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Posts tagged as “Mad Men”

THR’s 2009 Showrunner Emmy Roundtable

I’m pretty lazy these days, or rather extremely busy.
Whichever excuse you prefer.

Lucky for me, THR has posted great videos from their Emmy Roundtable with various Showrunners:
– Alan Ball
– Greg Daniels
– Katie Jacobs
– Jenji Kohan
– Shonda Rhimes
– Matthew Weiner

Here goes:

Spoiler Sport
Greg Daniels, creator of “The Office” and “Parks and Recreation,” and the other writer/producers talk about keeping upcoming storylines out of the reach of fans and media.

Product Placement
Shonda Rhimes, creator of “Private Practice” and “Grey’s Anatomy,” talks about network pressure to do product placement; “True Blood” writer Alan Ball talks about vampire sex.

Standards
Even cable has its content standards, and to “Mad Men” creator Matthew Weiner, “Weeds” creator Jenji Kohan and “True Blood” creator Alan Ball, they can often be double standards.

Kohan, Weiner
“Mad Men” creator Matthew Weiner and “Weeds” creator Jenji Kohan discuss their respective writing styles.

Rhimes, Ball
“True Blood” writer Alan Ball discusses how his stars’ off-screen romance translates on-screen and Shonda Rhimes gives us her opinion of tabloid rumors.

Daniels, Jacobs
Greg Daniels, the writer of “The Office” and “Parks and Recreation,” tells us why he chooses to use a single camera while filming and Katie Jacobs talks about the relationship doctors have with her show, “House.”

Battlestar Galactica: A love-hate relationship

Battlestar Galactica was always a special show for me.
It is probably the only show that was both on my Top 5 list, and whatever you call the worst show list.

I was there, in front of my TV screen, when the mini-series that launched it all was shown on Sci-Fi.
December 8th, 2003.

Out of all the shows on my Top 5 list, it is the only one I had the opportunity to basically see “live” on TV given my travels to the U.S.A., or rather it is the only premiere out of all the shows I saw “live”.
During the same season, the Angel series finale was to be shown as well.

Interesting how those two epis are in my mind amongst the best of their shows.

Anyway, when I’m talking about my “Top 5 list”, it is not of the best shows on TV, it is rather the five shows that had the most profound impact on me (as a person and/or a writer).
That is why I don’t have a “favorite show” or whatever.
Like for any art form, I believe the experience surrounding the actual piece shouldn’t be forgotten in the equation.
How you experience something is as important (if not more perhaps) as the thing you are experiencing.
Add that to your own involvement in the piece, and you’ve got yourself an adequate albeit subjective way to classify art.

I don’t deny that Mad Men, The Wire, or, hell, even The Sopranos may be amongst the best shows ever, but they are not really on my list.
What is on my list of my Top 5 shows might shock you.

But I digress.
Back to BSG.

I very early on started to love the show.
If I had to name one show at the time that had my full attention, it was this one.
Buffy and Angel were basically over with, Six Feet Under also had passed.

BSG had mythology I could sink my teeth into.
The first two seasons were great.
The Peabody they got was really in my mind for all the episodes during these seasons (save for Black Market).
I was floored by the season two cliffhanger, albeit afraid of how they would handle the time-jump, especially given how other shows continued with such a shift.

All in all, everything seemed great.

Then Season 3 happened, and the curtain dropped.

When a show you are passionate about for 2-3 years rips out of under your feet its whole mythology and voids the 2 seasons you spent on it…

Just looking back at who could and could not be a Cylon pre-Season 3 is pretty evident to how far they nullified their own mythos.

“The Cylon Plan” just disappeared as soon as they realised it wasn’t coherent at all.
I find it quite funny that they are trying to retcon the first two seasons and adding Season 3/4-mytho to it thanks to a special 2-hour TV Movie comically named The Plan.

Needless to say, but I’ll say it anyways, the word “betrayal” came to mind several times.
Yes, some shows can make you feel as strongly as that. I’m sure you have your own.

So, yeah, Ronald D. Moore having bashed the show to death due to poor planning and mythology, coupled with somewhat atrocious episodes throughout the two last seasons, lead me to loathe Battlestar Galactica.
I really did not understand all the praise it kept getting, even after it was painfully obvious how far away it had gone since its first couple of seasons.

The show had ended up for me at the polar opposite of where it had once started not too long ago.

But now we come to last night’s episode.
The final one, the end of a journey.

Series finales are always important and defining.
They always in my mind make or break a show (unless it is an unwitting series finale).
They will also often be amongst my favorite episodes of a show.

The Angel series finale is one of the finest hours of television I have ever seen.
The same goes for the Six Feet Under finale. Who didn’t cry during the end with that montage sequence on Sia’s Breathe Me?

So, sure enough, the Battlestar Galactica series finale had a huge load to bear on its (frail) shoulders.
I won’t comment on the first hour of the episode, which was basically the culmination of two seasons worth of craziness.
I also won’t go into the actual “answers” or resolutions to certain mysteries that, as expected, were ridiculous and frankly pointless.

The last 30 minutes, however, were simply astonishing.
Bear McCreary, as always, delivered sublime music.
The acting, as always, was great.

The conclusion to the various characters arc did somewhat deliver.
I even admit, the end had at various times some personal resonance.

The show had come full circle.

And just like that, Battlestar Galactica was back on my Top 5 list.
I came to accept the show for what it really is, and over-looked the ridiculousness of its 2-season mythology.

