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Posts published in “Entertainment Talk”

FOX v. FCC

Let’s turn our attention towards the US Supreme Court for a sec.
Don’t worry, I won’t bore you with the Fantasy Supreme Court Justice pool I’m running.
Instead, I’ll bore you with one of the current cases being made in front of the Court.
I am of course talking about possibly one the biggest FCC case ever: FOX v. FCC.
It’s the first time in 30 years that the Supreme Court is reviewing broadcasting indecency standards.

The case deals with swearing on live TV:
In March of 06, the FCC fined FOX for Cher and Nicole Richie saying “shit” and “fucking” during the 02 & 03 Billboard Music Awards, all due to a “new” FCC policy that allowed penalization even if the expletive is made only once, and live.

The case worked its way up to the Supreme Court and on Tuesday were heard the oral arguments for the case.
And, no, no one said “shit” or “fucking”.
They did use cute euphemisms however, such as “the s-word” and “the f-word”.

3 Justices out of the 7 appear for now neutral, while 2 seemed to be leaning towards the FCC and the other 2 towards FOX.

If the case ultimately goes towards FOX, the prior “expletive case” in 1978 (following the George Carlin monologue) could be overturned and the win could severely diminish FCC’s role in policing the airwaves.
But on the other hand, if the FCC wins, it would validate FCC’s regulations even more and perhaps strongly reduce First Amendment rights (mainly free speech) on broadcasting networks.

Back in March, in an editorial, the New York Times commented:

“We hope the Supreme Court does not authorize the F.C.C. to return to its censorial policies.”

Most of the Justices are pretty conservative so there’s definitely a good chance they will favor the FCC.

The current Court term ends at the end of November, so a decision should be issued by then.

Meanwhile, if you’re into reading legal papers, there’s a bunch of those on the case here.

Scary business

Remember that news about NBC cutting costs?

Well CBS may also do that in the very near future as they announced yesterday a third quarter loss of $12.5 billion (linked to a $14 billion write-down) with ad revenue declining in its main divisions, including television.

Incidentally, digital revenues have rose 6% this year with a 12% increase regarding Internet display ads.

As for their revenues, they are up 3%, thanks primarily to CSI: NY’s cable syndication.

All in all, CBS is now in the top 10 Internet company and the “#1 producer and provider of premium online content”.

No wonder they are trying to cash in on the future.

Meanwhile, Yahoo Video is now the (distant) second in video streams with a 56% increase (to about 265 millions).
Still, Google’s YouTube is very far ahead with 5 billion video streams in September.
Let’s not forget though that most Yahoo Vids have ads in them (= money = good for the company).

Speaking of, Lisa Klink has posted about “[trying to come] at the TV biz sideways”. Meaning that wannabe TV (and for that matter any) writer wanting to break in will have better chance of doing that by trying various other “creative outlets”.
TV writing is becoming increasingly more competitive due to a number of reasons, including strong cuts in budgets, therefore creating a smaller gap for people to squeeze in.
Any kind of “out of the box” success will definitely be a plus, distinguishing you from the rest.

Remaking the remake

Let’s make a quick (but far from exhaustive) list of upcoming planned remakes:

– Footloose with Efron.

– Bienvenue chez les Chtis (aka The Sticks).
Do I need to remind people that the story was very local-based?

– A 1963 Akira Kurosawa classic (High and Low), by David Mamet and directed by Mike Nichols.

– A remake of another Kurosowa remake (yes you read that right), The Seven Samurai by the Weinstein Co.

– A Hellraiser “relaunch”, by Pascal Laugier.

and

– Melrose Place, the spin-off of BH 90210.
Will the new version be considered a spin-off of the new 90210 or a spin-off of the old 90210? Or a spin-off of the spin-off of another show?
I’m confused.