as he calls it, and asked me to write a special article about his favorite part: Taylor Lautner.
That guy is kind of the Neil Patrick Harris to his How I Met Your Mother (yeah, I went there). He’s the one you didn’t think was going to break out from the pack when it first started, but now it seems oh so obvious that he’s the star emerging.

So, besides starring in “Sparkle Sparkle“, what is he doing these days anyway?

Simply put: the guy is fast becoming the real action star out of his Sparkle Pack.
Pattinson is too busy doing romcoms and Stewart is too busy making indies.
Taylor had expressed hopes to lead a few action movies once he’s done sparkling.

And honestly, if you want to see what kind of talent an actor wants to showcase, don’t go far.
Just look at their own little Saturday Night Live monologue.
Zach Galifianakis showed he was funny.
Joseph Gordon-Levitt showed he was awesome (more on that at a later date).
Taylor Lautner showed he could kick your ass.

He’s doing that thanks to his new pecs.
Indeed, the 18-year old (yes, he was born in 1992) actor (who already has his own production company) has bulked up pretty intensely these last few months.
Why so you’re asking?
In case you didn’t know, Robert Pattinson not being New Moon‘s lead (surprised?), the movie had to rest solely on Jacob Black’s shoulders (Lautner’s character for you newbies).
Taylor Lautner was going to be replaced because of the massive physical change the character had to endure between the first two films.
So as to keep the role, Lautner gained almost thirty pounds of muscle.

Now that he’s all grown bulked up, he did the one thing every action man dreams to do: become a Toys “R” Us salesman (albeit with a much higher paycheck).
Remember the toy-to-movie craze from a few months ago?
Well Taylor represents one of these toy franchises.
The first job Lautner took outside of his werewolf gig was one that got him to stretch his newfound muscles.
Please, let’s avoid any sexual innuendos as the people reading us are tweens (yes I also hate that word).
I am here of course referring to the famous Hasbro Stretch Armstrong 1970s action figure.
Indeed, Universal Studios is making a 3-D movie aimed for a 2012 release with muscle-man as the lead. Not much more yet to talk about, although it is produced by Brian Grazer and the script is written by Steve Oedekerk (a writer for a bunch of Jim Carrey comedy, such as Ace Ventura and Bruce Almighty). There are rumors floating around that Monsters vs. Aliens director Rob Letterman could potentially helm the movie.


And if you’re wondering, it was his SNL backflips that got him the job.
Really.
Brian Goldner (Hasbro’s CEO) watched in mid-December his monologue and was so impressed he called WME to cast Lautner.
So next time you say you kicked ass at your job interview, think again.

Taylor was also about to take on another toy-role as Mattel’s Max Steel but ultimately dropped out.
Apparently, Mattel didn’t push the project fast enough for our young entrepreneur.

Summit isn’t ready either to let those muscles loose.
Cancun, a spec script by Eric Champnella and Grant Thompson, was last December acquired by the company with guess-who attached to star.
Side-note, this is the first project of the aforementioned Lautner prodco he has with his dad Dan.
As the name implies, it takes place during spring break in Cancun.
The plot sounds like Taken, only with Lautner’s girlfriend, and with more martial arts involved (duh).

Last but far from being least, Taylor is going to star in the thriller Abduction.
Lautner will play Nathan, a guy that finds out he’s considered missing and then goes all Bourne on everyone.

Here is an actual extract from Shawn Christensen’s script:

Karen takes out a First Aid Kit and grabs some cotton balls and begins dabbing some of Nathan’s facial scars.

KAREN (CONT’D)
You’ve got glass stuck all over
you. Take off your shirt.

Nathan reluctantly takes off his shirt.

See, the Twilight fans won’t be that homesick.
I can already hear the lame puns about Abduction being renamed Ab-duction.

So, yeah, bottom line is: Lautner is apparently angling to become the next major action star.
Who could blame him after spending years flexing those abs only to be sparkling?
He is also now the highest-paid teenage actor (more so than Zac Efron or Miley Cyrus) thanks to $7.5 mils from John Moore’s Northern Lights.

Taylor Lautner is definitely going to sparkle for some time.

And yes, I’m aware that it’s the vampires that sparkle, not the werewolves.

Oscar thoughts (2010)

Well, that surely was riveting (not).
Sure, The Hurt Locker probably wasn’t the best 2009 movie, but nowadays I’m happy if good work is even recognized.
So, yay.

I was pleasantly surprised by Neil Patrick Harris’ opening number.
At least they know who to call for these sorta things.

On the other hand, this didn’t really show much confidence in Alec Baldwin/Steve Martin’s duo (not even seen on stage until the fifth minute).
Twice the host, half the screentime.


The banter following their arrival felt tame at best.
It almost seemed as if they were listing a bunch of famous celebrities in hopes that fangirls all around would “squee”. Alas that wasn’t the case.
Clooney certainly didn’t seem to care about the ceremony.
The jokes themselves didn’t feel much inspired.
Case in point with James Cameron’s “micro-roast” that revolved around, you guessed it, 3-D glasses.

Did anyone else notice that, right after Steve Martin made his joke about Christoph “Jew Hunter” Waltz having hit “the motherload”, they cut to…Ethan Coen?!
Bad taste much?

I was surprisingly surprised at one win: Best Foreign Language Film.
Seemed as if Das Weisse Band was going to get it. Ended up going to El Secreto de Sus Ojos.
Yes, I’m happy about that.

