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Posts tagged as “Fringe”

The unoriginality of Fringe (Part Two)

Following yesterday’s post (where we saw why The X-Files still surpasses Fringe), we’ll now be discussing how the Abrams/Orci/Kurtzman show is actually getting its ideas from another source.
It seems that with this “parallel universe” story, the writers are beginning to get “inspired by” another science-fiction show, Sliders.

Yet again, I’ll be talking about Fringe up to, and including, its Second Season premiere. In addition, I’ll be making numerous references to major Sliders plotlines, so tread carefully (even though the show has been off the air for almost a decade).

Is imitation the sincerest form of flattery?
Fringe is no more “science” than it is “fiction,” especially now that we’ve been officially introduced to parallel worlds.
In reality, it’s just a convenient way to answer everything that’s unanswerable. Unsurprisingly, a self-cutting neck is not scientifically realistic, despite what the writers want us to think. Stop wondering why someone has a bionic arm, the answer is obvious: it comes from another universe!
And if you’re still thinking that the writers know their science, just take a look at who wrote (and directed) the season premiere: Akiva Goldsman, the writer behind the 1998 movie adaptation of Lost in Space with Matt LeBland (no typo). If I recall correctly, that movie was actually a documentary about space exploration. I mean, its use of “time bubbles” was simply astonishing.

In the meantime, here’s a brief history of Sliders.
From 1995 to 1999, the series ran for five seasons, including three on FOX. Created by Tracy Tormé & Robert K. Weiss, the series dealt with a group of people that get sent to parallel dimensions. Tormé and Weiss “left” the show after several problems with the network. Ultimately, SciFi Channel took over after the series’ third season, but by then David Peckinpah, who’d been made showrunner the year prior, had already ran the show into the ground by completely abandoning the concept of alternate histories and going into a more action/adventure direction. Sliders at its core was a show about the exploration of parallel worlds (which isn’t what Fringe is about–yet), but the series shifted focus during Season Three with the introduction of the Kromaggs (more on that in a second).

Sure, as soon as the multiverse is used on a show, Sliders is always brought up, but this time though it’s with good reason as the similarities between the two are beyond eerie.
Ironically, the writers seems to take from Sliders its worst storylines.

The main one being of course the Kromaggs, a parallel version of humanoid primates, and “a technologically advanced and highly militaristic race bent on conquering all human-dominated alternate Earths.”
They also have psychic abilities, such as the power “to project illusions and plant post-hypnotic suggestions into human minds. One episode had one Kromagg attempt to force data out of someone’s minds by touch, similar to Star Trek‘s Vulcan “mind meld”.” Moreover, they also have “healing powers, whereby they can heal people with their minds.”

Okay, so now that you know what Kromaggs are, let’s take a look at the two main opposing forces in the Fringe ‘verse, symbolized by the mysterious group called Zerstörung durch Fortschritte der Technologie (“Destruction through Technological Progress” or simply ZFT).
io9 briefed us on the group’s motives:

Bioterrorist group ZFT is responsible for many of the experiments the Fringe team investigates. ZFT’s extensive network of scientists perform bizarre and often deadly experiments on other human beings — like infecting a woman with a form of vampiric syphilis or growing fast-aging humans. In addition to their biohacks, ZFT possesses some technologies developed by Walter Bishop, including a teleportation device.
But there’s also a method behind ZFT’s biological madness. ZFT members operate according to a manifesto that states two key things: there is another dimension more scientifically advanced than our own, and in the coming interdimensional war, only one dimension can survive. ZFT is out to create an army of biologically enhanced supersoldiers who will fight for our dimension in that war. But there’s also a chapter missing from ZFT’s manifesto — one that outlines ethics.

In the second season premiere of Fringe, we got introduced to this enemy from the “other side,” notably a shape-shifting soldier that is both very agile and very resistant.

So, to summarize, we have, on both shows, technologically advanced supersoldiers with powers, from a parallel universe, trying to destroy humans and other worlds.
It’s pretty much the exact same story.
Oh, and the shape-shifters also look like Kromaggs.


The similarities do not stop there.
Peter Bishop’s parallel world origins seem oddly comparable to that of another main character from Sliders, Quinn Mallory. Even though for the majority of the series we believe Mallory is from Earth Prime, it turns out that he’s not.

[Quinn Mallory is] from Kromagg Prime, an Alternate earth where humans and Kromaggs coexisted until a civil war broke out between the two species. He learned that he was transported to Earth Prime when he was a baby and left with his parents’ doubles. When his parents came back to get him, his adoptive parents were too attached to him so they hid Quinn, and Quinn was raised on Earth Prime.

