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Posts tagged as “Fellowships”

Drama Spec Script 2015 – What is hot and what is not


UPDATED:
A brand new 2019 list has been posted.
Click here to access it.

Like every year, it is now time to review which TV shows are good to spec, and which are not.
Dedicated posts will be made respectively for the best comedies (half-hour) and the best dramas (one-hour).
As the title says, this post is all about the dramas.
In addition, you’ll also find (when available) a script for the corresponding show for educational purposes.
Canceled or dead shows have been removed since last season’s spec list.

NOTE:
Given Warner Bros’ rules for their fellowship, I have indicated with an asterisk (*) series that they will not accept specs for (mainly first-season shows).

Let’s do another quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

And here we go.

Over-Specced

Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

American Horror Story (FX) *
Type: Serialized horror
Change of location, change of story.
Longevity: ★★★★ – It’s Ryan Murphy.

Bones/Castle (FOX/ABC)
Type: Light police procedural
On their death bed.
Longevity: ★★★★ – Ten seasons later, do you really think you can out-write these shows?

CSI/Criminal Minds (CBS)
Type: Police procedurals
Are you kidding?
Longevity: ★★★★ – You’re kidding.

The Following (FOX)
Type: Serialized police procedural
So much for limited series.
Longevity: ★★★★★ – Hard to keep up with.

Game of Thrones (HBO) *
Type: Serialized fantasy drama
Oh, sweet summer child.
Longevity: ★★★★ – The books, they are changin’.

The Good Wife (CBS)
Type: Legal procedural
Reverted all the changes it did last year. Doesn’t mean it’s a good choice.
Longevity: ★★★★★ – One more season to go after this one.

Grey’s Anatomy (ABC) *
Type: Medical procedural
Code blue.
Longevity: ★★★★ – It’s dead, Jim.

Grimm/Once Upon A Time/The Vampire Diaries (NBC/ABC/The CW)
Type: Fantasy drama
It might seem odd to pair them together, but they now fit in the same fantasy category (although Once still has a bit more reach). In any case, they’ve all been done by now.
Longevity: ★★★★★ – Won’t die soon, but the current plotlines will.

Hawaii Five-0/NCIS:LA (CBS) *
Type: Police/Action procedural
There are better action procedural choices out there.
Longevity: ★★★★★ – Not that many twists and turns though.

Homeland (Showtime)
Type: Serialized thriller
How the mighty have fallen.
Longevity: ★★★★★ – A new start.

Justified (FX)
Type: Police procedural
I guarantee you’re not the only Justified spec.
Longevity: ★★★★ – Final season.

Person of Interest (CBS)
Type: Action/Science-fiction drama
It used to be a procedural with interesting ideas. It has since become one of the best science-fiction shows on television. Unfortunately…
Longevity: ★★★★★ – …they’ve been many changes since.

Revenge (ABC)
Type: Serialized family drama
I’ll lend you my copy of Monte Cristo instead.
Longevity: ★★★★★ – It’s a soap!

Royal Pains/Suits (USA) *
Type: Light procedural
Went from low-key to ideal light procedural to spec fast.
Longevity: ★★★★★ – A couple seasons and then gone.

Scandal (ABC)
Type: Serialized political drama
Shondaland has better spec choices around.
Longevity: ★★★★★ – Oh boy.

Shameless (Showtime)
Type: Serialized family dramedy
Debatable category. Undebatable spec popularity.
Longevity: ★★★★★ – Welcome back to the show, that one guy.

The Walking Dead (AMC)
Type: Ensemble/horror drama
This show was over-specced by the end of season one.
Longevity: ★★★★ – Don’t worry, everyone you love will die.

Mainstream

The current and new widespread shows in town that are getting read.

Agents of S.H.I.E.L.D. (ABC)
Type: Fantasy procedural
Not as big a spec success as one would have thought a year ago. Still a prime choice.
Longevity: ★★★★★ – All the revelations threaten to transform the show into something much more unpredictable.

The Americans (FX)
Type: Serialized historical thriller
The most specced drama around right now. Bar none.
Longevity: ★★★★★ – I guess you could still try.

Arrow/Beauty & The Beast (The CW) *
Type: Action/Fantasy procedural
Still a very popular genre spec coupled with a not-so-well-known series. Either can be good (although they’re standing on their last mainstream leg).
Longevity: ★★★★★ – Assess the character problem first, then find the case.

The Blacklist (NBC) *
Type: Action procedural
A hit for NBC transformed into a formulaic albeit strong procedural show to spec.
Longevity: ★★★★ – Come on. It got the Super Bowl spot.

