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Posts tagged as “Angel”

The Cabin in the Woods (Script) – Review

I just finished reading Joss Whedon/Drew Goddard’s Cabin in the Woods, described by Wheddon himself as “the horror movie to end all horror movies”.

I don’t know to what extent I agree with that statement and basically to what extent I enjoyed the script/movie.

I wasn’t under-whelmed, but I wasn’t over-whelmed either.

The characters are definitely well-written, well introduced (so is the story for that matter), and the dialogue is sharp and witty.

I loved the white-collar characters of Richard Sitterson and Steve Hadley played respectively by Richard Jenkins and Bradley Whitford.
Definitely great casting choices.

I highly doubt that IMDb has the correct names associated with the actors. Fran Kranz is most likely not going to play Curt, unless he becomes your stereotypical football player overnight (could still happen though).

It should be noted there are no “twist” to the movie, at least not the way one might think.
This is not The Sixth Sense where at the end you have some epic revelation that changes the scope of the movie and makes you re-evaluate every scene prior.

The only twist here is the genre-twist, and it is pretty straight-forward.
You kind of get what is going on behind the scenes in the first 30 or so pages.

It is therefore not really a spoiler when describing Cabin as The Evil Dead/The Hills Have Eyes meets The Truman Show.

There’s a superior level to that whole “Truman Show” part though which I won’t spoil.

I was actually expecting more regarding said twist/superior level, like a final reveal that changes my whole perception of the story, but that unfortunately didn’t happen.
It looked more like that Neo/Architect scene at the end of The Matrix Reloaded than anything for that matter (without the plot twists).

I don’t really know how to take the end, if I like it or not.
It certainly is reminiscent of other Goddard endings though, so I won’t comment further.

There are also a few open questions and some inconsistencies regarding the rules set-out by the movie/story itself, so that was weird.
Overall, suspension of disbelief is required but no more than for your average Buffy or Angel episode.

Suffice it to say that the movie will definitely be R-Rated as some of the deaths are grueling at best.

Brendon Connelly over at Slash Films says the end is a range of horror movie clichés, but I disagree here as I didn’t see much reference, if at all.
Having a zombie in a movie doesn’t mean it’s a reference to any of those movies. So the same goes for the end of Cabin.
The cabin deaths on the other hand, I can see how they could be considered references (for some at least).

I also disagree with him on how he compares Cabin to Scream, saying that the former tries to be like the latter: pioneer a new line of horror films.
I didn’t get at all that feeling.
If anything, it’s a movie that doesn’t take itself too seriously.

The final product will most likely be a fun 90-minute ride, like Cloverfield was, but there certainly isn’t a revolution of genre here.

TV Mid-Season '09: The Complete Review – What is new

Let’s finish the round-up with the brand new shows that are going to pop up in the next few months.

Fresh new shows for fresh new schedules.


Harper’s Island (premieres April 9): Lots of retooling and backstage changes for this “Scream meets 10 Little Indians” show. The showrunner is currently Jeffrey Bell, who has written some pretty great Angel and X-Files episodes, so hopefully Harper’s Island will be worth my time.


Kings (premieres March 19): The David v. Goliath myth set in an alternate place in “present times”. Ian McShane and the preview has definitely gotten me intrigued.


Castle (premieres March 9): Despite me disliking the pitch (a novelist helping the NYPD solve crimes), it stars Nathan Fillion, so I’ll definitely be watching at least the first epis.
Cupid (premieres March 24): Reboot of Rob Thomas’ show, by Rob Thomas, without Jeremy Piven.
The Unusuals (premieres April 8): Even though I strongly dislike procedurals, I might check this one out. I read the pilot last summer and it had some interesting characters.


Lie to Me (premieres Jan. 21): Tim Roth stars as a human lie-detector. The show could be a potential hit, seeing as it is right behind American Idol: Fight to the Death Edition. I’ll definitely check it out just because it’s Tim Roth starring.
Dollhouse (premieres Feb. 13): Despite being a Whedon-prod with an awesome cast, I have my doubts about the show due to too much behind-the-scenes waves.


East Bound and Down (premieres Feb. 15): A funny pilot with Danny McBride who has very quickly made a name of himself with Tropic Thunder, Pineapple Express and Drillbit Taylor.


The United States of Tara (premieres Jan. 18): The long-awaited Diablo Cody/Spielberg HBO show about a housewife with dissociative identity disorder. I also read the pilot way back when, sounded interesting. The filmed version is supposedly out on the Sho website for online viewing.


Trust Me (premieres Jan. 26): Mad Men in today’s world, and funnier. At least that’s what it sounds like to me when I read what the show is about. Eric McCormack (Will from Will & Grace) and Tom Cavanagh star in this new dramedy about two BFFs that are creative partners at a high-levelled Chicago ad agency. Sounds good to me. I guess we’ll see how it turns out.

2009 is going to be a great year for new shows, I can sense it.

Is the future…

… of animation here?
Possibly.

But in other “future of entertainment” news, there’s a new kid on the block.
After Hulu, meet TheWB.com.

What’s that?
Oh no, the network is indeed six feet under (for 2 years now), but the brand is coming back…on the web.
On August 27, the site will launch (unfortunately only for US-based peeps, thank you geo-blocking). It is currently in Beta (as you can see by the flash vid above).

What is interesting to note is that, other than showing “known shows” like Buffy, Angel, Friends, The O.C., Smallville, Gilmore Girls, and Roswell, there will be a whole lot of original content. That’s right, shows specially developed for the web, and for the website, also aimed at the “youth demographic”. And we’re not talking about products made by nobodies, unless Josh Schwartz (among others) is unknown to you. But if that’s the case, what are you doing here reading about “youth demographic”.
It probably won’t be as good as The Doc, but it clearly shows that the future of TV is, at the very least, strongly linked to the Internet.

Welcome to the world of tomorrow.