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Posts tagged as “Abrams”

Back in bold

A few NBC news stories surfaced today, such as the networking ordering Madagascar and Monsters vs. Aliens specials from DreamWorks Animation.

NBC will air its “Monsters” half-hour special on Oct. 28, with voices by Reese Witherspoon, Seth Rogen, Hugh Laurie, Will Arnett, Kiefer Sutherland and Rainn Wilson. “Merry Madagascar” will air Nov. 17, with voices by Ben Stiller, Chris Rock, David Schwimmer, Jada Pinkett Smith, Cedric The Entertainer, Carl Reiner and Andy Richter.

There was also this spec pilot by Felicity’s J.J. Abrams & Josh Reims which got sold to the highest bidder, the peacock. Reims is most known for his work on family-centered dramas such as Brothers & Sisters and Dirty Sexy Money.
The still-untitled show sounds like a Mr. & Mrs. Smith, The Series: Spy Edition. Indeed, it centers around two spies, husband and wife. Not much else is known though.

There’s also some business news with Comcast supposedly on the verge of acquiring NBC Universal, even though both parties are currently qualifying these “rumors” as “inaccurate.”

Chez FX, unsurprisingly both Terriers and Lights Out just got their 13-episode series orders.
We’ve already seen what both those series entailed, though if you have a short memory span, just know that the former, by Shawn Ryan and Ted Griffin, stars Donal Logue and Michael Raymond-James as an ex-cop and his BFF hot-shot starting their own unlicensed PI business.
As for Lights Out:

[It centers] around a former heavyweight boxing champion with pugilistic dementia (a disorder slowly leading to complete memory loss) struggling to support his family, including his wife, a pediatric orthopedic surgeon. The boxer is also forced to become a debt enforcer.
The pilot was co-written by The Bucket List’s Justin Zackham and Phillip Noyce and the show described as more family-centered à la Sopranos than The Shield.

Holt McCallany plays the leading man, Patrick “Lights” Leary.
Terriers and Lights Out are respectively scheduled for a summer and late 2010 premiere.
By picking up all of its six pilots this season, FX is trying to regain its lost momentum by introducing a new wave of original programming.

In other TV news, Melissa Joan Hart is returning to television (well, besides her dancing with the stars).
ABC Family has greenlit an untitled series by Bob Young & David Kendall, with Joseph Lawrence as a co-star. Joan Hart will play “Hailey, a political dynasty wild child-turned-politician who takes in her teenage niece and pre-adolescent nephew when her sister goes to prison and her brother-in-law flees. She turns for help to Jack (Lawrence), who, desperate for a job, moves in and becomes the family’s many.”

There’s also Spider-Man/Milk/Pineapple Express’ James Franco who is joining for two months the ABC soap drama General Hospital.
What the hell is he doing on a soap? Perhaps the pot finally got to his head.
Also, I thought he was in college. Does he have that much free time? Or does he need money?
Quick, someone give him a loan or something!

And finally, some good news:
Christopher Nolan’s Inception will come out on July 16, 2010 in IMAX!
Hell yes.

The unoriginality of Fringe (Part Two)

Following yesterday’s post (where we saw why The X-Files still surpasses Fringe), we’ll now be discussing how the Abrams/Orci/Kurtzman show is actually getting its ideas from another source.
It seems that with this “parallel universe” story, the writers are beginning to get “inspired by” another science-fiction show, Sliders.

Yet again, I’ll be talking about Fringe up to, and including, its Second Season premiere. In addition, I’ll be making numerous references to major Sliders plotlines, so tread carefully (even though the show has been off the air for almost a decade).

Is imitation the sincerest form of flattery?
Fringe is no more “science” than it is “fiction,” especially now that we’ve been officially introduced to parallel worlds.
In reality, it’s just a convenient way to answer everything that’s unanswerable. Unsurprisingly, a self-cutting neck is not scientifically realistic, despite what the writers want us to think. Stop wondering why someone has a bionic arm, the answer is obvious: it comes from another universe!
And if you’re still thinking that the writers know their science, just take a look at who wrote (and directed) the season premiere: Akiva Goldsman, the writer behind the 1998 movie adaptation of Lost in Space with Matt LeBland (no typo). If I recall correctly, that movie was actually a documentary about space exploration. I mean, its use of “time bubbles” was simply astonishing.

