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Posts published in “TV Business”

Protecting and Over-Protecting Your TV Script: Copyright, Ownership and Idea Theft (PT23)

Alex and Nick discuss the contentious subject of copyrighting and idea theft in television. From the WGA to the Copyright Office, we take a look at the basics of protecting your work.

What does a copyright do? Should you register your TV spec script or pilot? Have there been cases of TV copyright infringements? Why is it important for TV writers to share their work?

The Paper Team consults their legal team…

SHOWNOTES

Content

1 – What is copyright or WGA West Registry vs. Copyright Office (1:01)
2 – Common questions about copyright (04:06)
3 – International copyright (9:55)
4 – When you should copyright and if copyright is enforced in TV (12:00)
5 – Why you should share your work instead of over-protecting it (19:02)
Takeaways (28:14)

Links

WGA West Registry
U.S. Copyright Office
Copyright Act of 1976
Authors’ Rights (AKA “droit d’auteur”)
“Judge Rejects New Girl Idea Theft Case” – Variety
“Forest Park’s Breach of Contract Suit Over USA Network’s ‘Royal Pains’ Not Preempted by Copyright Act” – Seattle Copyright Watch
John August’s thoughts on idea theft
“Speccing and Sharing Star Trek: Terran” – TV Calling
Javier Grillo-Marxuach’s “Experimental Design Bureau”
John August’s draft library
“A darkly comedic Seinfeld spec script set days after 9/11” – AV Club

Special thanks to Jason J. Cohn for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Joke-Writing, Stand-Up and Late-Night TV ft. Simon Taylor (The Tonight Show with Jay Leno) (PT22)

Alex and Nick welcome Simon Taylor to hear his experience being a comedian, writing jokes for late-night television, and the hard work it takes to be consistently funny.

How does the stand-up circuit work? What was it like writing for the Tonight Show with Jay Leno? Why is performing comedy different than writing comedy? How is the process of writing comedy in a room compared to doing it alone? What can a writer do to be noticed and find a following?

The Paper Team performs their in-depth set…

SHOWNOTES

Content

1 – How Simon Taylor got his start (00:33)
2 – Being funny, creating your product, and performing stand-up (08:25)
3 – Putting yourself out there, selling yourself, and pitching (24:15)
4 – Writing for The Tonight Show with Jay Leno (34:22)
5 – Generating good content regularly and working your creative skills (38:53)
6 – What a successful joke is and tailoring it to your online (Twitter/Snapchat/YouTube) or real-life audience (43:35)
7 – Working on a TV pilot with Justin Willman, and writing alone for someone else versus a writers’ room for a common project (49:05)
8 – Working in the US, what Simon Taylor is doing now, and what is next for him (53:17)
Resources and Outro (57:50)

Links

Simon Taylor on Twitter
Rove Live
Rove McManus
The Glass House (2001 TV series)
Spicks and Specks
The Project
Steve Vizard
Shaun Micallef
Live on Bowen
The Loft Live
Simon Taylor hosting Live on Bowen (Video)
The Carmichael Show
The King of Kong
Vine
Sleight of Mouth with Justin Willman

Resources

Poking a Dead Frog – Mike Sacks
Books by Stewart Lee

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Being a TV Script Coordinator ft. Franklin jin Rho (The Exorcist) (PT21)

Alex and Nick welcome Franklin jin Rho (FOX’s The Exorcist) to discuss the ins and outs of being a TV script coordinator.

He shares with us his advice, anecdotes, tips, and tricks to understanding and getting into this vital TV position, set halfway between the writers’ room and production.

How do you become a script coordinator (especially when you have no experience)? What do showrunners look for in candidates? What are the interactions like between writers and production? What can you do to get that first script and transition up? Are there any must-know shortcuts to Final Draft?

The Paper Team offers some script revisions…

SHOWNOTES

Content

Thoughts on TV script coordinating, getting a position, and making the best out of it (00:33)
Outro (46:17)

Links

Franklin jin Rho on Twitter
The Exorcist (FOX)
AFI’s Directing Program
Friday Night Lights (NBC)
Film Independent’s Project Involve
The Assets (ABC)
Cole Fowler on IMDb
Konami Code
IBM’s Watson
Scriptation

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]