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Posts published in “Paper Team”

TV Production Companies ft. Logan Kriete (Producer & Development Executive) (PT74)

TV Production Companies ft. Logan Kriete (Producer & Development Executive) (PT74)

Podcast: Play in new window | Download (Duration: 1:08:06 — 62.6MB)

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Alex and Nick invite Logan Kriete, producer and development executive at Escape Artists (and formerly from Superb Entertainment/Baer Bones), to discuss how TV production companies work and find their projects.

What are overall deals or “PODs” and why are they important? How is material turned into a TV show? What makes a script stand out for an executive? How does the development and notes process work? How do production companies sell shows to studios and networks? How does the evolving TV format impact projects? Why does persistence matter in the TV industry?

The Paper Team does the POD challenge…

SHOWNOTES

Content

Becoming a development executive, working in scripted, overall deals, sister studios, development process, finding writers and projects, selling shows, advice for TV writers (00:57)
Resources and Next Week On (1:00:13)

Links

Logan Kriete on Twitter
Escape Artists
Meryl Poster
Neal Baer
Mosaic
One Day at a Time (2017)
Glitch
Trust Me

Resources

KCRW’s “The Business”
NPR’s “Pop Culture Happy Hour”

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex – @TVCalling
Nick – @_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

TV Script Formatting (PT73)

TV Script Formatting (PT73)

Podcast: Play in new window | Download (Duration: 59:23 — 54.6MB)

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Alex and Nick go over how formatting works in TV scripts and the various pre-draft documents you’ll be writing on TV shows.

What are the formatting and structural differences in writing a TV screenplay as opposed to a feature? How do half-hours and one-hours differ in their acts and page count? Which documents will you be writing before going to draft on a TV episode? What are important formatting elements to know and common mistakes to avoid?

Plus, we answer questions about genre and screenwriting software you should be using.

The Paper Team adjusts their margins…

SHOWNOTES

Content

Paper Scraps: TV format versus TV genre, and screenwriting software you should be using (00:52)
1 – Differences in formats: TV and feature, one-hour and half-hour, network and cable, multi-cam and single-cam (10:56)
2 – Story areas, treatments, and outlines: documents to write before going to draft and annotating revisions (18:10)
3 – Formatting on the page and common mistakes (26:02)
Takeaways and Resources (56:35)

Links

“Comedy v. Drama: Declare Your TV Major” (PT02)
Final Draft
Fade In
WriterDuet
Highland
Celtx
Movie Magic Screenwriter
Scrivener
“Being a TV Script Coordinator” (PT21)
Scenechronize
Movie Magic Budgeting

Resources

“The Hollywood Standard” – Christopher Riley

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex – @TVCalling
Nick – @_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Analyzing Great TV Characters: Case Studies of David Palmer (24), Lindsay (You’re the Worst), Michael (The Good Place) and Scorpius (Farscape) (PT72)

Analyzing Great TV Characters: Case Studies of David Palmer (24), Lindsay (You’re the Worst), Michael (The Good Place) and Scorpius (Farscape) (PT72)

Podcast: Play in new window | Download (Duration: 51:27 — 47.3MB)

Subscribe: Apple Podcasts | Spotify | Android | Email | RSS | More

Alex and Nick break down four iconic TV characters to look at what makes them memorable.

The TV characters explored in this episode include David Palmer from 24, Lindsay Jillian from You’re the Worst, Michael from The Good Place, and Scorpius from Farscape.

What makes a great TV character? How are the characters introduced in unique ways? How do shows flesh out specific goals, needs and wants? What are key moments and decisions that can define characters?

Plus, we celebrate the new year.

The Paper Team sizes people up…

SHOWNOTES

Content

Paper Scraps: Happy new year! (01:00)
1 – The four TV characters (02:16)
2 – Why we picked these characters (05:12)
3 – Character introductions (10:10)
4 – Character traits (17:53)
5 – Character’s macro series arcs, wants, and needs (25:29)
6 – Key character moments (38:08)
Next Week On (50:16)

Links

David Palmer (24)
Scorpius (Farscape)
Lindsay Jillian (You’re the Worst)
Michael (The Good Place)
“Analyzing Great TV Pilots” (PT54)
David Mamet’s memo to his writing staff on The Unit
Scorpius costume designs
“All About That Paper” (2×04 – You’re the Worst)
“Try Real Hard” (3×01 – You’re the Worst)
“Day 2: 4:00AM-5:00AM” (2×21 – 24)
“The Trolley Problem” (2×05 – The Good Place)
“Nerve” (1×19 – Farscape)
“Liars, Guns and Money” (2×19 – Farscape)
“With Friends Like These…” (2×20 – Farscape)
“Farscape: The Peacekeeper Wars”

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex – @TVCalling
Nick – @_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]