Another shock came when Michael Giacchino was given the Oscar for Best Original Music.
No, I wasn’t shocked because he had won, rather because he hadn’t won before that.
Indeed, this was his first Academy Award ever.
What a shame it didn’t happen sooner. Though great speech.
Incidentally, I’m actually listening to one of the Lost soundtracks as I’m writing this.
And a note to Jennifer Lopez: it’s pronounced Ja-Key-No.

Continuing on the Lost-related talk:
If you were thinking that J.J. Abrams, or, hell, even Terry O’Quinn/Michael Emerson, were going to win an Oscar way before the guy playing Minkowski, think again.

If you’re wondering about that “Kanye West” moment, as people are calling it now, check this out.

Up winning best animated film was a disappointment.
I wish Coraline or Fantastic Mr. Fox had the award.

What’s up with Colin Farell being Jeremy Renner’s actor-buddy on stage and talking about SWAT?!
Weren’t TPTB able to get, I don’t know, any co-star from The Hurt Locker?
Seriously, who thought we would hear about that SWAT movie ever again, let alone at the Academy Awards?

Anyhow, the horror tribute was a bit weird since it included a bunch of movies I’d describe as belonging to the “fantasy” genre (Edward Scissorhands to name just one).

Speaking of, the award for the scariest moment of the evening goes to:


Who knew a comedian painted in blue was going to be a highlight.
Haven’t seen that on TV since a guy named Tobias.

Notice my total lack of thought regarding the major categories.
That’s because I don’t have any.
I’m obviously happy for Bigelow (they took their sweet time to make the historic kudos).
Big “duh” for all the other wins.
And that’s about it.

To finish us off, here’s the genius Modern Family promo they made especially for the Oscars:

Medium: Can’t You See?

Medium: Can’t You See?
For this blog, I will talk about a veteran show that will return on CBS on September 25th. A show that mixes crime and paranormal elements, that garnered the lead actress an Emmy win in 2005, and was produced by arguably one of the greatest showrunners of the past 20 years.

That little show, you’ll have guessed, is called “Medium”, and was saved from cancellation by CBS, whose sister studio, CBS Paramount, also produces the show.

“Medium” is one of the rare shows that is barely recognized by critics, yet makes solid ratings and performs well in the key demographics. Even in France, where network M6 airs it, there’s barely any talk about the show. Granted, on the surface, it deals with familiar territory: a medium start having visions and helps the local district attorney to solve crimes and murders. Notice I didn’t elaborate on the visions. That’s because, at first, it was only dead people trying to communicate with her, either by showing them minutes before their murder, or actual clues about the identity of the murderer. But over the episodes, the creativity of Glenn Gordon Caron-who created one of the great comicbook-inspired shows of the last decade in “Now And Again”, and of course “Moonlighting”-is to play with the visions, and have them in a bunch of different ways: in a noir-from-the-50s way, in 3-D, in cartoon….The real treat is to see where those visions lead Allison, and how she interprets them. And even if the viewer can quickly expect some kind of routine, as Allison finds out soon she’s wrong about the visions, and someone is caught at the end of the episode, the show finds a way to defy expectations.

In a recent interview, Glenn Gordon Caron said: “This may look like a crime show, but it’s really about an American marriage”. And the heart of the show is the DuBois family. Actually, as other writers would introduce cheating, betrayals and other soapish devices to give drama and scandal to the DuBois life, Caron makes a point about keeping the DuBois family very much together and maintain their cocoon of joy they call “home”. One of the reasons may be to balance the depressing and scary visions perturbing Allison. But the show is kept realistic thanks to a honest portrayal by the tag team of Patricia Arquette and Jake Weber, who does a consistently great job every episode. Weber, and Joe DuBois, don’t look like the tanned, well dressed husbands with a good haircut, but he’s believable as an understanding and levelled father without sounding corny or plain weak. Actually, “Medium” may be pleasing to Denny Crane given how effectively the Republican values are portrayed in the show. But it never hammers the point home, no matter how the crazy family crises get solved. When focusing on the couple, “Medium” has released one of their best episodes, “Twice Upon a Time”, a beautiful take on alternate realities and a great exploration of what glues Allison and Joe together.

It boggles the mind to see that, in the span of a few months, two great shows watched by people over 50 were taken off the air of their networks: one being the cancelled “Boston Legal”, and “Medium” was fortunately rescued by CBS. In a TV world obsessed by young and sexy characters, “Medium” offers a couple who are grown and mature, with no troubles in their relationships, raising three adorable children despite consuming jobs. How boring, right?

So, “Medium” succeeds on three plans: the crime mystery, who actually manages to keep one guessing without falling in procedural traps- yes, there are investigations, but they are paramount to solving the mystery of the visions themselves-; the paranormal aspects, who give creepy, eerie visions in a variety of visual styles-what other show can give the viewer the impression that he’s choking in a plastic bag this convincingly?-; and the family aspect, which gives fuel to heart-warming scenes and entertaining banter, as well as a few choice zingers from Joe DuBois. But those three aspects are misunderstood by the critics, who’d rather see a routine crime show full of independent episodes, and no discernible or lasting character arcs. Let’s hope that the sixth season with a decent promo budget, and a good lead-in (in terms of ratings, of course) in “Ghost Whisperer” will solve those problems.

PS: The title of this post was brought to you by R&B group Total feat. The Notorious B.I.G.