Replace “Quinn Mallory” by Peter Bishop, “parents” with Walter Bishop, and “Kromaggs” by parallel world enemies, you’ve got the whole series’ arc for Peter and his enigmatic past.

Arguably, one might even say another major plotline was ripped from Sliders, its fifth season’s borefest around Mallory (also known as Quinn2 or Quinn Mallory 2.0).

In the show, two of the main characters (Quinn and Colin Mallory) were “fused” into one. During the whole season, they’re trying to find a way to unmerge the two.
Sounds familiar?
That’s because the same storyline ran for half a season on Fringe. The consciousness of John Scott gets inadvertently transferred into her former partner’s mind, Olivia Dunham. There was even an episode where Olivia’s persona was about to be lost forever. Fortunately, John finally leaves Olivia alone midway through the series’ first season.

Last but not least, we have the mysterious character of William Bell, who seems to overshadow not only ZFT but several parallel universes thanks to his Massive Dynamic conglomerate.
In the second season premiere of Sliders, we meet a mysterious character named the Sorcerer (turns out, he’s an alternate version of Quinn Mallory). Anyways, this “Sorcerer” seems to be able to control the multiverse technology in the same way William Bell does.

For one, he knows much more about the tech than anyone else who’s ever been encountered on the show. He’s also able to capitalize on his interdimensional knowledge, the same way Massive Dynamic exports the numerous advancements it gets from other worlds.
Ding, ding, ding! You’re a winner.

If we look deep enough, other resemblances will probably be found with other science-fiction series.
Who knows, perhaps the writers will totally shift focus and lose their “evil alternates” stories. Probably not
though.
But at least now, you’ve been warned about Fringe‘s unoriginality.

The unoriginality of Fringe (Part One)

Similarities between FOX’s Fringe and other science-fiction shows have been going on for some time, mainly The X-Files.
Ever since Fringe premiered, the first show that pops into everyone’s mind is the one about aliens and conspiracies.

A little warning before we start: I’ll be talking about the Second Season premiere of Fringe, so, if you haven’t seen the episode yet, check out in the meantime this cute ad.

Coast clear?
Okay, now that we’re among adults, let’s get real.

I’m not going to talk about the differences and similarities of Fringe vs. The X-Files, given that this has already been done before (kinda).
That said, I recently came across a so-called “article” that lists “10 Reasons Why ‘Fringe’ Is Better Than ‘The X-Files’.”
I should warn you now that if you read this, chances are you’ll have a heart attack in the following ten seconds.

I was so taken aback by this piece of–uhm–journalism (?) that I’ve decided to counter it right here and now.
Let’s get it on.

1. No aliens. OK, there’s an alternative universe, but at least everybody’s human.

So, besides the fact that we don’t know if they are indeed human (just look at their super-powers), you’re saying that Fringe is better than The X-Files because it doesn’t have aliens?
I take it you mean that aliens are bad.
If that’s so, then I’m sorry that Star Trek, Star Wars or Battlestar Galactica, are such horrible, horrible fiction works.

2. The mysteries seem more solvable. Of course, there are unanswered questions at the end of every episode. But they’re not too stupid to beggar belief.

Are we watching the same show? And by “the same show” I mean the FOX TV series produced by Bad Robot, the sole company that actually takes pride in the fact that you’ll never get concrete answers out of their mysteries (see Alias, Lost, Cloverfield, or even Felicity’s mystery box).

3. The characters don’t take themselves too seriously. There’s Agent Olivia Dunham (Anna Torv), who heads up the investigations. Peter Bishop (Dawson Creek’s Joshua Jackson), the wise-cracking slack genius who helps her by taking care of his father, Dr. Walter Bishop (John Noble), who is completely insane. I mean really, Mulder did all that pouting and screaming and what did it get him? Nothing.

First, Mulder doesn’t pout. Second, he not only was right about the Aliens, but he ended up in a relationship with Scully (and a baby). I wouldn’t call that “nothing.”
And I’m pretty sure Olivia Dunham does take things seriously, especially when we’re talking about innocent people dying everywhere.

4. The pseudoscience is at least theoretically possible and doesn’t require great leaps of the imagination. There’s a running storyline in which computer geniuses are trying to download information from a dead man’s brain.

Should I point out that you’re using as an example someone downloading a dead guy’s thoughts?
You’re countering your own argument here lady. This isn’t even remotely “theoretically plausible.” Nothing on Fringe is.
For some believable Science vs. Fiction comments, Popular Mechanics has numerous articles on the subject.

