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Posts tagged as “Pilots”

Setup

Given that I’m in the middle of writing, or rather rambling, about spoilers (for an upcoming post), I didn’t really have time today to come up with some deep, great, thought-provoking content for you.
I deeply apologize.

Anyhow, there has been a lot of interesting news in the last few days.

For starters, Bryan Singer is set to direct Battlestar Galactica for the big-screen.
Before you ask, this version won’t have anything to do with the current Ron D. Moore canon from the Syfy show.
Universal owns the rights so they can do whatever.
I’m assuming they think they are holding a million-dollar franchise they can reboot whenever they want to make tons of cash (think Superman or Batman).

And since we’re on the subject of Bryan Singer, The Usual Suspect‘s screenwriter Christopher McQuarrie is going to pen the Wolverine sequel set in Japan. The story will be based off Chris Claremont & Frank Miller’s graphic novel.
Lots of work for McQuarrie. Indeed, as you might also recall, he’s also currently working on an NBC show, Persons Unknown.

The X-Files‘ Frank Spotnitz has meanwhile a few new opportunities set at HBO and at FX.
He has indeed penned two futuristic drama pilots that could move into series (though with the current track-record held by HBO, that’s going to be tough).

The first potential show is named Humanitas and is a medical-thriller where advances in medicine have become so massive that doctors face everyday dilemmas while trying to fight against potential pandemics.
Sounds like Medical Investigation meets ReGenesis.

The other project is based on Robert Silverberg’s 1970/1971 novel, The World Inside. The story is set in 2381 where the human population has reached over 75 billion people. And where urban centers (in this case a massive city-tower named Urban Monads aka Urbmon) have been built to control all the hate going on around (all wars and crimes have been eliminated).
Also, bonus points, since we’re talking of an HBO show: there’s lots of sex.
Here’s what Wikipedia has to say about the rest of the story:

The Urbmon population is supported by the conversion of all of the Earth’s habitable land area not taken up by Urbmons, to agriculture. The theoretical limit of the population supported by this arrangement is estimated to be 200 billion. The farmers live a very different lifestyle, with strict birth control. Farmers trade their produce for technology and the two societies rarely have direct contact; even their languages are mutually unintelligible.
The Urbmons are a world of total sexual freedom where men are expected to engage in “night walking”; a woman refusing an invitation for sex is considered a crime. In this world it is a blessing to have children: most people are married at 12 and parents at 14. Just thinking of controlling families is considered a faux pas. Privacy has been dispensed with due to the limited area. Because the need to be outdoors and to travel has been eliminated, thoughts of wanderlust are considered perverse.
[…]Although great effort is spent to maintain a stable society, the Urban Monad lifestyle causes mental illness in a small percentage of people, and this fate befalls the book’s two main characters. “Social engineers” reprogram those who are approaching an unacceptable level of behavior.
Given the extremes of life in the Urban Monads, law enforcement and the concept of justice employ a zero tolerance policy. There are usually no trials, and punishment is swift – anyone who threatens the stability of the Urbmon society (a “flippo”) is forcibly removed by being thrown into a shaft that terminates in the building’s power generator. This gives one of the book’s characters the idea that humanity has been selectively bred for life within the Urbmons.

Frank Spotnitz is, on this one, co-writing the script with The L Word‘s Adam Rapp.

As for his FX show, named Arc, it centers around a Jason Bourne-type character trying to fit into normal life.
Burn Notice anyone?

Worse to come

The news on everyone’s mind is yesterday’s Emmy nomination list.
As some of you saw via my Twitter reactions, I was pretty pissed at some stuff that got on the list.

Let’s begin with Family Guy.
Now, I don’t hate the show, actually I watch it religiously.
My problem has to do with that it’s Family Guy getting the honors of being the first animated program to be nominated in the Best Comedy category in 50 years or so, instead of The Simpsons.
Also, I don’t believe the show is that good.
It might have been during the first few seasons but not currently.

I don’t appreciate the various writing noms this year either. And by various, I mean the complete opposite.
Four out of five comedy writing noms are for 30 Rock, and four out of five drama writing noms are for Mad Men!
Ridiculous.

My third problem is with another nomination, this time Drama-side: Lost.
Yet again, I’m a huge Lost fan (remember when I interviewed Damon Lindelof & Carlton Cuse? I sure do), I’ve been with the show since day one.
But this latest season was just atrociously bad, let alone majorly retcon.
Long story short, Lost‘s Season Five shouldn’t be worth the nomination.
Remember how four out of five drama writing noms were for Mad Men?
Well the other one is for, wait for it, Lost‘s The Incident (Season 5 finale).
Out of every drama hours from the past year, they chose this one?
Not even a tiny Breakind Bad episode?

Lost shouldn’t even be nominated for Best Drama, which brings me to my next problem.
With seven contenders this year, I would have expected some outsiders joining the show. Fortunately, Flight of the Conchords was nominated.
On the other hand however, Lost getting on meant The Shield‘s final season got the boot.
Not cool.
I would have liked to see In Treatment in there as well.
Hopefully, Breaking Bad will win.

A new category was announced as well, Outstanding Special Class – Short-format Live-Action Entertainment, also known as the ‘Online Stuff’ category.
With the exception of the Super-Bowl show, all the other noms are webisodes of some kind.
Obviously, Dr. Horrible was nominated.
One might wonder if this category was made just for Dr. Horrible.
It’s a given it will get the Emmy.
Speaking of, Scifi Wire has an interview up with Joss Whedon talking about this nomination, amongst other things.

Another major snub includes Michael Giacchino’s wonderful Lost score being completely ignored from the Outstanding Music Composition category.
Instead, such musical classic as Castle, Legend of the Seeker, and even Ghost Whisperer got the nom.

So much to complain about, I must have left out some other things.
In any case, yeah, I’m pissed at the 61st Emmy Awards.
And they haven’t even started yet.

A few previews have appeared for some interesting upcoming shows.

The first is AMC’s Rubicon starring James Badge Dale and Lili Taylor based on a Jason Horwitch script.
Check out this trailer:

FX meanwhile has made a 6-episode order for an animated comedy series named Archer and created by Adam Reed and Matt Thompson who previously worked on Sealab 2021.
As for what it is about, see the following extract:

And finally, two other TV tidbits.
First, some Station news. The FOX show produced by Ben Stiller’s Red Hour, not a network station.
John Goodman has been cast as the co-star alongside Justin Bartha on this series created by Kevin Napier about covert CIA operatives working on installing a new dictatorship in Central America.
The pilot will be shot by Role Model‘s David Wain.

Also, NBC has picked-up Persons Unknown, a 13-episode series Christopher McQuarrie, who won an Oscar in 1994 for his Usual Suspects script.
The show, produced showrunner Remi Aubuchon, Christopher & Heather McQuarrie, revolves around strangers waking up in a deserted town with no recollection of how they got there. They must now work together to escape by solving puzzles.

I’m looking forward to all these four shows.