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Posts tagged as “Specs”

Comedy Spec Script 2010 – What is hot and what is not


UPDATED:
A brand new 2019 list has been posted.
Click here to access it.



Like last year, it is now time to review which shows are good to spec, and which are not.
I’m assuming you know what a spec script is of course.

This time around, I’ve double things up and am dedicating a post respectively to the best comedies (half-hours) to spec, and then the best dramas (one-hours).
I’m also offering a little bonus: a script for each of the shows listed — when available.

Let’s do a quick recap of how this works.

The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers — and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb massively)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

Let’s get started.

Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

30 Rock (NBC)
Beginning with the number one choice in town. You know everyone is doing it, so why bother doing the same?
Longevity: ★★★★★ – The show probably won’t die soon, but the readability of your script might. Chances are, your idea has been done before, or someone else specced it way better.

Entourage (HBO)
Do you really think you have a fresh take on a six-year-old series about Tinseltown? Yeah, thought so.
Longevity: ★★★★★ – It is hard to see the show getting renewed after its future seventh season.

It’s Always Sunny in Philadelphia (FX)
Once a borderline show to spec, Philly is going to soon enter its sixth season, and probably thousandth spec.
Longevity: ★★★★★ – Like Entourage, FX will probably give it a couple more seasons tops. The network is already trying to renew its comedy sked.

The Office (NBC)
Though it was a hot property last season (and the one before it), it has now gotten somewhat stale.
Longevity: ★★★★★ – Same deal as 30 Rock basically.

Weeds (Sho)
The storyline is ever-changing and the clear-cut formula has been gone for a few seasons.
Longevity: ★★★★★ – How long can Showtime keep this show alive? A couple more years?

Mainstream
The current and new widespread shows in town that are getting read.

The Big Bang Theory (CBS)
A classic sitcom with a geeky side to it. You should like this.
Longevity: ★★★★★ – Extraordinary ratings.

Parks and Recreation (NBC)
Considered by some to be the new The Office of specs, and with only two seasons under its belt, it is fresh enough to find original ideas for your script.
Longevity: ★★★★ – One of the first comedies to be renewed by NBC this year. It’s not going anywhere.

Wild Cards
Not quite fully widespread but will get there given the chance.

Community/Modern Family (NBC)
Two different series that have proven the comedy genre is not dead on network TV. Beware though: A lot more peeps than you’d think are already speccing those two.
Longevity: ★★★★ – Great ratings and enthusiastic reviews makes me think this comedic duo is safe (and renewed).

The United States of Tara (Sho)
The light dramedy of choice. Perhaps you can feature Patton Oswalt’s character a little more (that was a joke; never make an episode around a guest-star).
Longevity: ★★★★ – Showtime has found its successor to Weeds, and it’s not going to let it go.

Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Cougar Town/The Middle (NBC)
Although less popular than their two other siblings (Community/Modern Family), they do have a lot of story potential.
Longevity: ★★★★ – New and renewed. What more can you ask?

Nurse Jackie (Sho)
The lesser-watched counterpoint (and counterpart) to Tara that works both as a medical show and a short-format light dramedy.
Longevity: ★★★★ – The Edie Falco-starrer got instantly renewed when it became Showtime’s most-watched premiere in history. Enough said.

Party Down (Starz)
Talk about an underrated comedy. Its disjointed aspect makes it a good speccer that is both fresh and still formulaic, though it is still not that known/watched.
Longevity: ★★★★★ – The constant cast-change might be dangerous to your storyline (Jane Lynch and now Adam Scott departing). A third season however is almost guaranteed.

Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Archer/The League (FX)
The upside is that no one else has thought of speccing those two shows. The downside is no one watches those two shows. Both are renewed however.
Longevity: ★★★★★ – Will they continue the renewal trend or disappear into nothingness during their second season? With their finite number of episodes, fresh story ideas are easy to find. What is not easy to find however is their adequate format.

Bored to Death (HBO)
Arguably one of the best new comedies this season, it is also pretty much unknown. Though it does suit well to its “case of the week” formula.
Longevity: ★★★★ – Safe for now thanks to its amazing cast.

Eastbound & Down (HBO)
Despite being execced by Will Ferrell and Adam McKay, and having a somewhat-cult following already, the question you should be asking yourself is: Do you actually know what the show is about?
Longevity: ★★★★ – With the strong talent attached to it, it’s doubtful the show will get canned anytime soon.

Hung (HBO)
The show received tepid reviews during its first run but it does have potential.
Longevity: ★★★★★ – The somewhat-serialized aspect might be problematic, though it was easily renewed.