Elementary (CBS)
Type: Police procedural
Who’s to say it hasn’t become more popular than its British counterpart?
Longevity: ★★★★ – Self-contained stories work wonders.

Hannibal (NBC)
Type: Serialized psychological drama
Extremely popular spec right now, meaning it is likely its final mainstream season.
Longevity: ★★★★★ – Hopefully you know the stuff to come.

House of Cards/Orange Is The New Black (Netflix)
Type: Serialized political/relationship drama
Yes, Orange is a drama. Yes, people love speccing Netflix shows.
Longevity: ★★★★★ – Yes, a new season is upon us.

Masters of Sex (Showtime)
Type: Serialized historical drama
Surprisingly, this is the premium cable drama getting the most traction out there.
Longevity: ★★★★ – It’s a slow burn.

Nashville (ABC)
Type: Musical/Family drama
Goes under the radar most times, but could be a strong choice…
Longevity: ★★★★★ – …assuming you know the relationships well enough.

Sleepy Hollow (FOX)
Type: Fantasy procedural
Has now become the go-to spec when it comes to genre shows. Open up your testaments.
Longevity: ★★★★★ – Uneven second season, but a new showrunner is coming up (big changes?).

Wild Cards

Not quite fully widespread but will get there given the chance.

The 100 (The CW)
Type: Serialized science-fiction drama
Engaging characters, unexpected stories and grey morality makes this a top contender for genre specs.
Longevity: ★★★★★ – Good luck keeping up.

Agent Carter (ABC) *
Type: Action-adventure drama
Much more successful in its freshman year than S.H.I.E.L.D. was then. Could fast become a contender…
Longevity: ★★★★ – …once the show actually gets picked for another season.

Banshee (Cinemax) *
Type: Serialized pulp drama
Moving upward as an offbeat genre show.
Longevity: ★★★★★ – It’s pulp, meaning lots of movement. Good news is the season’s already over.

Chicago Fire/Chicago PD (NBC)
Type: Action procedural
Dick Wolf is back stronger than ever.
Longevity: ★★★★ – Sweep twists and fires to put out.

Empire (FOX)
Type: Family soap
Talk about a surprise success. One to watch for great specs.
Longevity: ★★★★ – Who knows where the plotlines are going.

The Flash (The CW)
Type: Action/Fantasy procedural
The rightful successor to Arrow. Will definitely grow into a must-spec show by next season.
Longevity: ★★★★ – It’s a super-hero procedural.

Gotham (FOX)
Type: Noir procedural
Batman without Batman! What’s not to love.
Longevity: ★★★★ – Much like Arrow, it’s best to figure out what you want your characters to deal with before coming up with villains.

How to Get Away with Murder (ABC) *
Type: Legal procedural
The Shondaland alternative I was referring to.
Longevity: ★★★★ – Thankfully it has many cases of the week.


Outsiders

The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

The Affair/The Leftovers (Showtime/HBO) *
Type: Serialized relationship drama
It could seem surprising that Affair and Leftovers are so low on the list. Their quality is hard to match, while their popularity is still not that of other cable dramas.
Longevity: ★★★★★ – Dangerous territories.

Bates Motel (A&E)
Type: Serialized family drama/horror
Is stuck as a show not many people watch or spec.
Longevity: ★★★★★ – Things could get interesting.

Halt & Catch Fire/Turn (AMC)
Type: Serialized historical drama
Not getting the level of notoriety of previous AMC shows. In other words, fewer specs.
Longevity: ★★★★ – New enough you should be able to find unique stories.

Jane the Virgin (The CW)
Type: Serialized dramedy.
A creative and critical success would make this a great pick for an under-the-radar show to spec.
Longevity: ★★★★ – Potentially at risk when it comes to stories.

The Last Ship/Legends (TNT) *
Type: Action procedural
Not total gamblers if only for their broader spec appeal, even to non-viewers (assuming you do a self-contained case).
Longevity: ★★★★ – Could easily last you a few seasons depending on your focus.

Major Crimes (TNT)
Type: Procedural drama
Still not that widely specced given the network and popularity of the series.
Longevity: ★★★★★ – And this could be your last chance.

The Originals/Reign (The CW)
Type: Serialized fantasy/historical drama
These CW fantasy dramas are staying put for now. More popular genre shows have already proven more popular, both in the number of specs and how well they’ve done.
Longevity: ★★★★★ – Twists!

