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Posts tagged as “Abrams”

TV Prose and Scene Description 101 (PT48)

Update: PT48 transcript now available

Alex and Nick discuss why scene descriptions in TV scripts are so important, what to focus on in your TV prose, and treading the line between writing a script as a technical document versus a reading experience.

What makes good or bad prose? What are some examples of compelling scene descriptions? Should prose be efficient or florid? How do you convey textual information? When should you “direct” in a TV script?

Plus, a quick review of Shonda Rhimes’ TV writing masterclass.

The Paper Team illustrates their thoughts…

SHOWNOTES

Content

Announcements (00:49)
Odds-and-ends: Shonda Rhimes’ TV writing masterclass (02:23)
1 – What is screenwriting prose and why is it important (07:50)
2 – Why scene descriptions need to be efficient (09:33)
3 – Script: technical document or reading experience? (17:53)
4 – Describing versus telling (22:51)
5 – The screenwriter’s voice (27:39)
Takeaways and Resources (30:15)

Links

Shonda Rhimes’ TV writing masterclass
Six Feet Under
Alien script by Walter Hill and David Giler
David Foster Wallace
Shane Black
American Gods (TV Series)
Courier Prime
“Two for the Road” (2×20 – Lost)
“Exposition in TV Writing” (PT24)
Sherlock (TV Series)
“Sherlock: How To Film Thought” (Video)
“A Brief Look at Texting and the Internet in Film” (Video)
Fringe chyrons

Resources

Hemingway Editor
Thesaurus.com
“The Synonym Finder” – J. I. Rodale

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Breaking in & Writing From “Outside the System” ft. Hilliard Guess (The Screenwriter’s Rant Room) (PT47)

Alex and Nick invite writer/producer Hilliard Guess for an in-depth discussion about his experience in the industry, working as a writer, and his involvement in the WGA and his Screenwriter’s Rant Room podcast.

How do you build a writing career without the traditional assistant or fellowship route? What are key differences in being a producer or writer, and juggling both roles? What are aspects of the WGA people should know more about? How do you overcome adversity and get things done? What are ways of putting yourself out there and opening doors?

The Paper Team goes rogue…

NOTE: We had a bit of noise on the line, and my upstairs neighbors decided to join in on the fun towards the end of the recording. We tried to fix most of the issue, but be aware there may be some residual audio.

SHOWNOTES

Content

Starting out, becoming a writer, getting writing jobs, being a producer, curating your work environment, being involved in the WGA, dealing with adversity, and the competition (00:01:22)
Resources and Next Week On (01:10:22)

Links

Hilliard Guess on Twitter
The Screenwriter’s Rant Room on iTunes
The Screenwriter’s Rant Room on Twitter
Hilldog Productions
Palo Alto (California)
Dangerous Minds
John Truby
Robert McKee
Jack Epps Jr.
Karl Iglesias
Z Nation
28 Days Later
World War Z (Film)
Two and a Half Men
Jaws
Million Dollar Listings
Million Dollar Listing New York
Fredrik Eklund
The Lot Studios
go90
WGA’s LGBT Writers Committee
WGA’s Committee of Black Writers
Lena Waithe
Michelle Amor
Dr. Phil (TV Series)
Dope
Straight Outta Compton (Film)
Wonder Woman (Film)
A Few Good Men
Precious (Film)
Mo’Nique
3rd & Fairfax WGAW Podcast
Lisa Bolekaja
Organization of Black Screenwriters
Kramer vs. Kramer
Jay Mohr
Mark Valley
Lynelle White
Army Wives
“Writing Action and Dialogue (126)” – The Screenwriter’s Rant Room

Resources

Pilar Alessandra’s On the Page
“Coffee Break Screenwriter” – Pilar Alessandra
Jen Grisanti
“The Sequence Approach” – Paul Gulino

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Exposition in TV Writing (PT24)

Alex and Nick take a look at exposition in television writing, from dialogue to prose, action, and meta information.

What should be revealed to the audience? How can you give exposition in an organic and entertaining way? What differentiates good exposition from bad exposition?

The Paper Team shows and tells…

SHOWNOTES

Content

1 – What is exposition and what information should you reveal (00:29)
2 – How to do exposition in TV: bad versus good exposition, dialogue, prose, and meta (06:52)
Takeaways and Resources (30:29)

Links

Mr. Exposition (TVTropes)
“Why Fall TV is Choking on Its Own Voice-Over” – IndieWire
“And Maggie Makes Three” (6×13 – The Simpsons)
“Lizard” (1×01 – Man Seeking Woman)
“Pilot” (1×01 – Breaking Bad)
“Top Banana” (1×02 – Arrested Development)
Fringe’s location chyrons
“Through the Looking Glass” (3×22-23 – Lost)
Lost’s flash-fowards
“Premiere” (1×01 – Farscape)

Resources

“Dialogue Secrets” – William Martell
“Escape From (Dull) Exposition” (Video)

Special thanks to Jason J. Cohn for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]