The Life and Times of Tim (HBO)
Almost as unknown as Archer and The League, it is still holds a fruitful list of stories. I wouldn’t recommend speccing animation however.
Longevity: ★★★★ – Tough to guess the future of an HBO show, let alone a comedy, but this one seems solid enough.

Most of the current comedies/half-hours have been listed here, although I didn’t name any FOX show given that they’re mostly over-specced animations.
NBC still dominates the comedic field with seven shows, and CBS the classic sitcom. HBO, known more for its dramas, is surprisingly strong this year regarding half-hours. Although, much like FX’s own comedies, they are relatively under-the-radar, and it will be tough finding a reader that follows them regularly. Showtime fares better than its direct opposition with two highly-speccable series that could go a long way (like Weeds in its time).

Overall, there’s a lot of variety this year, so try not to put all your eggs in the same spec.

Click here for the dramas.

One Year of Writing (and Tips)

One of the major points of this blog, or at least supposedly, was to give interesting links, tips and thoughts around writing, both in general and especially regarding TV.
Hopefully, you appreciated and continue to appreciate the various thoughts gathered on the issue.

You’ll be Swimming with Sharks in no time.


Greatest reference ever?

As we saw again this week, I like to talk about the future of entertainment.
Nonetheless, in November I wrote a piece on “Why TV is where you must be“.
Although the article could be seen as an argument on why TV is a good place to be as a viewer, it is mostly in regards to why I (still) believe television is the best place to be, as a screenwriter.

Very early on I rounded up writing books dedicated to writing, especially television-wise, as well as the TV or Entertainment industry in general.
A lot of my earlier posts on writing were somehow linked to myths and heroes.

I had just seen The Dark Knight and was deep in my reading of Joseph Campbell’s The Hero with a Thousand Faces and was very into this whole “Hero/Myth” thing so I wrote two articles on “mythic structures and hero psychology”.
One more centered on TDK and heroes themselves:

It especially got me thinking about a post I read a while back about (super)heroes and their flaws.
I believe TDK correlates directly to that idea, especially for both Bruce Wayne and Harvey Dent.
To make a hero believable, we need him/her to be flawed. We need him/her to have limits. We need him/her to be vincible.
Bruce Wayne is a human that becomes a vigilante at night. But he is still a human behind his (too-much-technologically-advanced) suit. This is reminded to us early on in the movie when he is bit by a rottweiler (physical failing).

Another a more general one about structure and myths:

Structure has been analysed for centuries, even millenniums, way back when Homer wrote (or rather told) his Iliad.
In the last decades, this analysis has been transposed to scripts and screenplays. Scripts and movies were broken down and compared to other literary pieces to try to found out the common links, not the least of which being Robert McKee’s Story.
Besides script acts, and structures, “heroes arcs” and “heroes journeys” have been analysed and also broken down. These mythical archetypes lead obviously to mythic structures.
This is one of the specialties of mythologists, including Joseph Campbell.
Campbell wrote a fascinating book around his theories of the journey of archetypal heroes in various mythologies from around the globe. This book led to a memo written by Christopher Vogler (a development exec) to Disney studios about how to use Campbell’s book for screenwriting. This memo led to various critically-acclaimed movies Disney movies such as The Beauty and the Beast, Aladin and The Lion King. Vogler also worked on a small movie called Fight Club.
Soon after, Christopher Vogler expanded his memo and published a book around it where he explored not only Campbell’s work (and Jung’s) but expanded it to correlate directly to screenwriting.

Continuing on straight tips and links, there were some about the basics of script registration, an interest technique to land a job on television, as well as interesting online links (when I’m too lazy).

One of the most vital writing step in breaking in TV is making a spec script.
Back in March, I gathered some info to make a guide on “What is hot and what is not” to spec.
I also made a guide to Spec Flashpoint.

Education-wise, I unearthed a secret Showrunner program at UCLA’s TFT.
And last but not least there were a few TED talks on creative writing and technology.

Hope you got some good advice out of those articles and you’ll be able to get some writing done.
An apple a day keeps the doctor away.
A page a day keeps your procrastination at bay.
Speaking of scripts, see you tomorrow.

Spec Script 2009 – What is hot and what is not

UPDATE: A new updated 2019 Drama version is available here.
A new updated 2019 Comedy version is available here.

‘Tis the season to write great scripts.
Staffing season is fast approaching and I’ve been perusing the various blogs in search of good spec advices, so I decided to put all those info in common into a clear list of speccable drama shows.
The ideal portfolio would probably be composed of three specs script.
One safe, “mainstream”, another more marginal, “borderline”, and a third which would be an original pilot/feature.
Basically balance the “safe” with the “risky”, the “light” with the “dark”, and procedurals with genre shows.

