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The Comeback Kid

Is this mic still working?
Looks like I haven’t been here in a long while.
The truth of the matter of the fact of the reality is that I’ve been fairly busy (shoot-out to my work peeps).
That is, indeed, a poor excuse, but I don’t have a dog to blame everything on.

Moving on.

During my break-time from the blogosphere, I have received countless e-mails (I don’t know how to count over ten) about “when I would come back” or “how about you move your ass and write something to help me out on this Dallas spec?”, or better yet, “what’s up with that” (oooo ooo weeee).

My own bat-signal had been launched into the sky. My return to adventure. My moment of triumph. My call to arms.
But I resisted.
And then I realized.
Oh, who am I kidding?
A writer craves attention like Joffrey Baratheon needs a good smack-down.

Here we go.

It is with great sadness that, like all great Messiahs before me, I am announcing the launch of an exploratory committee to potentially, perhaps, maybe….return to the world of wisdom-giving.

At this point, you may be wondering why I’m even bothering writing this post, especially if I am merely considering coming back instead of outright committing to it.

Here’s the thing: I can’t quit you guys. But I can’t quit my busy life either.
So, let’s make a deal.
I will come back here, as often as I can, to write interesting, insightful, thought-provoking, charming, magnificent, orgasmic, earth-shattering posts (notice the smooth transition to veridical adjectives).
In exchange for all of this, come back to me! Don’t leave me! You complete me! I have strong abandonment issues!
I’ll take your silence as your agreement.

But wait.
It’s not over yet.
You didn’t think I would write a new post four months after the last one just to ramble about, did you?

And now, for the real announcement everybody has been waiting for since the dawn of mankind…

I am currently working on the 2012 Spec List.
The double-whammy will be posted in the next couple of weeks.
What a twist!

To be continued.
For realsies.

Happy Halloween (and NaNoWriMo)

I must first apologize for my lack of recent posting.
This seems like the hundredth time I’ve done so in the past year, but the reason I’m currently quite unavailable is thanks to my present work.

In the meantime, today is the end of October, which not only means that tonight is Halloween, but that tomorrow marks the official beginning of this year’s NaNoWriMo.
Now, as the name suggests, this is more a novel writing month than a screenwriting one (after all, we have our own much more appropriate Script Frenzy in April). But with that said, writing is writing. And you’re not going to attain those 10,000 hours through tweeting.

Off you go!

This is odd for so many reasons (Emmys 2011)

First off, I can’t believe this is already my fourth Emmy review on this site.
I’d like to thank — Oh, who am I kidding. I made myself.

Anyways, on to business.

I’ve gotta admit, this was a pretty good year for the Emmys.
Jane Lynch was a great host, and it started off fairly well with her opening number.
It did drag on a bit but, overall, it was a nice time (I’m still a fan of last year’s Born To Run though).
One thing I did note about the stage was the huge FOX logo at the top of the gigantic video tower.
We get it, we’re on FOX. The Simon Cowell network.

The big awkward running gag of the night (you’ve gotta have one of those) was the Emmytones. Or, as I call it, the “why the fuck am I doing this” choir, composed of such talented actors as Joel McHale and Zach Levi.
Forced smiles coupled with bad timing meant one bad musical number after another.
LL Cool J’s surprise guest song towards the end of the night only reinforced the contrast between a “cool” number and…that.

As expected, we were treated with funny presenters mixed with more, shall we say, somber ones.
It started pretty well with the two Jimmys (Fallon and Kimmel) boxing it out.
The first part of the night was, as Jane Lynch called it, the Modern Family Awards.
Beyond the fact that it was a clean sweep for the show, I actually did not expect Julie Bowen and Ty Burrell to win. They did deserve the awards though.
Ricky Gervais’ pre-recorded message was way too tame to be funny. I know it was supposed to be the joke but, still, too on the nose. Here’s to hoping he’ll be back in some capacity live on another award show.
Another annoying thing about the night was the overbearing announcer/voice-over guy making pretty crappy jokes about each winner as they walked onto the stage. They definitely need to cut that gag out next time around.

I honestly thought there would be an upset in the comedy writing department with Louis C.K. winning. After all, the show is widely loved in LaLaLand.
And if not a Louie episode, then at least the final Steve Carell/The Office one.
So, yes, this was another Modern Family Emmy I didn’t really anticipate.
Same comment for ‘best actor’ where I really thought Steve Carell’s final year would be recognized.
Charlie Sheen’s speech was beyond awkward. Was he being serious or ironic? It all sounded so hollow and strange. I can understand Jim Parsons being creeped out.

At this point in the post I have to take a moment and acknowledge the great dramatic presentation that was the Outstanding Lead Actress in a Comedy Series category.
All the nominated actresses going up on stage ‘impromptu’-style was great.
Yay for McCarthy. I’m not a big Mike & Molly fan though I’m seeing this victory as a recognition of McCarthy’s past work (Gilmore Girls!). And Bridesmaids certainly didn’t hurt.

The best moment of the night was undoubtedly the great Office comedy bit with fellow characters/actors popping in and out of the short. The biggest laughs were had with Jesse Pinkman giving Creed some meth. Brilliant.


I also cannot help but be amused by Cee-Lo’s chair malfunction.

Moving on the the Reality/Variety category, I have to say that Top Chef: All-Stars was a shoe-in for the Emmy, not Amazing Race (for what feels like a decade of wins).
Speaking of gazillion victories, The Daily Show once again took the top prize. I can’t complain, although I’m still waiting on The Colbert Report to get the Emmy.

We then got blasted with a Lonely Island medley (sorta).
Look, I enjoy the occasional skit as much as the next guy, but doing a live remake of the Michael Bolton song was unoriginal to say the least.
It was a nice touch to have (I think) Ed Helms, Maya Rudolph and John Stamos in the set as well, but overall, a fairly weak (albeit crazy) skit.

And this brings me to the ‘best drama writer’ category.
Holy smokes.
Huge surprise (in my mind) with Jason Katims’ oh-so-deserved victory for the series finale of Friday Night Lights.
Finally some recognition!
Now, I’m still a season behind, but I’m super stoked about this win.
Ditto for Kyle Chandler’s Emmy prize.
Those are upsets I enjoy seeing.
Martin Scorsese winning best director was one of the most obvious awards of the night (save for the finale two).
On the other side of the coin, Peter Dinklage won!


It might not have seemed like the role of a lifetime but it sure feels like it now.
Game of Thrones is currently the number one talked-about show in every writers room so it might not be as surprising as it seems.

Following last year’s debacle, the ‘In Memoriam’ segment was anticipated (for lack of a more politically-correct description).
What we got this time around was a music clip promoting a Canadian boys band singing a terrible version of Hallelujah.
Better luck next season, right?

And now about the final awards.
Clearly no surprise there for Downtown Abbey which holds the BS record for “most acclaimed series in the world“.
I haven’t got much else to add about Mad Men‘s victory.
And as for Modern Family winning. Well. It’s the new 30 Rock.