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Posts tagged as “Tips”

Preparing for the new Star Trek movie

If you’re a Star Trek noob like I was 6 months ago, or if you want a list of stuff to watch/know before the new movie, then this post is for you.

Having seen the new movie, I think I can safely say here what you should be (re)watching before seeing the new Trek next week.

For my pre-Trek marathon, I used as a loose guide Tor’s list of Star Trek epis you should see before the new movie.
The problem with that list is basically the fact that it’s based upon trailers that came out months ago and rumors regarding the movie’s plot.
I mostly agree with this list except for a few epis that are irrelevant for the new movie.

Now, if you don’t really care at all about Star Trek, the characters, and just want to be entertained by the FX of the movie, then you obviously don’t need to know/watch everything in this article.

For the people actually interested in what to watch before the new movie, here goes:

The first things to know are the basics.
Can you answer the following:
Do you know what the difference between a Vulcan and Vulcan?
What differentiates Vulcans from Romulans?
What makes Spock so special?
What is Starfleet and the Federation?

If you can’t, then you definitely need to read the basic mythology components.
You should try Memory Alpha, the greatest Star Trek wiki (used by Roberto Orci & Alex Kurtzman themselves) to brush off your Trek knowledge.


As for an introduction to the Trekverse via the Original Series, check out the following epis:

Balance of Terror (1×08)
The first time we actually see the Romulans in Trek as well as an introduction to what will be known as the Neutral Zone.
The Menagerie, Parts I & II (1×15 & 1×16)
This is the episode we get to first meet Captain Pike (played by Bruce Greenwood in the new movie). Although not that important for the new movie, it’s worth a watch just to see Pike, as well as see an Orion slave girl.
Amok Time (2×05)
This episode introduces us to some vital Vulcan culture components, like Vulcan sex.
Journey to Babel (2×15)
In which we first get to meet Spock’s parents, Sarek and Amanda. We also witness the special father/son/mother dynamic the three have.
The Enterprise Incident (3×04)
Here we gather more info on the Romulans and the Vulcans.

For Bonus points you can try to see Klingon-related episodes such as Errand of Mercy (1×27), but the Klingon sub-plot will only be available when the new Trek movie comes out on DVD.

If you still have some time left, try to watch the following TOS movies:
– Star Trek II: The Wrath of Khan
– Star Trek III: The Search for Spock
– Star Trek IV: The Voyage Home

These are mainly for the purpose of getting to know a bit more about Spock and Sarek (especially the third film), and since it’s kind of a trilogy by itself, try to watch them all together.

You can even try to watch the last TOS movie, Star Trek VI: The Undiscovered Country to get some form of closure and move on to the rest of your marathon.

Now that you’ve become familiar with TOS, time to get familiar with The Next Generation (TNG).

I should point out here that, save for Sarek and Unification, most of the epis listed are here to get you going with the TNG crew to understand Nemesis, and therefore get a deeper understanding of the prequel comic for the new movie.


The show takes place roughly a century after TOS in a universe where the Klingons are allies of the Federation but Romulans are still enemies.
Keep in mind that the technology has vastly evolved for everyone (except for Spandex).

Encounter at Farpoint (1×01 & 1×02)
First and foremost, obviously, the 2-parter that introduces us to the crew of the USS Enterprise. Although not that important regarding the current continuity, it is still interesting to meet a new crew, and if you only stick to the epis listed here, it’ll give you at least some sense of backstory regarding the characters that will be somewhat heavily featured in the prequel comic.
Sarek (3×23)
This episode tries to link TOS to TNG by introducing an important character in Spock’s life: his father. Although in the theatrical version of the new movie Sarek doesn’t have that big of a role, he will in the extended version of the movie, so be prepared! The episode also concludes the diplomatic storyline from the TOS episode Journey to Babel.
Unification, Parts I & II (5×07 & 5×08)
Arguably one of, if not the, most important episode on this list that sets-up Spock’s future actions in the prequel comic and the new movie. 24th-century Spock is indeed heavily featured in both, continuing his quest to try to reunite both the Romulans and the Vulcans.

Also, if you want to understand why Shatner isn’t in the new movie, see the 7th Trek movie: Star Trek Generations.

Moving on to the final piece of Trek story before the prequel, we arrive at what has been known as the worst Trek film ever, Star Trek Nemesis.
This movie is not important at all regarding the new movie, but, like I said, if you want to get a deeper understanding of what happens in the prequel comic, you should watch it (especially the second half) and see what happens to the various TNG characters at the end.

