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Posts published in “TV Writing”

The Mystery Script Project

Since the launch of A TV Calling‘s new design, you’ve been enjoying a peek at what’s to come on the site (see sidebar).

One of these teases has been a “Mystery Script Project.” I have received quite a few e-mails and questions asking what this secretive thing was all about.
Which brings me to today’s announcement.

Next week, I will be publicly releasing an original pilot spec. Right here.
Here’s the kicker: it violates the primary rule of writing specs. That is, you should not base anything you write in a universe you don’t own the rights to.
Yet, the script is still original.
Wait, what?

It’s all kind of an experiment of sorts.

You may already be wondering:
– Why am I doing this?
– What is this pilot about?
– Why violate the cardinal rule of spec?
– Why this franchise?
– What’s going on with squirrels?

All these questions (and more) will be answered next week.

Until then, write on.

Zack Stentz’s Stance on Script Stakes

I may not have previously expressed my appreciation for Zack Stentz (from the truly awesome Sarah Connor Chronicles show), so here we go.

I’ve been thoroughly enjoying his daily long tweetscussions© about screenwriting for a bit now.
They’re so cool that he should really compile them on his blog.
Since this isn’t the case (yet?), I shall do it for him. Rather, I’ll compile what I think is one of his better tweetologue© from this past month: the August 6 talk about stakes. And not the Buffy kind.

Turns out, scripts need to have stakes. Yeah, shocker. What’s relevant to us however, especially for television, is that stakes can’t be as high as a lot of modern block-busters (at least they are in appearance). You can’t save the planet every episode. In fact, one would think that the average action movie has the Earth/USA in jeopardy, constantly. Turns out, this isn’t quite right. You should dig a little bit deeper to find the real meat. That’s right, character stakes (aka TV’s bread and butter).
Zack goes over a few feature examples, specifically from both Thor (which he co-wrote) and the Star Trek reboot. It may not be much (only ten tweets), but it’s still pretty interesting.

And now, I’ll shut up and let the tweets talk:

If you don’t listen to the Breaking Bad Insider Podcast, you’re a bad writer

It has been well established that I’ve considered Breaking Bad to be the best show currently on TV for a while now. As a professional hipster, I’ve been following the show since it first aired (the days of yore, 2008). Before it got all mainstream and everything.
Anyways.
When Season 2 started, Kelley Dixon, one of the show’s main editors, began making 1-hour podcasts for every episode, featuring pretty much everyone from the show.

I’m not prone to hyperbole (*cough*), but this is pretty much the best behind-the-scene discussion about a TV show in the history of everything. Especially on such an episode-by-episode basis.

Let’s think for a second about what has come before this.
The closest equivalent I can think of is Ronald D. Moore’s Battlestar Galactica commentaries online. However, they were mostly just that: basic commentary tracks. It was (almost always) only him, and they were limited by the episode’s length.
The Meltdown/Nerdist Writers Series podcast is one of the best resources about the craft of TV writing, but as the time is split between three to five different writers, you can only have so much nitty-gritty discussion/content.
Damon Lindelof/Carlton Cuse’s Lost “podcasts” couldn’t have been farther from what they were supposed to be about.
And don’t you dare mention Talking Bad/Talking Dead/Talking Crap, or what can only be described as fluff pieces and waste of (air)time.

On the other hand, the Breaking Bad Insider podcast doesn’t have any such limitations.
In fact, here are the four main reasons why it’s the best BTS discussion I’ve seen (or rather heard) about a TV show, in like ever:
1. It’s done for every episode. For real. When do you get a writer– hell, anyone talking about a specific episode for more than a few minutes? Seriously, name one show that has done hour-long discussions about their individual episode. Even The Simpsons have only 25-minute commentary tracks on the DVDs (see point 3).
2. The podcasts have all the relevant creative people talking about their own episodes. That means the Breaking Bad writer, director, cast, editor and producers (plus other misc. guests). Vince Gilligan is also always present (with Bryan Cranston a close second).
3. As pointed out above, unlike usual commentaries (on DVDs and such), they’re not limited by time. Any standard commentary track is usually “synced” with the content, meaning you only have that scene’s length of time to talk about it, or at the very least the length of the episode (20-40 minutes). No such problem here. They go on as long as needed, usually around 60 minutes. This week’s Breaking Bad podcast, for 5×09, ran about 75 minutes. It’s much more than just a “Breaking Bad commentary”: it’s a deep-dive discussion.
4. The most important point: they talk about the craft. And I’m not only talking about the writers. The guests are always very candid about their own production perspective of the episode, everything from the page to the screen. It is informative, and truly inspiring. It also pretty much confirms my pet-theory that Breaking Bad is one of the most thought-out shows on television.

At this point, you must already be rushing to download and listen to one (assuming you watch the show). Hopefully, I don’t have to explain why you should be interested in how the sausage is made, especially if you want to work in this medium.

The bottom line is simple: learning how one of the best shows on TV is being written, directed, acted, produced and edited is something you should (already) be doing.
You know, for science.

Follow this link to stream the Breaking Bad Insider Podcast:
http://www.amctv.com/shows/breaking-bad/insider-podcast-season-5
You can also subscribe to to podcast on iTunes:
http://itunes.apple.com/us/podcast/breaking-bad-insider/id311058181

Tread lightly.