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Posts tagged as “Chuck”

Out and About

Looks like Rod “Lego Man” Blagojevich won’t be part of NBC’s I’m a Celebrity, Get Me Out of Here after all.

A federal judge has just rejected Blago’s wish to join the reality show set in Costa Rica.

I guess the flight risk was way too important.

Also on NBC, Debra Messing is coming back to the network starring in a still-untitled comedy written by The Starter Wife‘s Josann McGibbon and Sara Parriott.

Moving on to Chuck stuff:

I don’t believe that Chuck needs saving, but if you want to send in stuff:
Jericho had its peanuts, and Chuck must have its Nerds (the candy)!

Or so says Joss Schwartz:

A couple years back, “Jericho” was briefly spared the axe when its fans sent peanuts to CBS. What should “Chuck” fans send to NBC?
In lieu of peanuts, I would ask our fans to send Nerds. The candy. Not actual nerds that they can find on the street. Don’t go to MIT, put them in a box, send that over to Burbank.

You heard it here first folks.
Well, maybe not, but I want my ego to be tamed.

Bursting the Bubble

As the Upfronts are approaching, looks like everyone is talking about the shows “on the bubble”. Chuck, Dollhouse, Medium, Cold Case, you name it.

A friend of mine told me it was way too early to try the guessing game so I suppose I’ll post my pick-up guess list in a week or two, even though I already have my own idea of what is going to be picked up or cancelled, and it’s not necessarily what most people think.

In the meantime, like I said, several websites have their own grids up, or at least are asking people to vote in to save a show.
You have USA Today, and even the Canadian TV Guide.
And of course E!’s Kristin annual “Save One Show” campain.

The Hollywood Reporter also has its own little article relating to bubble shows.
I wouldn’t be as optimistic nor sombre as they are on some of the shows listed though.

Also up on THR is the early buzz regarding upcoming pilots.
Unsurprisingly, ABC’s Flash Forward is a lock for series order. I’m thinking it’s going to be coupled with Lost.
Same goes for FOX’s Human Target which in my opinion will either be put with Dollhouse, or, if the show gets canned, with 24.
No surprises as well with Eastwick, Happy Town, and V, most likely getting picked up.

In the meantime, Syfyllis is teaming up with non other than Will Smith to produce Unfinished Business, a spin-off to Medium with the main character being Miles from Lost.
Wait, I’m sorry, I’m being told the show is actually about an ex-cop that can see the memories of recently dead people.
The pilot should be penned by Iron Jawed Angels‘s Sally Robinson and directed by Band of Brothers‘ Mikael Salomon.

3-D is coming

I came across last night two articles on the Time website about how 3-D might revolutionize the entertainment industry.

There is some talk about 3-D history, but if you’re really interested in the origins of 3-D movies, I suggest you check out this book.

The two articles were interesting reads, especially since they basically said the exact same things I blogged about last November (“the third sea change to affect movies after sound and color”).
As Nikki Finke would say: TOLDJA!

More to the point, the first linked article talks about limits of 3-D technology that I consider currently ridiculous, and most likely will become completely preposterous limitations a few years down the line (and since we’re talking about the future here…).

Let’s take a look at the first “problem”: glasses.

Imagine the popular resistance to the first talkies if audiences had to don headsets to hear Al Jolson sing “Swanee.” What would the odds on the success of three-strip Technicolor have been if people had to wear specs to see Gone With the Wind or The Wizard of Oz, or the 99% of movies now shown in color?

The similes are completely wrong here.
The correct comparison would be saying people had to put on headsets not only the talkie part of the movie, but sound itself ; or put more speakers for a clearer, more immersive, sound experience.
Guess what, people are doing that.
Putting specs to see color is equally as ridiculous of a question.

Regardless, saying the current glasses limit this barrier between the screen is false as current technology reduces loss of colors.
Everyone would be wearing contact lenses if glasses were that annoying to go see a movie.

Glasses will get better, thinner, until they’re gone completely.
3-D TVs already exist without the need for glasses.

Now, about the genre thingy.

Paul Blart, or the kids from Slumdog Millionaire, would not have benefitted from the in-your-lap urgency of 3-D.

This comes down to one word: gimmick.
Like I pointed out in my TOLDJA! moment back in November, a technological revolution is not one until it transcends that “gimmick” barrier.
Cellphones were considered only gimmicks a few years ago.
The same can be said about sound and color. None of them were believed to be true advancements back in the days (technology already existed before their official introductions).
We’re talking about a shift in the use of 3-D technology.
Black and white movies are still being made, yet how does “Paul Blart” benefit from being in color?
3-D hasn’t for now surpassed the gimmick stage.
I believe Avatar will change that.
In a few years, the technology will not be a novelty item anymore.

Moving on to the home entertainment business:

Even Jeffrey Katzenberg acknowledges that 3-D won’t be a major factor in home viewing for quite some time. And he’s talking only about DVDs. What about pay-cable? How would HBO show the 3-D version of Monsters vs Aliens — on a separate, 3-D-only channel, with glasses that came with your cable bill?

That sound you hear is my head bashing against the wall.
First things first. There is no special equipment needed to show 3-D, case in point with Chuck.
All you need at best are glasses. Not only is that solely on the viewer’s side of things, but technology already exist to suppress the need for glasses in 3-D TV.

And if you still think glasses = automatic failure, the 3-D home version of Journey to the Center of the Earth was quite a success last year, even though 3-D was mostly still a gimmick effect there, and you needed basic anaglyph glasses.
Once this stage is passed, home entertainment will catch up.
Hell, it’s already starting to as a matter of fact, thanks to 3-D sport.

And in conclusion:

As a rabid movie watcher, I’m not immune to the pleasures 3-D can bring to certain genres. It’s an advance in visual appeal similar to, but not greater than, Blu-ray. Which is to say, a difference in degree, not in kind. And with Blu-ray, you don’t need the damn glasses.

The hole in my wall is getting bigger.
DVDs are doomed, and so is Blu-Ray for that matter.
Also, comparing 3-D to HD is ludicrous at best.
Of course you don’t need glasses to see HD, that would be like you saying you needed special glasses to see colors or headphones to hear the “talkie” part of a movie.
Oh, wait. You did say that.
Please keep your metaphors straight next time.

Given the fact that you have most likely seen only gimmicky 3-D movies, including every single 3-D movie ever, you haven’t seen the barrier being breached yet.
3-D is not the same kind of advancement as High Def.
3-D is a major technological shift in the entertainment industry similar to, if not greater than, sound or color.