Orphan Black (BBC America) *
Type: Serialized science-fiction drama
Popular online, but outside genre fans (who end up speccing it a lot), it isn’t getting the wide success you’d assume.
Longevity: ★★★★★ – Relies heavily on turns.

Rectify/The Red Road (Sundance) *
Type: Serialized drama
Sundance is on the up-and-up with these strong serials. Definitely not people’s top choice, which could work in your advantage…
Longevity: ★★★★★ – …or leave you in the dust.

Gamblers

For one reason or another, these are much riskier specs to do right now. You have been warned.

12 Monkeys/Defiance/Helix/The Strain (Syfy/FX) *
Type: Science-fiction/Fantasy drama
This may surprise a few, but truth is pure science-fiction dramas, especially serialized, are neither read nor specced that often. Syfy shows (save for a couple exceptions) have also never grown into mainstream spec choices due to low viewership.
Longevity: ★★★★★ – Most are serialized. If you figure the formula, go for it.

Backstrom (FOX) *
Type: Crime dramedy
Another shockingly low position for a drama (this time from a network). Unfortunately, the series is not that well known.
Longevity: ★★★★★ – Nor is it getting great ratings.

Chasing Life/The Fosters (ABC Family) *
Type: Serialized family/workplace drama
It’s a sad fact that ABC Family series are risky to spec if only because of their very low reach in fellowships. On the plus side, that means less competition.
Longevity: ★★★★★ – Try to discern the formula.

Graceland/Satisfaction (USA) *
Type: Action/Relationship drama
Not many people know about these shows, let alone watch them. A very risky bet.
Longevity: ★★★★ – Could go on and on, considering.

True Detective (HBO) *
Type: Serialized police drama
Do you really have to ask?
Longevity: ★★★★ – The second season hasn’t even premiered.

2015 Trends

If you think there are a lot of shows on TV right now, you’d be right.
Count ’em– 68 dramas are on this year’s record-breaking spec list! Yes, it’s a crowded marketplace.

If the comedies had a rough year, the dramas are prospering like bunnies.
Ventures are increasing and so does the variety of low-key serialized fares. Only a few procedurals have a wide enough success that they are worth considering. On the other hand, serialized series get the most choice, but produce much less content to get a good grasp of their formula (if they have one). And then there are the anthologies.
The trend this year with drama specs continues to be “quicker is better”. Second-year shows are already mainstream (Sleepy Hollow, Blacklist), with brand new series not far behind (Empire, Flash, Gotham).

More choices. Better quality. A richer field is at play. However this also means finding the right fit is more problematic. With so many dramas out there, it is now easier than ever to find good shows to spec, yet harder to pick the perfect choice.

Also check out:
TV Writing Fellowships: The Bix Six

Comedy Spec Script list

Comedy Spec Script 2015 – What is hot and what is not


UPDATED:
A brand new 2019 list has been posted.
Click here to access it.

Like every year, it is now time to review which TV shows are good to spec, and which are not.
Dedicated posts will be made respectively for the best comedies (half-hour) and the best dramas (one-hour).
As the title says, this post is all about the comedies.
In addition, you’ll also find (when available) a script for the corresponding show for educational purposes only.
Canceled or dead shows have been removed since last season’s spec list.

NOTE:
Given Warner Bros’ new rules for their fellowship, I have indicated with an asterisk (*) series that they will not accept specs for (mainly first-season series).

Here is a quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

Let’s get started.

Over-Specced

Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

Archer (FX)
Too popular as a spec for its own good.
Longevity: ★★★★★ – All these changes, man!

The Big Bang Theory/Mike & Molly/Two Broke Girls (CBS)
[Insert laughs.] Longevity: ★★★★★ – They could run forever, but not your spec script.

Bob’s Burgers (FOX)
Not as widespread as others, but it is replaced as the animation spec by fresher fares.
Longevity: ★★★★★ – It’s already renewed, but you’ll be in competition.

Community (Yahoo) *
Really?
Longevity: ★★★★ – Next step: “and a movie”.

Cougar Town/The Middle (TBS/ABC) *
Little shows that could, and did.
Longevity: ★★★★★ – Won’t be long now.

House of Lies/Nurse Jackie (Showtime)
Once upon a time, when half-hour dramedies weren’t that well represented, they would have been your best choice. They climbed lists and put writers in fellowships.
Longevity: ★★★★★ – One is about to end, the other is in its rhythm.

It’s Always Sunny in Philadelphia (FXX)
The Gang Picks Another Show.
Longevity: ★★★★ – Rewatch that one-shot episode.