5. Every episode has a beginning, a middle, and an end.

They’ve finally found out how to tell a story, nice!
It’s certainly not like that other show with cliffhangers, random act breaks, and the bad guy never being caught.

6. There are no love affairs—yet.

The “love quadrangle” (John/Olivia/Peter/Rachel) begs to differ.
Oh, and check out that Nina Sharp/Phillip Broyles kiss, it was in the freakin’ season two premiere!

7. Leonard Nimoy is in it. He is the shadowy head of Massive Dynamic, a huge multinational corporation that is a combination of GE, Microsoft, and Blackwater.

Lenoard Nimoy was also in Zombies of the Stratosphere. So what?
Anyway, he wasn’t even in the premiere (by the way, nice dodge from the writers of last season’s cliffhanger). He’ll probably be seen only a few minutes for the whole season, max.

8. There’s a lot more racial diversity in Fringe. Yeah, X-Files had a few black people, but it really was this weird world where people of other hues were mostly used as plot devices.

Can someone tell me why the hell this is an argument for “why Fringe is better than The X-Files“?
I wasn’t aware skin color equated to talent. Robert de Niro has won more Oscars than Marlon Wayans, but Dennis Haysbert is obviously tons of time a better actor than, say, Larry the Cable Guy.
The issue of diversity, though laudable, is irrelevant to the actual quality of a show (or its writing).
Meanwhile, Astrid Farnswrth continues to be the definition of pointless character/plot device.

9. Because Fringe actually knows where its storylines are going, it doesn’t rely on filler episodes to distract you from the fact that you’re being sold a bag of nothing.

That was an ironic statement, right?
(See point number 2)

10. Fringe is worth watching just for Noble. His characterization of Bishop, the mad scientist at the heart of the show, is at turns brilliant, exasperating, hysterical and tragic. It’s the best of The X-Files in one man.

Though I don’t disagree with Bishop being the best character on the show, like the old proverb says, a chain is only as strong as its weakest link.
And Fringe has plenty of them.

All done…
Almost.

Regarding its faux-procedural aspect, Fringe does, in a way, take a hint from The X-Files.
However, for its more mythological storylines, the writers seem to be more inspired by another science-fiction series, Sliders.
As to how, tune in tomorrow.
(Oh yeah, I went the cliffhanger route)

TV Fall '09: The Complete Review – What is coming back

Following last year’s lead, it is now time for “the inevitable fall preview post that is on every TV blog!”
As always, it will be split into three parts (returning show, new shows, network talk)
No hazardous predictions this year seeing as I’m can’t seem to see very far.
Now, let us begin.

Back in all their glory; That, they are (not).


Suvivor – Season 19 (premieres Sept. 17): A new season with a “treasure island” theme. Let’s pray that we’ll get a more interesting game than what we’ve been having for the past couple of years. I hope you love the Samoas because the 2010 edition was filmed back-to-back on the same location.
How I Met Your Mother – Season 5 (premieres Sept. 21): Suit up! It’s time to go back in the game. Neil Patrick Harris is hosting this year’s Emmys so perhaps the show will garner more viewers. We should get finally this season some definite info on how Ted met his soon-to-be-wife…
Two and a Half Men – Season 7 (premieres Sept. 21): Oh God, not this again.
The Big Bang Theory – Season 3 (premieres Sept. 21): I was very reticent at the idea of watching this stereotypical show. But then I saw the first two seasons and liked it, a lot. It was much better than I expected it to be! The show was also renewed for two more seasons. Hopefully this year won’t be a crapfest.
CSI: Miami – Season 8 (premieres Sept. 21): Put on your sunglasses. Utter a lame one-liner. You’re now ready to enjoy some terrible acting on your TV.
NCIS – Season 7 (premieres Sept. 22): Not on my watch(list).
The New Adventures of Old Christine – Season 5 (premieres Sept. 23): Nothing clever to say here.
Gary unmarried – Season 2 (premieres Sept. 23): What the hell?! This was renewed?
Criminal Minds – Season 5 (premieres Sept. 23):
CSI: NY – Season 6 (premieres Sept. 23): I’ll probably check out the season premiere just to see the conclusion of last year’s cliffhanger (Hey, I had to prepare for that interview).
CSI: – Season 10 (premieres Sept. 24): The show that wouldn’t die. I’m however dying of boredom when I’m watching this.
The Mentalist – Season 2 (premieres Sept. 24): I’ll save you some time here: Go watch Psych instead.
Ghost Whisperer – Season 5 (premieres Sept. 25): I don’t have to whisper to tell everyone how mediocre this series is.
Medium – Season 6 (premieres Sept. 25): How well will Medium fare with the network switch? Tune it to find out.
Numb3rs – Season 6 (premieres Sept.25): This endless equation continues for CBS thanks to great numbers. In the ratings.
Cold Case – Season 7 (premieres Sept. 27): Obviously CBS doesn’t consider Cold Case “cold” enough to be classified. Ha. Ha. Ha. Get it?