Wow, that was a long watch list.
Still with me?

Since you have now gathered tons of info on the Trekverse and its characters, time to move forward to the new Star Trek movie, and its prequel: Star Trek Countdown.
Just by looking at the cover you can see why I made you watch all those TNG episodes:

The comic picks up roughly 20 years after the events of Unification and 10 years after Nemesis, connecting the TNG characters to Spock and Nero (the bad guy of the new movie).

Spock continues his quest for peace with Nero but things go very wrong, very fast.
The story is pretty simple but some major stuff happens there that you must see.

Although what happens in the comic (Nero’s motivation for what he’s doing) is very roughly explained in the actual movie (in less than a minute), a lot was skipped (basically everything regarding 24th-century Spock), so you should definitely try to check out the comic before seeing the new Star Trek movie.
Also, the movie begins exactly where the comic ends.
So, pretty cool.

If you can’t get your hands on the actual 4-parter, Memory Alpha has detailed summaries for all four parts.

Well, looks like you’re all prepared to see the movie and enjoy its fine details.
Of course, there are loads of reference to various Star Trek episodes not listed here, but this list was compiled just to give you a broad understanding of the Trekverse and its characters so that you could enjoy the new movie’s storyline at its fullest (or close to).

If you wish, once you’ve seen it, or now if you want to get spoiled, you can read my Star Trek review.

Enjoy the movie.

Spec Script 2009 – What is hot and what is not

UPDATE: A new updated 2019 Drama version is available here.
A new updated 2019 Comedy version is available here.

‘Tis the season to write great scripts.
Staffing season is fast approaching and I’ve been perusing the various blogs in search of good spec advices, so I decided to put all those info in common into a clear list of speccable drama shows.
The ideal portfolio would probably be composed of three specs script.
One safe, “mainstream”, another more marginal, “borderline”, and a third which would be an original pilot/feature.
Basically balance the “safe” with the “risky”, the “light” with the “dark”, and procedurals with genre shows.

The shows are divided into 4 somewhat self-explanatory categories regarding their appeal to readers and how well they are known/read:
– Over-specced (forget it)
– Mainstream (everyone’s doing it)
– Wild Cards (soon, everyone will do it)
– Outsiders (get out of the pack)

There is also a grade regarding the shows’ longevity in relation to specs of said shows using the greatest grading system on Earth: stars.

★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

C. S. I./Law & Order (CBS/NBC)
Let’s begin with the obvious.
Once the hottest specs in town, now not so much.
Longevity: ★★★★ – The type of spec that is probably going to get real old real fast. I wouldn’t start a new one, it’s been over-done.

House (FOX)
A now-classic medical procedural yet slowly fading in demand.
Longevity: ★★★★★ – Even though FOX is probably going to renew the show for several years to come, speccability is going down fast for House.

Mainstream
The current and new widespread shows in town that are getting read.

Dexter (Sho)
Seems like this once-must-have spec won’t pass another season. Probably the last “hot” year for Dex.
Longevity: ★★★★★ – Clearly not as in high demand as it was a couple of years ago but should live for another year or two.

Bones (FOX)
I don’t know the show well enough, but from what I can gather, it’s a solid procedural.
Longevity: ★★★★ -Steady ratings on the verge of 10M viewers should ensure another couple of seasons.

Mad Men (AMC)
The hotest spec on the market right now. Everyone and their mothers seems to be doing one. Has obviously gone mainstream given the amount of specs produced around it.
Longevity: ★★★★★ – AMC is not going to let this one slide.

Gossip Girl (The CW)
If you’re aiming for this type of show then probably the show to spec.
Longevity : ★★★★★ – Do you really think The CW is going to cancel that show anytime soon?

Wild Cards
Not quite fully widespread but might get there given the chance.

Fringe (FOX)
Clearly the fresh FOX show to spec right now with a lot of potential.
Longevity : ★★★★ – Unless the show tanks in the ratings and/or FOX finds a new hit show next year, Fringe surely has at least a second and third season pretty much guaranteed with 24 and Prison Break soon gone and no real lighthouse shows for the network.