The League (FXX)
It was a good off-beat choice. Not so much now. Especially since…
Longevity: ★★★★ – …the last season is upon us.

Louie (FX)
Are you really going to compete with Louis C.K.?
Longevity: ★★★★★ – Who knows where the wind will take him.

Modern Family (ABC)
Reliably funny, but picking a show deep in its sixth season isn’t the greatest of ideas.
Longevity: ★★★★★ – Will run forever. They’ll renew it every generation.

New Girl (FOX)
People’s must-spec relationship show for the longest time. Has lost its shine in that respect.
Longevity: ★★★★★ – Coach! :(

Veep (HBO)
It would be a very strong choice, only if everyone else around didn’t think so last season.
Longevity: ★★★★★ – New President, new tempo.

Mainstream

The current and new widespread shows in town that are getting read.

Brooklyn Nine-Nine (FOX)
Good track record and in its second season. Pretty much everyone’s pick for a strong workplace single-cam to spec. It gets laughs and is the more popular successor of Parks & Rec.
Longevity: ★★★★ – Not quite the bestest of ratings, but it already got renewed.

Girls (HBO)
The go-to “not too funny but still half-hour comedy” show out there. Living its last year of mainstream.
Longevity: ★★★★★ – Eh.

The Mindy Project (FOX)
Another aging show that is most likely in its last not-over-specced season. Get it while it’s hot.
Longevity: ★★★★★ – Strong formula, albeit with some shifts this past year.

Mom (CBS)
The strongest multi-cam in these necks, bar-none.
Longevity: ★★★★ – Renewed.

Silicon Valley (HBO)
Brooklyn is to network what Valley is to cable. A confident, funny comedy in a very unique world.
Longevity: ★★★★★ – Not going anywhere.

Wild Cards

Not quite fully widespread but will get there given the chance.

Black-ish/Fresh Off the Boat (ABC) *
Hilarious new comedies injecting some life into the network. Most likely will be mainstream by next year.
Longevity: ★★★★★ – Trending upwards.

Broad City/Workaholics (Comedy Central)
A bit of a gamble, but their success is growing.
Longevity: ★★★★★ – You never know with Comedy Central.

The Goldbergs (ABC)
Who doesn’t love the 80s?
Longevity: ★★★★★ – Wobblier legs now that the network has found more successful family comedies.

The Last Man on Earth (FOX) *
Not your usual network sitcom, which could also mean it’s a great future pick. Or fall apart in a hot second.
Longevity: ★★★★ – Watch out for the curveball thrown every other episode.

Married/You’re the Worst (FX/FXX)
Edgy and definitely on the verge of becoming very popular (more so than any other FX comedies).
Longevity: ★★★★ – Fresh renewals and potentially stronger second seasons.

Unbreakable Kimmy Schmidt (Netflix) *
It’s brand new and getting a lot of traction very quickly. Definitely will become a popular spec sooner than later.
Longevity: ★★★★★ – Free reign until the new season is released.

Outsiders

The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Episodes (Showtime)
Caution. Meta humor can be dangerous.
Longevity: ★★★★★ – A season or two left.

Man Seeking Woman (FXX) *
A bit of an oddball. Not a pick for the faint of heart.
Longevity: ★★★★★ – And not the greatest numbers.

Bojack Horseman/Rick & Morty (Netflix/Adult Swim) *
Hard to compete with what’s on screen. Their success off screen will make them more popular as specs to write than legitimate contenders.
Longevity: ★★★★ – A lock for the next couple of years.

Gamblers

For one reason or another, these are much riskier specs to do right now. You have been warned.

Childrens’ Hospital/NTSF:SD:SUV (Cartoon Network/Adult Swim) *
A new season, and an absent friend.
Longevity: ★★★★ – On the verge of disappearing forever.

Cristela (ABC) *
Not quite the same popularity as its other new ABC counterparts.
Longevity: ★★★★ – Risky pick.

The Exes (TV Land) *
Weird choice. Then again…
Longevity: ★★★★★ – …the network doesn’t have any alternatives.

2015 Trends

Rough. How one should categorize this past year for comedies.
As predicted, few new series of the previous season survived their freshman year. Networks are desperately trying to freshen up their schedules–unsuccessfully so. A gap in mainstream specs was therefore created: a record-low five series are vying for the spot.
This year’s comedy spec list is almost entirely made of veteran shows or babies, making good shows to spec rarer. We saw the departure of popular shows New Girl and Veep into over-spec territory, with Mindy and Girls standing ground. Mom and The Exes are also the only multi-cam still in play. It doesn’t bode well for the format.
On the bright side, the arrival of successful new comedies, mainly Netflix’s Bojack Horseman/Kimmy Schmidt and ABC’s fresh slate of single-cams, gives hope for the future of specs. Expect a wider variety and more mature choices next year.

