facebook_pixel Press "Enter" to skip to content

Looking to start your TV writing journey?

Posts tagged as “Heroes”

One Year of Featured Posts

Wednesday, Featured Post day.
The best of the best, or rather the longest of the longest.
I would say it’s the pièce de resistance.

But Tarantino would put it as:

A bunch of those Featured Posts have mainly been personal opinions on various subjects. For instance my first real one was about French TV, which I have said pretty much early on I hate.

When I disagree with someone/something though, I might go overboard and write a long post.
Case in point with Heroes.
I don’t particularly care anymore about the show, but I still strongly disagreed with an article from the THR Feed saying setting an end date for the show would save it.
I wrote one of my longest post ever replying to James Hibberd on why I thought Heroes should not set an end date.
I also used this post to talk a bit about what I thought of Lost and Battlestar Galactica and their end dates for those interested.

Moving on to another show, Dollhouse, which was very recently renewed for a surprising second season.
Incidentally, my most popular Featured Post is actually one I wrote back in February where I listed Four Reasons why Dollhouse might be Renewed. (I then wrote Four Reasons why Dollhouse will get Canceled, but don’t tell anyone)

Continuing on that, I gave a few ideas regarding television and how to save it.
One of my most talked-about post was one I wrote back in September.
Yes, I still think it’s relevant (now more than ever).
I was back then giving nine ideas to kind of “help” the main networks in a way, or nine.

Part One is here (Ideas 1 through 4) and Part Two is here (5 through 9), though it can be summed up as:

1. Shows all year long
2. VOD
3. Fewer ads
4. Shorter seasons
5. Cost efficiency
6. Webisodes
7. Re-develop ideas and pilots
8. Big names for big shows
9. Take chances

Like we saw again on Monday, we’ve had a lot of NBC talk this year, thanks in part to some stunning moves from Dumb and Dumber as I like to call them, with mainly Jay Leno being moved to 10PM.
TV drama, who doesn’t love it?
I wrote back in December two posts where I dabbled around two ideas:

Is NBC killing television?

Or rather: Are Dumb and Dumber slowly destroying original content?

The merge-move and Leno in primetime makes perfect sense business-wise.
After all, it cuts cost, and the show will most likely do better than what is currently on at 10PM.
But is it a good entertainment-move?
Me think not.

or
Is NBC saving Television?

Or rather: Are Dumb and Dumber indirectly boosting creative content?

As I pointed out yesterday, the 10PM slot is begging to be changed.
Well, not really “begging”.
CBS’ Les Moonves himself declared the other day that “Taking a third [broadcast] competitor out of the marketplace will make us even stronger”, though he said that for different reasons (“‘CSI: Miami’ on Monday at 10 o’clock will beat Jay by a lot. Remember that. By a lot.”).
The Leno-move should not be without consequences for the 10PM slot on the other nets.
I am not talking about drastic schedule changes here (even if I’m guessing it’ll unfortunately come to that — affiliates anyone?).
I am talking here more about quality changes.
We have in one corner C.S.I., and in the other Jay Leno.
Bring on the alternative!

Extremely interesting stuff.
And by that I just mean me babbling about the Industry and what-not.
There’s no answer at the end of the day to neither question.
I still think the NBC execs are bringing upon themselves the future of TV, whether they want it or not.

Movie-wise we’ve seen some nice posts I’d like to think.
There were a whopping total of 5 movie reviews in the last year.
In chronological order, they are
The Box (October 2008) – Released on October 30, 2009
Watchmen (March 2009) – Released on March 6, 2009
The Cabin in the Woods (March 2009) – Released on February 5, 2010
Star Trek (April 2009) – Released on May 8, 2009
Inglourious Basterds (June 2009) – Released on August 21, 2009

For those interest, I wrote down above the U.S. release dates for the aforementioned movies.
Interesting to note that two of the reviews are only based on the scripts of the movies (The Box and The Cabin in the Woods) and none of the two have yet come out in theatres.
This is especially surprising regarding The Box, given that the review dates back to last October, and the picture used is from February…2008.

Going back to Star Trek for a second, I posted before the movie officially came out an article on ways to prepare for the new movie.
Even though it’s highly likely you’ve already seen it, I would still advise re-watching some old Trek episodes that are not as obsolete as one might think.
Also, you should definitely try to get your hands on the Star Trek prequel comic before seeing it (again).

Very briefly, I’ll also just point out for the sake of it that there were also a bunch of Breakdowns about the ’08 Fall and ’09 MidSeason arrivals as well as an Upfront Guessing Game
They are kind of obsolete now that the Upfronts are done and ’09 Fall season is upon us though.

I think we’ve seen the most important posts, save for a few.
But we’ll talk about them in the next post.

Grinding

I’m starting today’s post with a news that might disappoint: Christopher Nolan is far from returning to Batman 3.
Although the source for this news is what one might describe as being a fansite, Batman-On-Film is a reliable 11-year-old source stating the following:

* The death of Heath Ledger in January of 2008 rocked Mr. Nolan hard. So hard that Chris was convinced that TDK was going to be it for him and Batman on film.
* The Joker was going to return in BATMAN 3.
* “You are correct in reporting that he is developing story ideas with [Jonathan Nolan] and David Goyer, but it will be until AT LEAST 2012 before we see the Caped Crusader back [in theaters]. And that is only an EARLY ESTIMATE at best right now. They are even saying it might not be until 2013.”
* Basically, the BATMAN film franchise is back to square one. As far as a story or a BATMAN 3, “Right now, there is none,” says our guy.