The Mentalist (CBS)
A classic CBS procedural that, given its ratings, is most likely the new Cold Case/Without a Trace.
Longevity: ★★★★★ – Given the fact that C.S.I./Cold Case/Without a Trace still continue, the show probably has a few years ahead of it

Dollhouse (FOX)
One might think a very speccable show as the serialized nature of the show successfully balances out the SF aspect, but the risk may be be too great.
Longevity: ★★★★ – I wouldn’t hold my breath given the atrocious ratings and the Friday timeslot on FOX. Wait for a definite renewal to start on that spec.

Flashpoint (CBS)
Well…We’ve discussed in depth this already. Its freshness should give you a wide array of stories, and its procedural aspect should give it a wide enough reach.
Longevity: ★★★★Flashpoint rules the Fridays, no reason to get canceled yet.

Chuck (NBC)
Fun, light-hearted spy drama with a lot of story elements to choose from.
Longevity: ★★★★ – Unless NBC cancels the show (doubtful given the Super-Bowl and 3-D money behind it), there’s still a couple of years ahead.

90210 (The CW)
Will soon join in the ranks of Gossip Girl.
Longevity : ★★★★★ – Same question Gossip Girl: Why cancel it?

Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you over the rest of the pack.
After that, it depends on the willingness of the reader.
Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Breaking Bad (AMC)
Not as major as Mad Men but clearly a lot of potential. Might prove hard to spec though.
Longevity : ★★★★ – Seems like AMC is on a streak so it most likely will renew the show for a couple of years at the very least as it will become more and more speccable.

Leverage (TNT)
Perhaps a new dark horse. The show is fresh enough to give a new spin on the heist and con storyline of your choice.
Longevity: ★★★★ – A second season order bodes well for this new show.

Burn Notice/Psych (USA)
Good light procedurals and both shows are not majorly specced right now.
Longevity: ★★★★ – I don’t see any reason why USA would cancel those shows anytime soon as the network doesn’t have much else going for it.

Even though it’s obvious only the major, more or less “speccable”, shows around were put down on this list, it’s interesting to note the rise of the basic cable spec market (AMC, TNT, USA) yet there is no real ABC nor HBO contender this year, mostly because ABC only has either dying or over-specced shows (Ugly Betty, Grey’s Anatomy) and HBO doesn’t have that much shows anymore.

You can still try the
very risky route of speccing The Tudors for instance, but be sure to see check if who you’re sending it to will actually read it.

Also, try to net get too invested in a spec (even an almost-surefire Fringe) unless you know the show has been renewed.

As for the Comedies, well, I don’t know much about that, except what probably everyone else knows: 30 Rock is in and The Office is over-specced.

Good luck!

Script registration 101

How to register a screenplay isn’t as complex as it may seem.
Because when everything is done you might just need to sue some dude, here is a quick rundown of the two most used script registration services.

Library of Congress, U.S. Copyright Office
Why?: Probably the first one you should check out for your script registration.
I suggest you use the online registration. It’s cheaper, trackable, and faster.
Why not?: This services should be used for actual finished script registration, not treatments or drafts. This is for script copyright, not broad unfinished ideas.
Duration: The life of the author plus an additional 70 years
Prices:
$35 for via the online service
$45 with paper forms

WGA’s Script Registry Service
Why?: The most popular of all script registration services.
Registrable material is anything that can assist you “documenting the creation of your work” (scripts, treatments, synopses, outlines, etc.).

The WGA registration, which stands for Writers Guild of America registration, is a crucial step for writers looking to protect their intellectual property. By registering their work with the WGA, writers establish a legal record of their authorship and ownership. This process ensures that in case of any future disputes or infringement, they have evidence to support their claims. The WGA script registration provides writers with a sense of security and confidence in their creative endeavors, as it serves as an official certification of their work’s existence and originality.

Why not?: As stated on their website:

Registering your work with the WGAW Registry does not take the place of registering with the Library of Congress, U.S. Copyright Office.

Also, once material is registered, the file cannot be changed in any way.
Duration: 5 Years (renewable)
Prices:
$20 for the general public
$10 for WGA members

It is still debatable as to which of the two should be used primarily, or if registering to both at the same time is useful.
It is clear though that both can be used in court.

Depending on how much dough you are willing to shed for the protection of your work, two is better than one obviously. If you intend to register at both, I would suggest starting with the Copyright Office, and while waiting for the paperwork (it generally takes some time to come) go register to the WGA.

Let’s note however that none of these services are International-proof. Protecting your material via these services will only work the in States.

Good luck!