You decide.
A very similar music theme as the one composed by J.J. Abrams for Fringe was recently used for a French ad.
Posts tagged as “Abrams”
Showrunners and TV writers have never been more talked about than this past year.
The writers’ strike showed the world how vital writers are to the entertainment industry, especially TV.
In TV, writers have control.
In a world were creator-owned content will soon become the norm, having control over one’s creation from beginning to end is important.
Showrunners have become an intricate part of the entertainment industry, multi-tasking in every direction.
Writers have now become prominent A-list figures.
Television is where everything happens.
Nothing is more symbolic of that than the other face of TV: actors.
How many big names have made the jump to TV?
How many no-names became A-listers by doing TV?
Is Jon Hamm on his way to become the next Clooney?
Sure, there isn’t that much money to be made on TV (unless your name is J.J. Abrams or Dick Wolf); especially now that everything is converging into the Internet.
But chances are you’re in this not for the money but for the passion.
You want to make groundbreaking stories.
You want to impact people.
You want to write your vision.
TV has never been as much on the forefront of our society as it is now.
Although total medium convergence is inevitable, for now original Internet content is either taken from TV or at least inspired by TV. And Strike.TV is no different.
The Internet is on its way to produce major content and, yes, 5-10 years from now most people will work in some form on the Internet. But for now, it just doesn’t have the professional clout that TV has.
The content is not yet creator-financed and creator-owned in TV, but it is a medium that uses all the new technology and expands on it: interactive convergence.
Write for the future, not for the past.
But don’t be like Tim Kring who described faithful Heroes TV viewers as “saps” and “dipshits”.
Embrace technology. Humbly.
TV is also the leading writer-based industry.
Don’t take my word for it.
Ask the guy who wrote Story.
Robert McKee himself declared the other day in Paris that Hollywood films are “the death rattle of a dying industry.”
The film industry is probably not going to die tomorrow of course, but still.
Academy Award-winner Alan Ball went to TV after American Beauty because of all the projects that were rejected by movie studios.
He then made Six Feet Under.
Creativeness is nurtured in TV.
New channels are growing every second, producing more and more shows, taking chances on something that only yesterday was thought to be crazy by many networks.
Opportunities are created every second in TV.
Who would have thought 2 years ago that a small basic-cable movie channel was going to make not only one but two innovative shows, let alone one that wins Best Drama?
Television is continuing its momentum thanks to exceptional writing talents.
And this is why Television is where you must be.
Money, the Internet, ideas, pilots and big names are on the menu today with the conclusion of our 2-part article on nine ways to save the Networks and TV from going bankrupt.
5. Cost efficiency
TV episodes cost a whole bunch of money. That’s one of the many reasons reality shows began to be very popular a few years back.
Now, for better or for worse, shows are trying to get made more and more on the cheap.
An episode that is today made for 1 million dollars might be made tomorrow for 700 000.
Less money might mean more shows and ultimately more critically-acclaimed shows. Dialogue is cheap.
6. Webisodes
Every day brings its new web show it seems. They might not all be Emmy-worthy but they allow people to express themselves in ways that were not even possible a decade ago.
Web series are cheap to produce, a key nurturing element to vector original content.
And let’s not forget that “viral” part where a show generates tremendous buzz, leading them to jump screen.
Sanctuary, a web-based green-screen show, is now on Sci-Fi (starting early October).
Heroes and The Office both made webisodes that were talked about amongst fans, and beyond.
Although it is difficult to say if we will ever have 42 or 23-minute webisodes, the Whedon brothers showed everyone with Dr. Horrible that high-concept ideas could be made cheaply while maintaining that “it” factor.
7. Re-develop ideas and pilots
Not only would it save money in the long run but it would create an immense well of creativity. New perspectives might be endless.
A pilot needs to be tweaked just right to be almost perfect so why not keep it on the page until it is perfect?
HBO does it, so why not the Big Five?
Intervening on a project when there is a problem could be a great idea. The pilot of “Life On Mars” was leaked on the web and suffered harsh criticism, leading to an entire rethinking of its premise. The show may finally be quite different from its UK counterpart, for the better.
Although ideas should not stay in limbo forever, the right amount of “perfectionism” mixed with business could amount to new waves of shows.
8. Big names for big shows
The Big Five might not in a few years have big tent poles shows or even “appointment TV”.
One idea to try to counter that would be to keep banking on big names and linking them to big shows, therefore creating a package that would attract buyers.
Steven Bochco, David E. Kelley, Joss Whedon, J.J. Abrams, ever heard of these guys?
People might just watch the new show made by X instead of switching off the TV to play Second Life.
9. Take chances
No, it doesn’t go against ideas number 7 and 8, on the contrary.
New writers might offer a fresh perspective on a rotten concept.
AMC took a chance on a spec pilot that no one else wanted, and then Emmys were won.
If the Big Five want to get back some of what the cable has taken away from them, they need to take chances.
Chances on stories, chances on writers.
Big risks now means rewards down the road. Originality needs to happen.
Yes, some of the shows might fail, but television is a world of trial and errors. Mistakes are part of life.
If Cavemen hadn’t happened, we would have another horrible show on our hands. Thank God then that… Oh, wait.
Embrace change and get ahead of the competition.