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Posts tagged as “Books”

Inspiration vs. Stealing in TV Writing (PT58)

Alex and Nick discuss the differences between inspiration and stealing in screenwriting and television.

What constitutes an original idea? Where is the line between inspiration and stealing? Where can you get inspiration from? What is considered an homage? How many different stories are there to tell?

Plus, an answer to how many episodes of a TV show you should watch before speccing it.

The Paper Team pays homage…

SHOWNOTES

Content

Paper Scraps: Episodes to watch before writing a TV spec (00:52)
1 – What is an original idea? (03:34)
2 – Why everybody “steals” (06:36)
3 – Paying homage and the different stories being told (09:23)
4 – Inspiration in TV and spec scripts (22:58)
Takeaways and Next Week On (34:13)

Links

Armageddon
Deep Impact
“Protecting and Over-Protecting Your TV Script: Copyright, Ownership and Idea Theft” (PT23)
Parallel thinking
Rough Night
Girls Trip
Akira Kurosawa
Stranger Things
Aesop’s Fables
Jean de La Fontaine
Hero’s Journey
Christopher Vogler
“The Art of Fiction” – John Gardner
“Save the Cat” – Blake Snyder
“The Seven Basic Plots” – Christopher Booker
“The Six Main Arcs in Storytelling, as Identified by an A.I.” – The Atlantic
The Shield
The Simpsons movie references

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Evan Schmitt for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Weaving Storylines: A/B/C Stories (PT53)

NEW: Get the episode cheat sheet on our Patreon!

Update: PT53 transcript now available

Alex and Nick discuss the importance of weaving A, B and C stories in TV writing, and interesting ways of doing it in TV scripts.

Why is it important to cut between storylines in TV? When should you start and end each storyline? Which storylines should you spend more time on in your TV script? When should you only do a single A story? What are some noteworthy and unique formats for A/B/C plotlines?

Plus, we talk about where to read TV scripts.

The Paper Team become master-weavers…

SHOWNOTES

Content

Paper Scraps (FKA Odds-and-ends): Finding TV scripts (00:55)
1 – Why does TV have A/B/C stories? (03:51)
2 – Nuts and bolts of using A/B/C stories (10:27)
3 – Interesting and non-traditional uses of weaving A/B/C stories in TV (18:22)
Takeaways and Resources (32:22)

Links

Writers Guild Foundation Library
TV Calling Script Library
Zen134237
Lee Thomson Script Library
Simply Scripts
Daily Script
IMSDb
“What are A, B, and C stories in screenwriting?” – TV Calling
Team America Montage (Video)
“Marge vs. the Monorail” (4×12 – The Simpsons)
“Ozymandias” (5×14 – Breaking Bad)
“That’s My Dog” (4×05 – Six Feet Under)
“Eleven Angry Men and One Dick” (3×07 – 3rd Rock from the Sun)
Boomtown
Graham Yost
24 (TV Series)
“Kim vs. the Cougar: The Oral History of 24’s Most Infamous Scene” – Vulture
“My Bad” (1×06 – Scrubs)
Awake (TV Series)
Kyle Killen
“How Lost revolutionized storytelling” – TV Calling
“Walkabout” (1×04 – Lost)
“The Constant” (4×05 – Lost)
Watchmen
Slaughterhouse-Five
This Is Us
Oz (TV Series)
Carnivàle
“Bowling” (2×20 – Malcom in the Middle)
Sliding Doors
“Remedial Chaos Theory” (3×04 – Community)
“Split” (3×01 – Coupling)
“A Rickle in Time” (2×01 – Rick & Morty)

Resources

“Elephant Bucks” – Sheldon Bull
“Cracking the Sitcom Code” – The Atlantic
“Television Writing from the Inside Out” – Larry Brody
Plot Threads (TV Tropes)
Plot Parallel (TV Tropes)
Two Lines, No Waiting (TV Tropes)
Four Lines, All Waiting (TV Tropes)

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Current Programming at a TV Network ft. Dana Bramble (The CW) (PT49)

Alex and Nick invite Dana Bramble, coordinator in current programming at The CW, to discuss the ins-and-outs of working in the scripted side of a TV network.

What happens after a pilot gets picked up? How is current programming different from development? What notes do network executives give? How does staffing season operate for current shows? What arcs are pitched ahead of the season? How are standards and practices involved with scripts?

The Paper Team looks at the slate…

SHOWNOTES

Content

Working in current programming, network branding, giving notes, pitching, standards & practices, staffing, diversity initiatives and watching television (01:04)
Resources and Next Week On (34:01)

Links

Dana Bramble on Twitter
The CW
CW Seed
UPN
The WB
CBS Television Studios
Warner Bros. Television
Arrowverse
Broadcast Standards and Practices
Federal Communications Commission (FCC)
Machinima, Inc.
In the Loop
Sweet/Vicious
JHRTS

Resources

“On Writing” – Stephen King

This episode brought to you by Tracking Board’s Launch Pad Writing Competitions

Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition

Special thanks to Alex Switzky for helping us edit this episode.

If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]