Heroes – Season 4 (premieres Sept. 21): Will my eyes heal once I gauge them out?
Law & Order: SVU – Season 11 (premieres Sept. 25): Sorry peeps, I’m not interested.
Parks and Recreation – Season 2 (premieres Sept. 17): Given that the first season got funnier by the episode, I’m looking forward to this one.
The Office – Season 6 (premieres Sept. 17): Last season was pretty weak to say the least. I’ve heard good things about the upcoming episodes however, so cross your fingers.
30 Rock – Season 4 (premieres Oct. 15): Although a great show, I still feel that it’s The Sopranos of comedy (regarding its hype).
Southland – Season 2 (premieres Oct. 23): The pilot didn’t really impress me (and I’m not that big on cop shows). There’s also this little Friday slot problem and the show being pushed back a month. Doesn’t show confidence…
Friday Night Lights – Season 4 (premieres Oct. 28 – On Direct TV): The third season was much better than its second. It also opened the show to a whole range of new possibilities. Perhaps we’ll see the beginning of a two-season arc (the show having been renewed for two more years).


Castle – Season 2 (premieres Sept. 21): Despite Nathan Fillion being on it, the show never really clicked with me.
Grey’s Anatomy – Season 6 (premieres Sept. 24): Perhaps this year the onscreen drama will be more interesting than the backstage one.
Desperate Housewives – Season 6 (premieres Sept. 27): The show can’t keep its 5-year leap momentum for long. I wonder how they’ll try to reinvent themselves this time around.
Brothers & Sisters – Season 4 (premieres Sept. 27): I stopped watching the show two seasons ago. And, speaking of…
Private Practice – Season 3 (premieres Oct. 1): …I gave up on this one last year.
Ugly Betty – Season 4 (premieres Oct. 9): I’m assuming this is most likely the last season given its great schedule placement.


Bones – Season 5 (premieres Sept. 17): Nothing to add here.
Fringe – Season 2 (premieres Sept. 17): Answers shall be given. In that parallel universe where we’re not currently residing.
‘Til Death – Season 4 (premieres Sept. 18): You’re kidding me, right?
House M.D. – Season 6 (premieres Sept. 21): As stated last year, I dropped out after a season and a half. The one good thing about House however is that his one-liners are funnier than Caruso’s.
Dollhouse – Season 2 (premieres Sept. 25): The biggest surprise of last season was probably the renewal of Dollhouse. Epitaph One, despite its greatness and “bonus episode” aspect, was pretty much a game-changer that will be hard to play out organically inside the upcoming season. I wouldn’t hold my breath (again) for a third season. FOX putting it behind ‘Til Death and Brothers signals the end.
The Simpsons – Season 21 (premieres Sept. 27): That other show that wouldn’t die.
Family Guy – Season 8 (premieres Sept. 27): Their Emmy nom was so underserved. Go check out instead the early seasons of The Simpsons or, better yet, Futurama.
American Dad – Season 5 (premieres Sept. 27): Still average.
Lie to Me
– Season 2 (premieres Sept. 28)
: I won’t lie to you, I don’t care about this show. Even if it has Shawn Ryan as its showrunner.


I shan’t comment since I neither watch nor care about The CW shows.

90210 – Season 2 (premieres Sept. 8)
Supernatural – Season 5 (premieres Sept. 10)
One Tree Hill – Season 7 (premieres Sept. 14)
Gossip Girl – Season 3 (premieres Sept. 14)
Smallville – Season 9 (premieres Sept. 25)


Dexter – Season 4 (premieres Sept. 27): I’ll sum up this upcoming season in two words: John. Lithgow.
Californication – Season 3 (premieres Sept. 27): The move to NYC should mix things up a bit. I wonder how all of this will play out.


Sons of Anarchy – Season 2 (premieres Sept. 8): I’m not really interested in the show, though I’ve heard great things about it.
It’s Always Sunny in Philadelphia – Season 5 (premieres Sept. 17): Almost a year after the fourth season’s finale are we getting this fresh batch of episodes. About time I say.
Nip/Tuck – Season 6 (premieres Oct. 14): Funny how the last two seasons were shot at the same time yet we won’t get a series finale until 2011…

Whew, that was a long first part.

There won’t be any script review tomorrow; instead you’ll have another kind of review with part deux of this wonderful list (albeit with new shows this time).