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Posts tagged as “Six Feet Under”

Weaving Storylines: A/B/C Stories (PT53)

NEW: Get the episode cheat sheet on our Patreon!

Update: PT53 transcript now available

Alex and Nick discuss the importance of weaving A, B and C stories in TV writing, and interesting ways of doing it in TV scripts.

Why is it important to cut between storylines in TV? When should you start and end each storyline? Which storylines should you spend more time on in your TV script? When should you only do a single A story? What are some noteworthy and unique formats for A/B/C plotlines?

Plus, we talk about where to read TV scripts.

The Paper Team become master-weavers…

SHOWNOTES

Content

Paper Scraps (FKA Odds-and-ends): Finding TV scripts (00:55)
1 – Why does TV have A/B/C stories? (03:51)
2 – Nuts and bolts of using A/B/C stories (10:27)
3 – Interesting and non-traditional uses of weaving A/B/C stories in TV (18:22)
Takeaways and Resources (32:22)

Links

Writers Guild Foundation Library
TV Calling Script Library
Zen134237
Lee Thomson Script Library
Simply Scripts
Daily Script
IMSDb
“What are A, B, and C stories in screenwriting?” – TV Calling
Team America Montage (Video)
“Marge vs. the Monorail” (4×12 – The Simpsons)
“Ozymandias” (5×14 – Breaking Bad)
“That’s My Dog” (4×05 – Six Feet Under)
“Eleven Angry Men and One Dick” (3×07 – 3rd Rock from the Sun)
Boomtown
Graham Yost
24 (TV Series)
“Kim vs. the Cougar: The Oral History of 24’s Most Infamous Scene” – Vulture
“My Bad” (1×06 – Scrubs)
Awake (TV Series)
Kyle Killen
“How Lost revolutionized storytelling” – TV Calling
“Walkabout” (1×04 – Lost)
“The Constant” (4×05 – Lost)
Watchmen
Slaughterhouse-Five
This Is Us
Oz (TV Series)
Carnivàle
“Bowling” (2×20 – Malcom in the Middle)
Sliding Doors
“Remedial Chaos Theory” (3×04 – Community)
“Split” (3×01 – Coupling)
“A Rickle in Time” (2×01 – Rick & Morty)

Resources

“Elephant Bucks” – Sheldon Bull
“Cracking the Sitcom Code” – The Atlantic
“Television Writing from the Inside Out” – Larry Brody
Plot Threads (TV Tropes)
Plot Parallel (TV Tropes)
Two Lines, No Waiting (TV Tropes)
Four Lines, All Waiting (TV Tropes)

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

TV Viewing Habits: Writing for the Binge (PT42)

Alex and Nick discuss how television viewing habits impact the writing and enjoyment of TV shows.

How does the way you consume a show influence the audience? How have changes in viewing habits transformed television writing itself? What are some ways to use that paradigm shift in your own writing?

The Paper Team binges in one sitting…

SHOWNOTES

Content

1 – How people consume TV today (00:52)
2 – How viewing habits impact the perception of TV shows (11:37)
3 – How viewing habits affect and influence TV writing (25:44)
4 – A little about the future of TV viewing (42:20)
Takeaways and Resources (45:45)

Links

Over-the-top content (OTT)
YouTube TV
YouTube Red
“Why mythological shows are often idolized” – TV Calling
The Hatch
Final Five
“Damon Lindelof Doesn’t Want Critics To Binge Season 3 of The Leftovers” – IndieWire
“The Art of the TV Episode” (PT20)
“Two Boats and a Helicopter” (1×03 – The Leftovers)
“Guest” (1×06 – The Leftovers)
“The Bythewoods and The Writers Retreat” – 3rd & Fairfax
Flesh and Bone

Resources

“Netflix Studied Your Binge-Watching Habit” – The New York Times
“Series, Movie, Series, Repeat: A New Netflix Binge Routine” – Netflix

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Writing Themes and Values in TV (PT36)

Alex and Nick discuss the importance of themes and values in television writing, and how you can use them to your advantage in your own TV scripts.

Why are themes and values important in television writing? What are some examples of both? How do you work them in scripts? How do you avoid preachiness in the writing?

The Paper Team shares their motifs…

SHOWNOTES

Content

1 – What are themes and values? (01:20)
2 – How to write themes and values in TV (14:12)
3 – Avoiding preachiness in your writing (23:10)
Takeaways and Resources (27:28)

Links

Survivor: Blood vs. Water
Star Trek: Deep Space Nine
“Far Beyond the Stars” (6×13 – Star Trek: Deep Space Nine)
Sons of Anarchy
Everybody Loves Raymond
Desperate Housewives
“Earshot” (3×18 – Buffy the Vampire Slayer)
Danny Strong
Buffy Studies
“Beer Bad” (4×05 – Buffy the Vampire Slayer)
Scorpius (Farscape)
The Outer Limits (1963 TV series)
The Outer Limits (1995 TV series)
“Chaos is a ladder” speech from Game of Thrones (Video)
“BoJack Horseman Christmas Special: Sabrina’s Christmas Wish”

Resources

“Philosophy of…” Books
“The Philosophy of The Simpsons” – William Irwin, Mark T. Conard, Aeon J. Skoble
Star Trek episodes with social themes

Special thanks to Jason J. Cohn for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]