In the meantime, here’s a brief history of Sliders.
From 1995 to 1999, the series ran for five seasons, including three on FOX. Created by Tracy Tormé & Robert K. Weiss, the series dealt with a group of people that get sent to parallel dimensions. Tormé and Weiss “left” the show after several problems with the network. Ultimately, SciFi Channel took over after the series’ third season, but by then David Peckinpah, who’d been made showrunner the year prior, had already ran the show into the ground by completely abandoning the concept of alternate histories and going into a more action/adventure direction. Sliders at its core was a show about the exploration of parallel worlds (which isn’t what Fringe is about–yet), but the series shifted focus during Season Three with the introduction of the Kromaggs (more on that in a second).

Sure, as soon as the multiverse is used on a show, Sliders is always brought up, but this time though it’s with good reason as the similarities between the two are beyond eerie.
Ironically, the writers seems to take from Sliders its worst storylines.

The main one being of course the Kromaggs, a parallel version of humanoid primates, and “a technologically advanced and highly militaristic race bent on conquering all human-dominated alternate Earths.”
They also have psychic abilities, such as the power “to project illusions and plant post-hypnotic suggestions into human minds. One episode had one Kromagg attempt to force data out of someone’s minds by touch, similar to Star Trek‘s Vulcan “mind meld”.” Moreover, they also have “healing powers, whereby they can heal people with their minds.”

Okay, so now that you know what Kromaggs are, let’s take a look at the two main opposing forces in the Fringe ‘verse, symbolized by the mysterious group called Zerstörung durch Fortschritte der Technologie (“Destruction through Technological Progress” or simply ZFT).
io9 briefed us on the group’s motives:

Bioterrorist group ZFT is responsible for many of the experiments the Fringe team investigates. ZFT’s extensive network of scientists perform bizarre and often deadly experiments on other human beings — like infecting a woman with a form of vampiric syphilis or growing fast-aging humans. In addition to their biohacks, ZFT possesses some technologies developed by Walter Bishop, including a teleportation device.
But there’s also a method behind ZFT’s biological madness. ZFT members operate according to a manifesto that states two key things: there is another dimension more scientifically advanced than our own, and in the coming interdimensional war, only one dimension can survive. ZFT is out to create an army of biologically enhanced supersoldiers who will fight for our dimension in that war. But there’s also a chapter missing from ZFT’s manifesto — one that outlines ethics.

In the second season premiere of Fringe, we got introduced to this enemy from the “other side,” notably a shape-shifting soldier that is both very agile and very resistant.

So, to summarize, we have, on both shows, technologically advanced supersoldiers with powers, from a parallel universe, trying to destroy humans and other worlds.
It’s pretty much the exact same story.
Oh, and the shape-shifters also look like Kromaggs.


The similarities do not stop there.
Peter Bishop’s parallel world origins seem oddly comparable to that of another main character from Sliders, Quinn Mallory. Even though for the majority of the series we believe Mallory is from Earth Prime, it turns out that he’s not.

[Quinn Mallory is] from Kromagg Prime, an Alternate earth where humans and Kromaggs coexisted until a civil war broke out between the two species. He learned that he was transported to Earth Prime when he was a baby and left with his parents’ doubles. When his parents came back to get him, his adoptive parents were too attached to him so they hid Quinn, and Quinn was raised on Earth Prime.

Replace “Quinn Mallory” by Peter Bishop, “parents” with Walter Bishop, and “Kromaggs” by parallel world enemies, you’ve got the whole series’ arc for Peter and his enigmatic past.

Arguably, one might even say another major plotline was ripped from Sliders, its fifth season’s borefest around Mallory (also known as Quinn2 or Quinn Mallory 2.0).

In the show, two of the main characters (Quinn and Colin Mallory) were “fused” into one. During the whole season, they’re trying to find a way to unmerge the two.
Sounds familiar?
That’s because the same storyline ran for half a season on Fringe. The consciousness of John Scott gets inadvertently transferred into her former partner’s mind, Olivia Dunham. There was even an episode where Olivia’s persona was about to be lost forever. Fortunately, John finally leaves Olivia alone midway through the series’ first season.

Last but not least, we have the mysterious character of William Bell, who seems to overshadow not only ZFT but several parallel universes thanks to his Massive Dynamic conglomerate.
In the second season premiere of Sliders, we meet a mysterious character named the Sorcerer (turns out, he’s an alternate version of Quinn Mallory). Anyways, this “Sorcerer” seems to be able to control the multiverse technology in the same way William Bell does.

For one, he knows much more about the tech than anyone else who’s ever been encountered on the show. He’s also able to capitalize on his interdimensional knowledge, the same way Massive Dynamic exports the numerous advancements it gets from other worlds.
Ding, ding, ding! You’re a winner.

