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Posts tagged as “Science-Fiction”

The unoriginality of Fringe (Part Two)

Following yesterday’s post (where we saw why The X-Files still surpasses Fringe), we’ll now be discussing how the Abrams/Orci/Kurtzman show is actually getting its ideas from another source.
It seems that with this “parallel universe” story, the writers are beginning to get “inspired by” another science-fiction show, Sliders.

Yet again, I’ll be talking about Fringe up to, and including, its Second Season premiere. In addition, I’ll be making numerous references to major Sliders plotlines, so tread carefully (even though the show has been off the air for almost a decade).

Is imitation the sincerest form of flattery?
Fringe is no more “science” than it is “fiction,” especially now that we’ve been officially introduced to parallel worlds.
In reality, it’s just a convenient way to answer everything that’s unanswerable. Unsurprisingly, a self-cutting neck is not scientifically realistic, despite what the writers want us to think. Stop wondering why someone has a bionic arm, the answer is obvious: it comes from another universe!
And if you’re still thinking that the writers know their science, just take a look at who wrote (and directed) the season premiere: Akiva Goldsman, the writer behind the 1998 movie adaptation of Lost in Space with Matt LeBland (no typo). If I recall correctly, that movie was actually a documentary about space exploration. I mean, its use of “time bubbles” was simply astonishing.

In the meantime, here’s a brief history of Sliders.
From 1995 to 1999, the series ran for five seasons, including three on FOX. Created by Tracy Tormé & Robert K. Weiss, the series dealt with a group of people that get sent to parallel dimensions. Tormé and Weiss “left” the show after several problems with the network. Ultimately, SciFi Channel took over after the series’ third season, but by then David Peckinpah, who’d been made showrunner the year prior, had already ran the show into the ground by completely abandoning the concept of alternate histories and going into a more action/adventure direction. Sliders at its core was a show about the exploration of parallel worlds (which isn’t what Fringe is about–yet), but the series shifted focus during Season Three with the introduction of the Kromaggs (more on that in a second).

Sure, as soon as the multiverse is used on a show, Sliders is always brought up, but this time though it’s with good reason as the similarities between the two are beyond eerie.
Ironically, the writers seems to take from Sliders its worst storylines.

The main one being of course the Kromaggs, a parallel version of humanoid primates, and “a technologically advanced and highly militaristic race bent on conquering all human-dominated alternate Earths.”
They also have psychic abilities, such as the power “to project illusions and plant post-hypnotic suggestions into human minds. One episode had one Kromagg attempt to force data out of someone’s minds by touch, similar to Star Trek‘s Vulcan “mind meld”.” Moreover, they also have “healing powers, whereby they can heal people with their minds.”

Okay, so now that you know what Kromaggs are, let’s take a look at the two main opposing forces in the Fringe ‘verse, symbolized by the mysterious group called Zerstörung durch Fortschritte der Technologie (“Destruction through Technological Progress” or simply ZFT).
io9 briefed us on the group’s motives:

Bioterrorist group ZFT is responsible for many of the experiments the Fringe team investigates. ZFT’s extensive network of scientists perform bizarre and often deadly experiments on other human beings — like infecting a woman with a form of vampiric syphilis or growing fast-aging humans. In addition to their biohacks, ZFT possesses some technologies developed by Walter Bishop, including a teleportation device.
But there’s also a method behind ZFT’s biological madness. ZFT members operate according to a manifesto that states two key things: there is another dimension more scientifically advanced than our own, and in the coming interdimensional war, only one dimension can survive. ZFT is out to create an army of biologically enhanced supersoldiers who will fight for our dimension in that war. But there’s also a chapter missing from ZFT’s manifesto — one that outlines ethics.

In the second season premiere of Fringe, we got introduced to this enemy from the “other side,” notably a shape-shifting soldier that is both very agile and very resistant.

So, to summarize, we have, on both shows, technologically advanced supersoldiers with powers, from a parallel universe, trying to destroy humans and other worlds.
It’s pretty much the exact same story.
Oh, and the shape-shifters also look like Kromaggs.


The similarities do not stop there.
Peter Bishop’s parallel world origins seem oddly comparable to that of another main character from Sliders, Quinn Mallory. Even though for the majority of the series we believe Mallory is from Earth Prime, it turns out that he’s not.

[Quinn Mallory is] from Kromagg Prime, an Alternate earth where humans and Kromaggs coexisted until a civil war broke out between the two species. He learned that he was transported to Earth Prime when he was a baby and left with his parents’ doubles. When his parents came back to get him, his adoptive parents were too attached to him so they hid Quinn, and Quinn was raised on Earth Prime.

