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Posts tagged as “Movies”

World-change is the new black

Looks like the current crisis is giving some execs development ideas.
2009 will be all around world-changing and/or cataclysmic events. In movies (with a lot of remakes/adaptations such as TDTESS, Blindness, World War Z) and especially on TV.
Indeed, in the last few days 3 new shows have been ordered and they seem to be quite timely, to say the least.

First up, The Return, by Greg Berlanti (creator of Everwood and Eli Stone) and René Echevarria (creator of The 4400), which, as the name may or may not imply, will delve into the “return” of aliens on Earth and the effects it has on the world.

Second, we have Flash Forward. No, this is not a Lost spin-off, although it will most likely be televised right after the Island-show. David S. Goyer (writer of the Blade trilogy as well as Batman Begins and TDK’s story) and Brannon Braga (creator of Star Trek Enterprise) co-wrote the script based on Robert J. Sawyer’s novel. The show will tell the story of the world blacking out for two minutes as they are collectively having a horrifying vision of what is coming in 20 years (Paris Hilton President?) due to scientific experiments gone terribly wrong. Braga and Goyer tried to take the show to HBO, which liked the concept but passed on it. Then there was this bidding war between ABC and FOX where the former won.

Last but not least we have Americatown. And guess what, the show will revolve around the exodus of the American populace around the world 20-25 years from now when a terrible financial crisis plunges the U.S. into decline. The writer behind this is Bradford Winters with lots of big names behind, like Tom Fontana, Barry Levinson, Frank Marshall and Kathleen Kennedy.

Two other TV news:

Huge congrats to Jane for finally getting her own show (picked up last week – 11 hours including the 2h pilot – for a July premiere)!


There’s also a set date for “The U.S. of Tara” premiere: Jan. 18.
Mark your calendars.

I, for one, am looking forward to next year’s shows.

Prune sighting

I love when I look back at some old episode of a show (when it was still good average) and then be surprised of X being a guest star in the episode.

A while back (when it was first broadcast), I heard that some Senator made a cameo appearance on a little show called 24 but at the time, I didn’t give it much thought.

So the other day, I’m watching this episode of 24, and this guy appears.

Turns out, it’s Prune!

Isn’t he antitorture or something?

And I’m pretty sure he also made an appearance on Wedding Crashers.

Nice cameo choices.

No-show

Burn After Reading was funny.
It was so funny that the guy at my right almost had as asthma attack.
True story.

Sure, it isn’t oscar-worthy but it’s at least saturday-night-popcorn-movie-of-the-week worthy.

[Kinda-Spoiler Alert]

Anyway, what is interesting I thought about the movie is that it violated one of the basic rule of screenwriting: Show, don’t tell.
‘Guess the C.I.A. Superior didn’t hear about that one.

I agree with certain critics that described the characters as being here for nothing more than a couple of jokes and the ensemble is basically a mess. You don’t really get what’s going on half of the time, nor why the frak it is happening.
But what if that was the point of the movie? Life is just messy, stuff happens. Get over it.
Or maybe everything we see is what is told to the Simmons’ character, litteraly. Maybe he imagines the whole movie while reading the crappy rapport report, hence the crazy cartoonish characters.

You jump through one scene to another, trying to grasp its meaning before we jump back to Cox’s story or the C.I.A. HQ.
Hell, the actual ending is told to us!

Or maybe I’m taking all this a bit too far but isn’t that what movies (and TV) are all about?