If Warner Bros. do change directors, I highly doubt they would re-reboot the franchise so soon after Batman Begins.
On the other hand, continuing on Nolan’s Batman legacy is a pretty big challenge.
I’m thinking either a fake sequel through a new take on Batman, or some kind of spin-off movie…or nothing at all for a decade.
Perhaps a whole new set of characters save for Batman and Alfred, since basically almost everyone seems to be gone by the end of Dark Knight.

Moving on to TV news, Battlestar Galactica‘s Rick Worthy is in talks to join next season’s Heroes as Matt Parkman’s new partner in the police (yes, he’s going back to being an LA cop).

After ABC and FOX, it’s also now time for The CW to announce its fall premiere dates:

Tuesday, Sept. 8
8:00-9:00 p.m.  “90210” (Season Premiere)
9:00-10:00 p.m.   “MELROSE PLACE” (Series Premiere)

Thursday, Sept. 10
8:00-9:00 p.m.  “THE VAMPIRE DIARIES” (Series Premiere)
9:00-10:00 p.m.   “SUPERNATURAL” (Season Premiere)

Monday, Sept. 14
8:00-9:00 p.m.  “ONE TREE HILL” (Season Premiere)
9:00-10:00 p.m.   “GOSSIP GIRL” (Season Premiere)

Wednesday, Sept. 16
9:00-10:00 p.m.  “THE BEAUTIFUL LIFE: TBL” (Series Premiere)

Friday, Sept. 25
8:00-9:00 p.m.  “SMALLVILE” (Season Premiere)

I’m most likely watching a whopping 0% of those shows this fall.

Looking forward

A few new interesting tidbits, including some from Sci Fi Wire who had a bunch of major Q&A these last few days.

Terminator‘s James Middleton first discussed what the future might have hold for the Sarah Connor Chronicles, explaining what would have been if the show hadn’t been canceled:

One theory about the ending is that by leaping to the future, John Connor never grew up to become the leader of the human resistance. That would free him of the burden of saving humanity.

“I think that that’s the right interpretation, because in the actual footage of the show, we see that Derek doesn’t recognize him,” Middleton said. “So, by jumping into this future, he has erased his existence in a certain way, and we see that. We see that nobody recognizes him.”

Middleton added that leaping to the future changes John Connor’s fate. “We would have to have explored that if we did get a third season,” he said. “If we had gotten a third season, I should say, we definitely would have explored what it all meant, but I think there’s a great moment where we see Allison [Summer Glau], and John’s look to her is very meaningful. I think that also would have been a great thing in terms of dramatic potential. Like I said, the show has ended, and it would all be speculation, and I really don’t want to raise anybody’s expectations.”

Another very interesting Q&A they had is one with Marc Guggenheim, executive producer on Flash Forward.
Here’s an extract:

Viewers will undoubtedly be happy to hear that you’ll be answering questions in the first season, because one thing viewers have grown to hate—partly as a result of Lost—is the feeling that the writers are vamping to keep it going, with an indeterminate end in the future.

Guggenheim: Well, I am very sensitive to that, actually, as a fan and as a writer. I actually understand that feeling, and I’m very, very sensitive about it. And towards that end, I can actually tell you a couple of things to make those fans who are concerned feel better. The first is, we don’t have a choice. We can’t vamp. We say in the pilot that the characters are going to see … a vision of their future [on] April 29, 2010. Which means we’ve got six months. There ain’t no vamping to be done.
We plant a very specific flag, so even if we wanted to vamp, we no longer have the option. That’s point number one. Point number two is, there are things laid into the pilot that don’t pay off until the very end of the series. So David and Brannon, in writing and directing the pilot, have also planted flags right there in the pilot that … you’ll be able to look back on and go, “Oh, they really did know what they were doing.” So my point always is, we are not only telling you that we have a plan, there are several reasons why you don’t have to just take our word for it.

Last but not least, Sci Fi Wire had another interesting Q&A with Pushing Daisies/Heroes‘ Bryan Fuller about the show and…Star Trek:

“I’m hoping that by the time they’re ready to do a television series that I am available and can participate, because, I mean, even if it’s J.J. Abrams’ team, I would love to join that team for a new Star Trek series. I think it would be a ball,” Fuller said.

Looks like he agrees with me that it’s Bad Robot’s way or the highway for everything Star Trek-related from now on.

And with all that, following ABC’s lead, FOX announced today its Fall premiere dates:

Wednesday, Sept. 16
9:00-10:00 PM ET/PT “GLEE” (Series Premiere)

Thursday, Sept. 17
8:00-9:00 PM ET/PT “BONES” (Season Premiere)
9:00-10:00 PM ET/PT “FRINGE” (Season Premiere)

Friday, Sept. 18
8:00-8:30 PM ET/PT “BROTHERS” (Series Premiere)
8:30-9:00 PM ET/PT “‘TIL DEATH” (Season Premiere)
9:00-10:00 PM ET/PT “DOLLHOUSE” (Season Premiere)

Monday, Sept. 21
8:00-10:00 PM ET/PT “HOUSE” (2-Hour Season Premiere)

Sunday, Sept. 27
8:00-8:30 PM ET/PT “THE SIMPSONS” (Season Premiere)
8:30-9:00 PM ET/PT “THE CLEVELAND SHOW” (Series Premiere)
9:00-9:30 PM ET/PT “FAMILY GUY” (Season Premiere)
9:30-10:00 PM ET/PT “AMERICAN DAD” (Season Premiere)

Monday, Sept. 28
8:00-9:00 PM ET/PT “HOUSE” (All-New Episode)
9:00-10:00 PM ET/PT “LIE TO ME” (Season Premiere)

I can’t wait for this new season to begin.