Replace “Quinn Mallory” by Peter Bishop, “parents” with Walter Bishop, and “Kromaggs” by parallel world enemies, you’ve got the whole series’ arc for Peter and his enigmatic past.

Arguably, one might even say another major plotline was ripped from Sliders, its fifth season’s borefest around Mallory (also known as Quinn2 or Quinn Mallory 2.0).

In the show, two of the main characters (Quinn and Colin Mallory) were “fused” into one. During the whole season, they’re trying to find a way to unmerge the two.
Sounds familiar?
That’s because the same storyline ran for half a season on Fringe. The consciousness of John Scott gets inadvertently transferred into her former partner’s mind, Olivia Dunham. There was even an episode where Olivia’s persona was about to be lost forever. Fortunately, John finally leaves Olivia alone midway through the series’ first season.

Last but not least, we have the mysterious character of William Bell, who seems to overshadow not only ZFT but several parallel universes thanks to his Massive Dynamic conglomerate.
In the second season premiere of Sliders, we meet a mysterious character named the Sorcerer (turns out, he’s an alternate version of Quinn Mallory). Anyways, this “Sorcerer” seems to be able to control the multiverse technology in the same way William Bell does.

For one, he knows much more about the tech than anyone else who’s ever been encountered on the show. He’s also able to capitalize on his interdimensional knowledge, the same way Massive Dynamic exports the numerous advancements it gets from other worlds.
Ding, ding, ding! You’re a winner.

If we look deep enough, other resemblances will probably be found with other science-fiction series.
Who knows, perhaps the writers will totally shift focus and lose their “evil alternates” stories. Probably not
though.
But at least now, you’ve been warned about Fringe‘s unoriginality.

The unoriginality of Fringe (Part One)

Similarities between FOX’s Fringe and other science-fiction shows have been going on for some time, mainly The X-Files.
Ever since Fringe premiered, the first show that pops into everyone’s mind is the one about aliens and conspiracies.

A little warning before we start: I’ll be talking about the Second Season premiere of Fringe, so, if you haven’t seen the episode yet, check out in the meantime this cute ad.

Coast clear?
Okay, now that we’re among adults, let’s get real.

I’m not going to talk about the differences and similarities of Fringe vs. The X-Files, given that this has already been done before (kinda).
That said, I recently came across a so-called “article” that lists “10 Reasons Why ‘Fringe’ Is Better Than ‘The X-Files’.”
I should warn you now that if you read this, chances are you’ll have a heart attack in the following ten seconds.

I was so taken aback by this piece of–uhm–journalism (?) that I’ve decided to counter it right here and now.
Let’s get it on.

1. No aliens. OK, there’s an alternative universe, but at least everybody’s human.

So, besides the fact that we don’t know if they are indeed human (just look at their super-powers), you’re saying that Fringe is better than The X-Files because it doesn’t have aliens?
I take it you mean that aliens are bad.
If that’s so, then I’m sorry that Star Trek, Star Wars or Battlestar Galactica, are such horrible, horrible fiction works.

2. The mysteries seem more solvable. Of course, there are unanswered questions at the end of every episode. But they’re not too stupid to beggar belief.

Are we watching the same show? And by “the same show” I mean the FOX TV series produced by Bad Robot, the sole company that actually takes pride in the fact that you’ll never get concrete answers out of their mysteries (see Alias, Lost, Cloverfield, or even Felicity’s mystery box).

3. The characters don’t take themselves too seriously. There’s Agent Olivia Dunham (Anna Torv), who heads up the investigations. Peter Bishop (Dawson Creek’s Joshua Jackson), the wise-cracking slack genius who helps her by taking care of his father, Dr. Walter Bishop (John Noble), who is completely insane. I mean really, Mulder did all that pouting and screaming and what did it get him? Nothing.

First, Mulder doesn’t pout. Second, he not only was right about the Aliens, but he ended up in a relationship with Scully (and a baby). I wouldn’t call that “nothing.”
And I’m pretty sure Olivia Dunham does take things seriously, especially when we’re talking about innocent people dying everywhere.

4. The pseudoscience is at least theoretically possible and doesn’t require great leaps of the imagination. There’s a running storyline in which computer geniuses are trying to download information from a dead man’s brain.