“All that has happened before will happen again”, they say.
Sure enough, what happened before, what happened during the first two seasons, happened again during those last 30 minutes of the show.
And, at the end of the day, and at the end of the page, that’s all that matters: We have to care.

And I did.
I cared.

Farewell Battlestar Galactica.

Spec Script 2009 – What is hot and what is not

UPDATE: A new updated 2019 Drama version is available here.
A new updated 2019 Comedy version is available here.

‘Tis the season to write great scripts.
Staffing season is fast approaching and I’ve been perusing the various blogs in search of good spec advices, so I decided to put all those info in common into a clear list of speccable drama shows.
The ideal portfolio would probably be composed of three specs script.
One safe, “mainstream”, another more marginal, “borderline”, and a third which would be an original pilot/feature.
Basically balance the “safe” with the “risky”, the “light” with the “dark”, and procedurals with genre shows.

The shows are divided into 4 somewhat self-explanatory categories regarding their appeal to readers and how well they are known/read:
– Over-specced (forget it)
– Mainstream (everyone’s doing it)
– Wild Cards (soon, everyone will do it)
– Outsiders (get out of the pack)

There is also a grade regarding the shows’ longevity in relation to specs of said shows using the greatest grading system on Earth: stars.

★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

C. S. I./Law & Order (CBS/NBC)
Let’s begin with the obvious.
Once the hottest specs in town, now not so much.
Longevity: ★★★★ – The type of spec that is probably going to get real old real fast. I wouldn’t start a new one, it’s been over-done.

House (FOX)
A now-classic medical procedural yet slowly fading in demand.
Longevity: ★★★★★ – Even though FOX is probably going to renew the show for several years to come, speccability is going down fast for House.

Mainstream
The current and new widespread shows in town that are getting read.

Dexter (Sho)
Seems like this once-must-have spec won’t pass another season. Probably the last “hot” year for Dex.
Longevity: ★★★★★ – Clearly not as in high demand as it was a couple of years ago but should live for another year or two.

Bones (FOX)
I don’t know the show well enough, but from what I can gather, it’s a solid procedural.
Longevity: ★★★★ -Steady ratings on the verge of 10M viewers should ensure another couple of seasons.

Mad Men (AMC)
The hotest spec on the market right now. Everyone and their mothers seems to be doing one. Has obviously gone mainstream given the amount of specs produced around it.
Longevity: ★★★★★ – AMC is not going to let this one slide.

Gossip Girl (The CW)
If you’re aiming for this type of show then probably the show to spec.
Longevity : ★★★★★ – Do you really think The CW is going to cancel that show anytime soon?

Wild Cards
Not quite fully widespread but might get there given the chance.

Fringe (FOX)
Clearly the fresh FOX show to spec right now with a lot of potential.
Longevity : ★★★★ – Unless the show tanks in the ratings and/or FOX finds a new hit show next year, Fringe surely has at least a second and third season pretty much guaranteed with 24 and Prison Break soon gone and no real lighthouse shows for the network.

The Mentalist (CBS)
A classic CBS procedural that, given its ratings, is most likely the new Cold Case/Without a Trace.
Longevity: ★★★★★ – Given the fact that C.S.I./Cold Case/Without a Trace still continue, the show probably has a few years ahead of it

Dollhouse (FOX)
One might think a very speccable show as the serialized nature of the show successfully balances out the SF aspect, but the risk may be be too great.
Longevity: ★★★★ – I wouldn’t hold my breath given the atrocious ratings and the Friday timeslot on FOX. Wait for a definite renewal to start on that spec.

Flashpoint (CBS)
Well…We’ve discussed in depth this already. Its freshness should give you a wide array of stories, and its procedural aspect should give it a wide enough reach.
Longevity: ★★★★Flashpoint rules the Fridays, no reason to get canceled yet.

Chuck (NBC)
Fun, light-hearted spy drama with a lot of story elements to choose from.
Longevity: ★★★★ – Unless NBC cancels the show (doubtful given the Super-Bowl and 3-D money behind it), there’s still a couple of years ahead.

90210 (The CW)
Will soon join in the ranks of Gossip Girl.
Longevity : ★★★★★ – Same question Gossip Girl: Why cancel it?

Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you over the rest of the pack.
After that, it depends on the willingness of the reader.
Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Breaking Bad (AMC)
Not as major as Mad Men but clearly a lot of potential. Might prove hard to spec though.
Longevity : ★★★★ – Seems like AMC is on a streak so it most likely will renew the show for a couple of years at the very least as it will become more and more speccable.

Leverage (TNT)
Perhaps a new dark horse. The show is fresh enough to give a new spin on the heist and con storyline of your choice.
Longevity: ★★★★ – A second season order bodes well for this new show.

Burn Notice/Psych (USA)
Good light procedurals and both shows are not majorly specced right now.
Longevity: ★★★★ – I don’t see any reason why USA would cancel those shows anytime soon as the network doesn’t have much else going for it.

Even though it’s obvious only the major, more or less “speccable”, shows around were put down on this list, it’s interesting to note the rise of the basic cable spec market (AMC, TNT, USA) yet there is no real ABC nor HBO contender this year, mostly because ABC only has either dying or over-specced shows (Ugly Betty, Grey’s Anatomy) and HBO doesn’t have that much shows anymore.

You can still try the
very risky route of speccing The Tudors for instance, but be sure to see check if who you’re sending it to will actually read it.

Also, try to net get too invested in a spec (even an almost-surefire Fringe) unless you know the show has been renewed.

As for the Comedies, well, I don’t know much about that, except what probably everyone else knows: 30 Rock is in and The Office is over-specced.

Good luck!