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Posts tagged as “FX”

Setup

Given that I’m in the middle of writing, or rather rambling, about spoilers (for an upcoming post), I didn’t really have time today to come up with some deep, great, thought-provoking content for you.
I deeply apologize.

Anyhow, there has been a lot of interesting news in the last few days.

For starters, Bryan Singer is set to direct Battlestar Galactica for the big-screen.
Before you ask, this version won’t have anything to do with the current Ron D. Moore canon from the Syfy show.
Universal owns the rights so they can do whatever.
I’m assuming they think they are holding a million-dollar franchise they can reboot whenever they want to make tons of cash (think Superman or Batman).

And since we’re on the subject of Bryan Singer, The Usual Suspect‘s screenwriter Christopher McQuarrie is going to pen the Wolverine sequel set in Japan. The story will be based off Chris Claremont & Frank Miller’s graphic novel.
Lots of work for McQuarrie. Indeed, as you might also recall, he’s also currently working on an NBC show, Persons Unknown.

The X-Files‘ Frank Spotnitz has meanwhile a few new opportunities set at HBO and at FX.
He has indeed penned two futuristic drama pilots that could move into series (though with the current track-record held by HBO, that’s going to be tough).

The first potential show is named Humanitas and is a medical-thriller where advances in medicine have become so massive that doctors face everyday dilemmas while trying to fight against potential pandemics.
Sounds like Medical Investigation meets ReGenesis.

The other project is based on Robert Silverberg’s 1970/1971 novel, The World Inside. The story is set in 2381 where the human population has reached over 75 billion people. And where urban centers (in this case a massive city-tower named Urban Monads aka Urbmon) have been built to control all the hate going on around (all wars and crimes have been eliminated).
Also, bonus points, since we’re talking of an HBO show: there’s lots of sex.
Here’s what Wikipedia has to say about the rest of the story:

The Urbmon population is supported by the conversion of all of the Earth’s habitable land area not taken up by Urbmons, to agriculture. The theoretical limit of the population supported by this arrangement is estimated to be 200 billion. The farmers live a very different lifestyle, with strict birth control. Farmers trade their produce for technology and the two societies rarely have direct contact; even their languages are mutually unintelligible.
The Urbmons are a world of total sexual freedom where men are expected to engage in “night walking”; a woman refusing an invitation for sex is considered a crime. In this world it is a blessing to have children: most people are married at 12 and parents at 14. Just thinking of controlling families is considered a faux pas. Privacy has been dispensed with due to the limited area. Because the need to be outdoors and to travel has been eliminated, thoughts of wanderlust are considered perverse.
[…]Although great effort is spent to maintain a stable society, the Urban Monad lifestyle causes mental illness in a small percentage of people, and this fate befalls the book’s two main characters. “Social engineers” reprogram those who are approaching an unacceptable level of behavior.
Given the extremes of life in the Urban Monads, law enforcement and the concept of justice employ a zero tolerance policy. There are usually no trials, and punishment is swift – anyone who threatens the stability of the Urbmon society (a “flippo”) is forcibly removed by being thrown into a shaft that terminates in the building’s power generator. This gives one of the book’s characters the idea that humanity has been selectively bred for life within the Urbmons.

Frank Spotnitz is, on this one, co-writing the script with The L Word‘s Adam Rapp.

As for his FX show, named Arc, it centers around a Jason Bourne-type character trying to fit into normal life.
Burn Notice anyone?

From the inside

Let’s begin with the announcement of a new drama.
Shawn Ryan has, in addition to FX’s upcoming Terriers, another series in preparation for the FOX network (with Lie to Me): Ridealong, about cops in Chicago.
“It should be less serialized than Grey’s Anatomy but more than CSI.”
Ryan says that an event in the pilot will set off the series’ overarching mythology (and ramifications). I’m thinking something akin to Terry Crowley’s death in the Shield‘s pilot episode.
There’s also going to be a unique take on the cop drama genre, according to Ryan, that will allow Ridealong to differenciate itself from The Shield, Hill Street Blues, and other Southland.
The new show should also shoot on location, meaning in Chicago.

Amy Chozick at the Wall Street Journal has a great article on ‘the women behind Mad Men‘.


In case you didn’t know (like me before I read the above article), seven of the nine writing team members are women.
There are other great tidbits about the show and how close certain storylines are from actual real-life situations the various writers have faced.

And finally, looks like Battlestar Galactica‘s Edward James Olmos is joining Michel Gondry’s team on the Green Hornet.
Olmos facing Seth Rogen and Nicolas Cage?
I want to see that now.

Hanging on

FX is the network that just can’t let go.
Why am I saying that?
The cable network just announced they’re planning to order additional episodes to the 2010 18-episode season of Rescue Me.
Also, there’s this Nip/Tuck thing where the whole show, including its series finale, has been shot for months now and they’re holding on to it until 2011!
This is crazier than SciFi with Battlestar Galactica‘s fourth season.

Obviously, they don’t want to let their “hit” shows die.
I’m also including Damages in the lot, hence the use of quotation marks. Despite poor ratings the show will still have a third season earlier next year and no changes will be made to garner more interest.
Even FX prez John Landgraf declared:

I was plainly disappointed with the ratings last year. It’s a really demanding show. You’re either in or you’re out. That type of programming doesn’t suit the current programing environment. Viewers are more interested in dating than marriage.

They can’t seem to face the fact that AMC is their own little Showtime…

As for the various premiere dates, Sons of Anarchy returns on Sept. 8, Philly on the 17th, Nip/Tuck on Oct. 14, Archer later during the fall, Damages‘ third season in January, and Lawman (not Lawnman) in March.