Should I point out that you’re using as an example someone downloading a dead guy’s thoughts?
You’re countering your own argument here lady. This isn’t even remotely “theoretically plausible.” Nothing on Fringe is.
For some believable Science vs. Fiction comments, Popular Mechanics has numerous articles on the subject.

5. Every episode has a beginning, a middle, and an end.

They’ve finally found out how to tell a story, nice!
It’s certainly not like that other show with cliffhangers, random act breaks, and the bad guy never being caught.

6. There are no love affairs—yet.

The “love quadrangle” (John/Olivia/Peter/Rachel) begs to differ.
Oh, and check out that Nina Sharp/Phillip Broyles kiss, it was in the freakin’ season two premiere!

7. Leonard Nimoy is in it. He is the shadowy head of Massive Dynamic, a huge multinational corporation that is a combination of GE, Microsoft, and Blackwater.

Lenoard Nimoy was also in Zombies of the Stratosphere. So what?
Anyway, he wasn’t even in the premiere (by the way, nice dodge from the writers of last season’s cliffhanger). He’ll probably be seen only a few minutes for the whole season, max.

8. There’s a lot more racial diversity in Fringe. Yeah, X-Files had a few black people, but it really was this weird world where people of other hues were mostly used as plot devices.

Can someone tell me why the hell this is an argument for “why Fringe is better than The X-Files“?
I wasn’t aware skin color equated to talent. Robert de Niro has won more Oscars than Marlon Wayans, but Dennis Haysbert is obviously tons of time a better actor than, say, Larry the Cable Guy.
The issue of diversity, though laudable, is irrelevant to the actual quality of a show (or its writing).
Meanwhile, Astrid Farnswrth continues to be the definition of pointless character/plot device.

9. Because Fringe actually knows where its storylines are going, it doesn’t rely on filler episodes to distract you from the fact that you’re being sold a bag of nothing.

That was an ironic statement, right?
(See point number 2)

10. Fringe is worth watching just for Noble. His characterization of Bishop, the mad scientist at the heart of the show, is at turns brilliant, exasperating, hysterical and tragic. It’s the best of The X-Files in one man.

Though I don’t disagree with Bishop being the best character on the show, like the old proverb says, a chain is only as strong as its weakest link.
And Fringe has plenty of them.

All done…
Almost.

Regarding its faux-procedural aspect, Fringe does, in a way, take a hint from The X-Files.
However, for its more mythological storylines, the writers seem to be more inspired by another science-fiction series, Sliders.
As to how, tune in tomorrow.
(Oh yeah, I went the cliffhanger route)

Paul (Script) – Review

I read the script last night for the über-secret science-fiction comedy Paul. The film is being directed by Superbad/Adventureland’s Greg Mottola and was written by Simon Pegg & Nick Frost.
Albeit long (120 pages), the story was so immersive I read it all in one go.

Check out this incredible Paul cast:


1st row: Nick Frost, Simon Pegg, Kristen Wiig
2nd row: Bill Hader, Jane lynch, Jason Bateman
3rd row: John Carroll Lynch, David Koechner, Jesse Plemons, Joe Lo Truglio
Not pictured: Blythe Danner, Jeffrey Tambor, Sigourney Weaver
Here’s the movie in a nutshell:
Alien (Paul) escapes from Secret Service.
Geeks (Clive and Graham) meet Alien.
Geeks and Alien go on the run from Secret Service Agents (Zoil, Haggard and O’Reilly).
Geeks and Alien kidnap on their way a religious freak (Ruth).
Geeks and Alien go on the run from said religious freak’s father (Moses).

The movie is not part of Pegg and Frost’s “Blood and Ice Cream” trilogy (comprised up til now of Shaun of the Dead and Hot Fuzz).
Actually, Paul reverses the standard dynamic between the two by putting Frost as the lead and Pegg as the sidekick.

As usual though, they play the two main characters, respectively Clive Gollings and Graham Willy, two (sorta) stereotypical nerds. Clive authored Jelva, Alien Queen of the Varvak, a not-so-popular sci-fi book.
As they leave Comic-Con to visit Nevada’s Extraterrestrial Highway (and Area 51), they encounter, you guessed it, Paul the alien. Seth Rogen will “MoCap” the character.


The Paul alien character would probably be best described as a cross between American Dad’s Roger and the “Take Me to Your Dealer” alien (the poster is actually referenced in the movie).
The former for his intellect and pop-culture knowledge, the latter for his physical appearance…and because he smokes pot.
I guess that’s why they chose Seth Rogen (ha, ha, ha).