If we look deep enough, other resemblances will probably be found with other science-fiction series.
Who knows, perhaps the writers will totally shift focus and lose their “evil alternates” stories. Probably not
though.
But at least now, you’ve been warned about Fringe‘s unoriginality.

Looking forward

A few new interesting tidbits, including some from Sci Fi Wire who had a bunch of major Q&A these last few days.

Terminator‘s James Middleton first discussed what the future might have hold for the Sarah Connor Chronicles, explaining what would have been if the show hadn’t been canceled:

One theory about the ending is that by leaping to the future, John Connor never grew up to become the leader of the human resistance. That would free him of the burden of saving humanity.

“I think that that’s the right interpretation, because in the actual footage of the show, we see that Derek doesn’t recognize him,” Middleton said. “So, by jumping into this future, he has erased his existence in a certain way, and we see that. We see that nobody recognizes him.”

Middleton added that leaping to the future changes John Connor’s fate. “We would have to have explored that if we did get a third season,” he said. “If we had gotten a third season, I should say, we definitely would have explored what it all meant, but I think there’s a great moment where we see Allison [Summer Glau], and John’s look to her is very meaningful. I think that also would have been a great thing in terms of dramatic potential. Like I said, the show has ended, and it would all be speculation, and I really don’t want to raise anybody’s expectations.”

Another very interesting Q&A they had is one with Marc Guggenheim, executive producer on Flash Forward.
Here’s an extract:

Viewers will undoubtedly be happy to hear that you’ll be answering questions in the first season, because one thing viewers have grown to hate—partly as a result of Lost—is the feeling that the writers are vamping to keep it going, with an indeterminate end in the future.

Guggenheim: Well, I am very sensitive to that, actually, as a fan and as a writer. I actually understand that feeling, and I’m very, very sensitive about it. And towards that end, I can actually tell you a couple of things to make those fans who are concerned feel better. The first is, we don’t have a choice. We can’t vamp. We say in the pilot that the characters are going to see … a vision of their future [on] April 29, 2010. Which means we’ve got six months. There ain’t no vamping to be done.
We plant a very specific flag, so even if we wanted to vamp, we no longer have the option. That’s point number one. Point number two is, there are things laid into the pilot that don’t pay off until the very end of the series. So David and Brannon, in writing and directing the pilot, have also planted flags right there in the pilot that … you’ll be able to look back on and go, “Oh, they really did know what they were doing.” So my point always is, we are not only telling you that we have a plan, there are several reasons why you don’t have to just take our word for it.

Last but not least, Sci Fi Wire had another interesting Q&A with Pushing Daisies/Heroes‘ Bryan Fuller about the show and…Star Trek:

“I’m hoping that by the time they’re ready to do a television series that I am available and can participate, because, I mean, even if it’s J.J. Abrams’ team, I would love to join that team for a new Star Trek series. I think it would be a ball,” Fuller said.

Looks like he agrees with me that it’s Bad Robot’s way or the highway for everything Star Trek-related from now on.

And with all that, following ABC’s lead, FOX announced today its Fall premiere dates:

Wednesday, Sept. 16
9:00-10:00 PM ET/PT “GLEE” (Series Premiere)

Thursday, Sept. 17
8:00-9:00 PM ET/PT “BONES” (Season Premiere)
9:00-10:00 PM ET/PT “FRINGE” (Season Premiere)

Friday, Sept. 18
8:00-8:30 PM ET/PT “BROTHERS” (Series Premiere)
8:30-9:00 PM ET/PT “‘TIL DEATH” (Season Premiere)
9:00-10:00 PM ET/PT “DOLLHOUSE” (Season Premiere)

Monday, Sept. 21
8:00-10:00 PM ET/PT “HOUSE” (2-Hour Season Premiere)

Sunday, Sept. 27
8:00-8:30 PM ET/PT “THE SIMPSONS” (Season Premiere)
8:30-9:00 PM ET/PT “THE CLEVELAND SHOW” (Series Premiere)
9:00-9:30 PM ET/PT “FAMILY GUY” (Season Premiere)
9:30-10:00 PM ET/PT “AMERICAN DAD” (Season Premiere)

Monday, Sept. 28
8:00-9:00 PM ET/PT “HOUSE” (All-New Episode)
9:00-10:00 PM ET/PT “LIE TO ME” (Season Premiere)

I can’t wait for this new season to begin.