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Avatar Day or how I tasted the 3-D revolution

I’m just back from seeing the 15-minute preview of James Cameron’s Avatar and one word comes to mind: gorgeous.


Wiggle your big toe!
We were able to see six very intense scenes in 3-D from the movie’s first half.
A quick note regarding the story: I didn’t expect much beforehand so I wasn’t disappointed on that part. It looks like a “green futuristic Pocahontas.”
Nothing more, nothing else.

Yesterday, I said I was going to wait until after Avatar Day to see the 2-D version of the teaser trailer, thinking the teaser would look pale in comparison to the true result. Looks like I was correct.
Indeed, the 2-D version is, dare I say, awful. Too flat, too unrealstic, too CGI. A video-game of sorts, like Crysis but on screen.
However, the 3-D end-product transcends everything you might expect.

Here it is folks: the most immersive movie in History.

Yes, that’s what over 120 years of technology have led up to.
I’ll refer you back to my November post about how “3-D will be introduced in 2009.”
If you think about what all those technological advancements in the entertainment industry were for, the answer is simple: realism.
With the use of sound, color, and now 3-D, mimicking the real was always the main goal of cinema.
And this is real enough, folks.
The CGI is so advanced that its uncanny valley equivalent has been skipped. Sure, we’re not talking about fake-humans here, this is no Final Fantasy: The Spirits Within, but the Na’vi skin and eyes are more than convincing. There’s no dead-eye syndrome either.
The movie seems to have completely immersive CGI aesthetics that perfectly blend in with the raw footage. Though you can obviously guess what was added (answer: everything non-human), it is still extremely realistic.
The night scenes are absolutely amazing, same goes for the fauna. Colors were vivid, despite the use of darkening glasses.

I might seem overly enthusiastic about the movie but I had two problems with the footage (hey, there had to be some):
The first scene we got to see was one only involving humans, and presented to us the world we were about to enter. As the camera was dollying in, the depth of field created by the 3-D camera felt too…forced. It was almost problematic. Basically, it looked to me like the technology seems to work great with CGI-based sceneries and scenes with some human/CGI interaction (like above), but seemingly not that well with “semi-raw” footage (or rather scenes only involving human interaction in normal surroundings).
Given that about 40% of the movie should be live-action, I’m still waiting to make up my mind regarding Cameron’s use of 3-D in non-VFX scenes.
Probably the main disappointment however came from the main action sequence featured in the preview (a chase between Jake Sully and an alien creature through a forest). The camera and editing were way too quick. The scene was almost all a blur. With 3-D, eyesight cannot really adapt to the various depths.
Also another minor quarrel: Given that I saw the preview in Paris, the movie was subtitled (fortunately not dubbed). You might have noticed the use of subtitles yourself during the native Na’vi language as well as its Papyrus font. They were pretty distracting overall. The eye has to deal with the subs in the forefront, plus the whole movie behind with its own depth of field.

Anyway, in case you’re wondering, theatres aren’t being equipped with Avatar-only technology. It’s your standard run-of-the-mill modern 3-D tech, including XpanD glasses (the ones you might have used on Up).


Incidentally, Cameron has just inked a deal with Panasonic to help promote 3-D TV and 3-D Blu-Ray players. The home video business plan for Avatar will be extremely interesting to see…
That said, what separates Avatar from previous movies is its use of the revolutionary Fusion/Reality Camera System 1 developed by James Cameron and Vince Pace allowing groundbreaking stereoscopic imaging.

Remember when I said:

If [typical 2-D movies were meant for 3-D], something huge would have been missing from the first time we laid eyes on them.

Avatar is exactly that.
Seeing the 2-D trailer just shows how great the gap between the two “dimensions” is.
Even on a big screen, I doubt Avatar 2-D would visually work, or at the very least if it would be as immersive as 3-D.
James Cameron clearly revolutionizes 3-D not by the way it is made but by the way it is used.
We’re far from Journey to the Center of the Earth or My Bloody Valentine with their “gimmicky” use of the tech.

We’ll just have to see the 2-hour result on December 18th.

Identity Crisis

What is going on with all those brand renaming themselves?
Gatorade changes to G, Pizza Hutt to The Hutt, RadioShack to The Shack, and now Cartoon Network, who freshly announced a slate of non-cartoon shows, is also considering a name change?

There are even whispers inside the channel’s Burbank animation studios that the network might drop “Cartoon” from its name.
[…]Rob Sorcher, a veteran cable programming executive who joined Cartoon Network last year after a stint at AMC, where he spearheaded that network’s push toward original dramas and was involved in the development of “Mad Men” and “Breaking Bad.”
[…]Although they are committed to their approach, they disagree on the fate of Cartoon Network’s name. [Sorcher] said he expects “we will have to deal with this down the line.”

Please don’t do this.

Side-note with some movie stuff:
Remember Outland, the SF/western 1981 movie with Sean Connery?
Well, it’s getting a remake with Shoot ‘Em Up‘s Michael Davis set to helm the project.
Who’s the guy writing the script? That would be Chad St. John.
You might recall that John also wrote SOTW6‘s The Days Before (notice how FlashForward is also on there, kinda funny considering the two scripts’ stories).
Anyway, I loved the Days Before script so I’m wondering what Chad will be able to pull for this Outland remake.
Incidentally, the current issue of Script Magazine has a piece on Chad St. John.

There’s also this other Dirty Dancing remake currently planned by Lionsgate.
What is interesting is that this time the writer is Julia Dahl. If you don’t know her, she was The West Wing‘s executive story editor from 2001 to 2002, and wrote two of the show’s 3rd season episodes.

Moving back to TV territory…
The Academy of Television Arts & Sciences lost its longtime PR agency, the Lippin Group, due to the recent debacles surrounding this year’s Emmycast.

ABC is moving on a haunted-hotel series entitled Clive Barker’s Hotel from two original Saw writers, Marcus Dunstan and Patrick Melton. I’m not here talking about the original movie, rather the latest four instalments (Saw IV throguh Saw VII).
Charlie’s Angels/Terminator Salvation’s McG might also be set to direct the pilot if the project comes to fruition.

And finally, some more great news for Caprica (remember, the Battlestar Galactica spin-off).
James Marsters is joining the cast for a “seizable arc” in at least three episodes of the show’s first season.
He will play “a dangerous terrorist leader by the name of Barnabus Greeley. Driven by desires both moralistic and carnal, Barnabus is as lethal as he is unpredictable.”

There’s also this new FlashForward poster that I just find plain awful.
The faux-embossed character pictures are kitschy, the “flash-forward” ball is badly done and made out of basically the same fifteen pictures used over and over again, and the sea reminds me of some 1990 photography background.
See for yourselves:


My eyes are bleeding…

Switch

Looks like the backlash worked: the TV Academy backed off its proposal to time-shift eight of the 28 Emmy categories from the live show (on Sept. 20).
Great news indeed.

As for the Lego movie I hinted at earlier today, it seems to be a reality now.

Oh and AMC is developing loads of stuff right now. The net announced today its biggest deal yet with a Frank Darabont-penned adaptation of Robert Kirkman’s comic book, The Walking Dead, where in a post-apocalyptic zombie world, a group of survivors must fight to survive the harsh reality, and themselves. Darabont is not only set to write the show but also is going to direct it.
I’m very excited to hear this seeing as I love Darabont’s work. The Green Mile and The Shawshank Redemption are amongst the greatest movies ever.
And his The Shield episode was also epic.