Wiig will portray Ruth, a Bible thumper that is both smart (!) and knowledgeable (!!). She gets (somewhat) inadvertently kidnapped by the group. John Carroll Lynch will be her dad, neither smart nor knowledgeable.
Jason Bateman plays the main Secret Service Agent, Lorenzo Zoil. He is followed by two other agents, Haggard and O’Reilly (Bill Hader and Joe Lo Truglio). Jeffrey Tambor is their boss, nicknamed “The Voice.”
David Koechner and Jesse Plemons play Gus and Jake, two stupid meatheads while Jane Lynch depicts Pat, a waitress at the (real) Little A’Le’Inn.

As for Sigourney Weaver and Blythe Danner, I’m having a problem pointing out their role. While IMDb lists Weaver as playing Tara (the woman that pulled Paul out of his Roswell wreckage some 60-odd years ago), it seemed to me like it would fit more Danner (hell, Weaver wasn’t even born in 1947).
That said, I have no clue what the extra character is.

There’s also in the movie a cameo by a famous director (you might guess which), and as well a few scenes at Comic-Con.
At one point, Michael Biehn even makes an appearance (Clive is hoping to ask him if he feels that “the killing of Hicks and Newt in Alien 3, invalidates Ripley’s struggle at the closed of the previous installment.”).
Which makes you wonder what’s going on in the movie since Weaver (aka Ripley) has a role (not as herself), and there are no meta-joke about that either.

Anyways, now that you know the story and the characters, time to talk about the movie itself.
What’s interesting to note is how atypical some of the things in the script are.

First, regarding the obligatory references.
Pegg and Frost know their way around pop culture, so it’s obvious they’re having a blast when they write those nods at many SF movies/TV shows.
What is funny however is that those nods aren’t blatant at all.

For instance, there is at one point a Heroes reference (yes, that one).
Only, this is not a “Hiro/Claire” type of reference, it’s more, let’s just say, obscure.

CLIVE
She called her dog Paul?

PAUL
Least it wasn’t Mr. Muggles.

Yup, they just talked about the Bennet family dog, Mr. Muggles (dare I say a detail on Heroes).

The same can be said about every other nod in Paul (regarding their subtlely).
There are Battlestar Galactica, Star Trek, and Back to the Future allusions, but they do not involve jokes around Cylons, Spock/Kirk or Hoverboards.
There’s even a Pokémon that gets mentioned (and no, not Pikachu or Mudkip)!
Other “tip of the hat” include (among many, many other movies/shows) The X-Files, V, E.T., and Encounter of the Third Kind .
By “tip of the hat” I’m not talking about reenactments (with one notable exception), rather verbal winks like above.
Some other references are even more subtle, and even more random.
Case in point with Jason Bateman’s character. He’s named Lorenzo Zoil, an obvious hommage to the 1992 film Lorenzo’s Oil.
I have no clue why they chose this particular movie though.

The characters from the movie are also (for the most part) actually smart. Even Ruth the Evangelical is, like I pointed out before, knowledgeable!
Obviously, she doesn’t believe in science, but at least she knows about it, and probably knows more about geography than our two hero nerds combined.

This leads me to my final point, and I know I’m burying the lead here, but Paul is a smart comedy.
Actually, it’s way smarter than it might appear at first glance.

If anything, it tackles really well the whole Religion vs. Science debate, mixing both comical dialogues with sensible arguments.
Here is just one of the numerous examples contained in the Paul movie:

RUTH
How can he be from another world? There is only one world. Our world, created by God the Father.

PAUL sits down next to GRAHAM. RUTH whimpers.

PAUL
Look, if it makes you feel any better, my existence only disproves the notion of the Abrahamic, Judeo-Christian God, as well as all single earth theologies. Science still hasn’t categorically rule out the notion of divinity, even though evolutionary biology suggest the non-existence of a creator by probability alone.

RUTH
How could that possibly make me feel any better?

PAUL
Jesus Christ, I was just trying to be nice!

Hopefully, all those dialogues won’t lose their “serious” edge once they’re done by Seth Rogen.

Nevertheless, Paul has what many comedies do not have: both heart and brain (and the funnies). Here is an example of a good, funny, and smart, R-rated comedy (unlike that other one).
The incredible script coupled with, yet again, a great cast, makes me think this will probably be Pegg and Frost’s best movie to date.
As for its precise date of release, there is none yet, though it should come out in 2010. In the meantime, check out the many video blogs left on the official website.