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Posts tagged as “Movies”

Even Luck

Is it just me or is nothing major happening in el biz?
I mean, besides all the layoffs.

Since I don’t have much to talk about, I’ve decided I’ll blog about a never-ending supply of epicness and failures all-in-one: me!

Wow, I just saw my stats drop by 80% just then.

Anyway, I had these few weeks what some might call bad luck, others good luck.
I call it even.

On the one hand, I had very bad things happening to me, like loosing all my computer data (still no news on when, or even if, I’ll get it back, and for how much).

But on the other, some great stuff is going on.
Next week for instance I’ve arranged an interview (by phone) with Carlton Cuse & Damon Lindelof (mainly for Lostpedia).

I’m also getting my V.I.P. Pass later this month for both the Lost and Battlestar Galactica events over at Paris’ Jules Vernes Festival, with respectively, again Damon Lindelof and Carlton Cuse for Lost, and James Callis, Mary McDonell, and Jamie Bamber, for the BSG panel.

It’s also a strong possibility that I’m going to Cannes for the Film Festival and the Short Film Corner in May (although the price for an appartment over there during that time is a jaw-dropper, so it’s not yet locked).

Obviously I’ll try to report on all of those events in due time.

In the meantime, I’ll let you go back to your life (I can’t believe you read that post entirely!).

The Cabin in the Woods (Script) – Review

I just finished reading Joss Whedon/Drew Goddard’s Cabin in the Woods, described by Wheddon himself as “the horror movie to end all horror movies”.

I don’t know to what extent I agree with that statement and basically to what extent I enjoyed the script/movie.

I wasn’t under-whelmed, but I wasn’t over-whelmed either.

The characters are definitely well-written, well introduced (so is the story for that matter), and the dialogue is sharp and witty.

I loved the white-collar characters of Richard Sitterson and Steve Hadley played respectively by Richard Jenkins and Bradley Whitford.
Definitely great casting choices.

I highly doubt that IMDb has the correct names associated with the actors. Fran Kranz is most likely not going to play Curt, unless he becomes your stereotypical football player overnight (could still happen though).

It should be noted there are no “twist” to the movie, at least not the way one might think.
This is not The Sixth Sense where at the end you have some epic revelation that changes the scope of the movie and makes you re-evaluate every scene prior.

The only twist here is the genre-twist, and it is pretty straight-forward.
You kind of get what is going on behind the scenes in the first 30 or so pages.

It is therefore not really a spoiler when describing Cabin as The Evil Dead/The Hills Have Eyes meets The Truman Show.

There’s a superior level to that whole “Truman Show” part though which I won’t spoil.

I was actually expecting more regarding said twist/superior level, like a final reveal that changes my whole perception of the story, but that unfortunately didn’t happen.
It looked more like that Neo/Architect scene at the end of The Matrix Reloaded than anything for that matter (without the plot twists).

I don’t really know how to take the end, if I like it or not.
It certainly is reminiscent of other Goddard endings though, so I won’t comment further.

There are also a few open questions and some inconsistencies regarding the rules set-out by the movie/story itself, so that was weird.
Overall, suspension of disbelief is required but no more than for your average Buffy or Angel episode.

Suffice it to say that the movie will definitely be R-Rated as some of the deaths are grueling at best.

Brendon Connelly over at Slash Films says the end is a range of horror movie clichés, but I disagree here as I didn’t see much reference, if at all.
Having a zombie in a movie doesn’t mean it’s a reference to any of those movies. So the same goes for the end of Cabin.
The cabin deaths on the other hand, I can see how they could be considered references (for some at least).

I also disagree with him on how he compares Cabin to Scream, saying that the former tries to be like the latter: pioneer a new line of horror films.
I didn’t get at all that feeling.
If anything, it’s a movie that doesn’t take itself too seriously.

The final product will most likely be a fun 90-minute ride, like Cloverfield was, but there certainly isn’t a revolution of genre here.