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Posts tagged as “Diversity & Representation”

TV Censorship (PT66)

Alex and Nick discuss the evolution of censorship on TV and the involvement of “standards & practices”.

What is considered censorship in television? How is sensitive content categorized? What are differences in TV censorship across the world? How have sensibilities changed across the years? When can standards & practices influence TV writing?

Plus, we answer our very first voicemail.

The Paper Team bleeps itself…

SHOWNOTES

Content

Paper Scraps: Rolling submissions and visa questions (00:49)
1 – How is television regulated? (03:56)
2 – Evolution of sensibilities on TV (20:46)
3 – Differences in censorship around some countries (33:20)
4 – TV writing solutions to standards & practices (40:16)
Resources and Next Week On (51:14)

Links

Send a voicemail to TV Calling and Paper Team
“Immigrants: We Get the TV Job Done!” (PT56)
Broadcast Standards and Practices
Miller test
“F$%& Censorship” (2×05 – The Chris Gethard Show) (Video)
Safe Harbor Law
Telecommunications Act of 1996
V-chip
“He’s a Crowd” (5×12 – L.A. Law)
Lesbian kiss episode
“Rejoined” (4×06 – Star Trek: Deep Space Nine)
“On Losing Patience for Women Kissing” – The Mary Sue
Conseil supérieur de l’audiovisuel
American Crime (TV series)
ReBoot

Resources

“This Business of Television” – Howard Blumenthal

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Managing TV Writers ft. Daniela Garcia-Brcek (Circle of Confusion) (PT59)

Alex and Nick invite Daniela Garcia-Brcek, manager at Circle of Confusion, to discuss the ins-and-outs of managing TV writers.

What is the relationship between managers and screenwriters? What should TV writers do before getting a manager? How do managers find their clients? What are differences in representing TV writers, feature writers and playwrights? What kind of material attracts managers? When should you let go of your representatives?

The Paper Team gets signed…

SHOWNOTES

Content

Becoming a manager, representing TV writers, finding clients, writer’s voice, queries, working with clients, staffing, developing projects, letting go of your rep or client (00:00:32)
Resources and Next Week On (01:01:36)

Links

Daniela Garcia-Brcek on Twitter
Circle of Confusion
Breathe In
Darren Aronofsky
Spare Parts
Ryan Coogler
Entourage
Eric “E.” Murphy
Mayhem

Resources

“Musts, Maybes, and Nevers” – David V. Picker
“The Operator” – Thomas R. King
“Inventing David Geffen” (26×07 – American Masters)

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

TV Casting ft. Becca Burgess (Last Man Standing/Undateable/Cougar Town) (PT57)

Alex and Nick invite Becca Burgess, casting associate on ABC’s Last Man Standing, NBC’s Undateable, and TBS’ Cougar Town, to discuss how casting works in television.

What is the casting process for TV shows, pilots and regular episodes? What can TV writers learn from casting? How much interaction does casting have with writers and producers? What are differences between casting comedy and drama? How does casting approach writers’ character descriptions?

The Paper Team gives a read…

SHOWNOTES

Content

Becoming a casting associate, casting TV pilots and episodes, finding series regulars, interactions with writers and producers, approaching diversity, using character descriptions, casting discovery, reading process, advice for writers (00:55)
Resources and Next Week On (34:52)

Links

Becca Burgess on Twitter
Annie (Musical)
Me and Earl and the Dying Girl
Breakdown Services
Superbad
SAG-AFTRA
Taft-Hartley report
13 Reasons Why

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]