The shows are divided into 4 somewhat self-explanatory categories regarding their appeal to readers and how well they are known/read:
– Over-specced (forget it)
– Mainstream (everyone’s doing it)
– Wild Cards (soon, everyone will do it)
– Outsiders (get out of the pack)

There is also a grade regarding the shows’ longevity in relation to specs of said shows using the greatest grading system on Earth: stars.

★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for those shows.

C. S. I./Law & Order (CBS/NBC)
Let’s begin with the obvious.
Once the hottest specs in town, now not so much.
Longevity: ★★★★ – The type of spec that is probably going to get real old real fast. I wouldn’t start a new one, it’s been over-done.

House (FOX)
A now-classic medical procedural yet slowly fading in demand.
Longevity: ★★★★★ – Even though FOX is probably going to renew the show for several years to come, speccability is going down fast for House.

Mainstream
The current and new widespread shows in town that are getting read.

Dexter (Sho)
Seems like this once-must-have spec won’t pass another season. Probably the last “hot” year for Dex.
Longevity: ★★★★★ – Clearly not as in high demand as it was a couple of years ago but should live for another year or two.

Bones (FOX)
I don’t know the show well enough, but from what I can gather, it’s a solid procedural.
Longevity: ★★★★ -Steady ratings on the verge of 10M viewers should ensure another couple of seasons.

Mad Men (AMC)
The hotest spec on the market right now. Everyone and their mothers seems to be doing one. Has obviously gone mainstream given the amount of specs produced around it.
Longevity: ★★★★★ – AMC is not going to let this one slide.

Gossip Girl (The CW)
If you’re aiming for this type of show then probably the show to spec.
Longevity : ★★★★★ – Do you really think The CW is going to cancel that show anytime soon?

Wild Cards
Not quite fully widespread but might get there given the chance.

Fringe (FOX)
Clearly the fresh FOX show to spec right now with a lot of potential.
Longevity : ★★★★ – Unless the show tanks in the ratings and/or FOX finds a new hit show next year, Fringe surely has at least a second and third season pretty much guaranteed with 24 and Prison Break soon gone and no real lighthouse shows for the network.

The Mentalist (CBS)
A classic CBS procedural that, given its ratings, is most likely the new Cold Case/Without a Trace.
Longevity: ★★★★★ – Given the fact that C.S.I./Cold Case/Without a Trace still continue, the show probably has a few years ahead of it

Dollhouse (FOX)
One might think a very speccable show as the serialized nature of the show successfully balances out the SF aspect, but the risk may be be too great.
Longevity: ★★★★ – I wouldn’t hold my breath given the atrocious ratings and the Friday timeslot on FOX. Wait for a definite renewal to start on that spec.

Flashpoint (CBS)
Well…We’ve discussed in depth this already. Its freshness should give you a wide array of stories, and its procedural aspect should give it a wide enough reach.
Longevity: ★★★★Flashpoint rules the Fridays, no reason to get canceled yet.

Chuck (NBC)
Fun, light-hearted spy drama with a lot of story elements to choose from.
Longevity: ★★★★ – Unless NBC cancels the show (doubtful given the Super-Bowl and 3-D money behind it), there’s still a couple of years ahead.

90210 (The CW)
Will soon join in the ranks of Gossip Girl.
Longevity : ★★★★★ – Same question Gossip Girl: Why cancel it?

Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you over the rest of the pack.
After that, it depends on the willingness of the reader.
Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Breaking Bad (AMC)
Not as major as Mad Men but clearly a lot of potential. Might prove hard to spec though.
Longevity : ★★★★ – Seems like AMC is on a streak so it most likely will renew the show for a couple of years at the very least as it will become more and more speccable.

Leverage (TNT)
Perhaps a new dark horse. The show is fresh enough to give a new spin on the heist and con storyline of your choice.
Longevity: ★★★★ – A second season order bodes well for this new show.

Burn Notice/Psych (USA)
Good light procedurals and both shows are not majorly specced right now.
Longevity: ★★★★ – I don’t see any reason why USA would cancel those shows anytime soon as the network doesn’t have much else going for it.

Even though it’s obvious only the major, more or less “speccable”, shows around were put down on this list, it’s interesting to note the rise of the basic cable spec market (AMC, TNT, USA) yet there is no real ABC nor HBO contender this year, mostly because ABC only has either dying or over-specced shows (Ugly Betty, Grey’s Anatomy) and HBO doesn’t have that much shows anymore.

You can still try the
very risky route of speccing The Tudors for instance, but be sure to see check if who you’re sending it to will actually read it.

Also, try to net get too invested in a spec (even an almost-surefire Fringe) unless you know the show has been renewed.

As for the Comedies, well, I don’t know much about that, except what probably everyone else knows: 30 Rock is in and The Office is over-specced.

Good luck!