Also check out:
TV Writing Fellowships: The Bix Six

Drama Spec Script list

Profiles of Television: Kiyong Kim – TV Writing Fellow

Profiles of Television is an ongoing interview series showcasing the variety of professionals in the TV industry, from writers and producers, to those in development, representation, and post-production. These are the many talents involved in television, and the personal journeys behind them.

Today’s guest is Kiyong Kim. A multi-talented comedy writer, he had the opportunity of working through two amazing fellowships (Nickelodeon and NBC’s Writers on the Verge) as well as currently participating in the CAAM mentorship program.
Let’s see what he has to say.

The Medium

First things first: why the television calling?
Originally, I wanted to write features. I had a writing teacher who suggested I try writing for TV, which I had no interest in until The Office came out. It was different, and I felt like I really got that show and the sense of humor. There was a sadness to the show that I really liked.
Around the same time, someone I knew got into the Nickelodeon Writing Fellowship. Until then, I didn’t know these fellowship programs even existed. I saw that as an entryway into television that didn’t really exist for features, and I thought I should try.

Three words to describe what you write.
Comedy without heart? Though I’m trying to add some to the pilot I’m working on now.

Three words to describe how you write.
Structured, because I like outlines. Slow, with pilots. And then—what is one word to describe when you’re on the verge of quitting? Whatever that word would be is the third word. Despair?

Name—
—the television series that has influenced you the most:
The Simpsons for the sense of humor. I’ve been watching it from the beginning and I still see the latest episodes, even in season 20-something. It influenced a lot of people. What it did really well was make good use of the medium of animation, unlike something like King of the Hill which could have basically been live-action.
And again, The Office as the show for making me actually want to write for TV.

—the one episode of television that defines you:
I don’t know if it defines me, but I thought about it a lot, and that Red Wedding episode of Game of Thrones was something else. I saw those YouTube videos of people freaking out while watching that one crazy scene at the end. People started crying, screaming, and throwing things at the TV. Seriously, people don’t react like that when people die in real life. It was a great reminder at how much impact a story can have.

—the television episode that impressed you the most:
Recently, the season finale of Silicon Valley was pretty amazing. Before that, the ‘Chaos Theory’ episode of Community.

—the show you wish was still on the air:
I liked Happy Endings. I was disappointed it got cancelled.

—the show you would never publicly admit to watching, except right now:
SpongeBob Squarepants.

—the show you wish you had worked on:
Friends. It’s still funny. I watch reruns now and it holds up. So many shows since then have tried to recapture that. Each character was so distinct and likeable.
Kiyong Kim Smiling

The Journey

What has been, so far, your journey in the television industry?
I did web design for years and years despite never wanting to do web design. On nights and weekends, I was making short films and was thinking of writing and directing a feature soon. Around that time someone I knew entered the Nickelodeon Fellowship.
I had meant to write a spec for a while, so I wrote one for The Office. I made it to the finalist round but didn’t get in that year. The next, I tried again, and got in.
I learned a lot at Nickelodeon but didn’t get staffed. The following year, I got into the NBC Writers on the Verge program, which was about four months long. Again, noting happened. I had to go back to doing design.
This year, I got into the CAAM Fellowship, where they assign mentors individually to each of the fellow. I was lucky enough to get the person I wanted, Kourtney Kang (How I Met Your Mother). She’s helping me with my pilot and it’s been great.

What is the hardest thing about being a television writing fellow?
There’s a lot of pressure since you feel like you’re so close. Both times I felt like it was my chance, but nothing happened. Of course, there are never any guarantees in the industry, even for people already staffed or repped. Their shows get canceled or they don’t get asked back. That’s just the nature of the business.
At some point, I had to seriously ask myself—Is that something I can live with forever? Is the uncertainty something I can accept? Because if not, I should just quit now and save myself the aggravation. Since I’m a masochist, I’m still going.

What is the easiest thing about being a television writing fellow?
There’s nothing easy. There are lots of really short deadlines, trying to impress the right people, trying to push yourself, or being good in the room. Luckily, all the other writers were supportive of each other. Everyone was extremely talented, and generous.

What is the biggest takeaway from your experience in the fellowships?
For Nickelodeon, it was how much the non-writing stuff matters. Presentation, pitching yourself, egos, the politics of things, and even how luck is involved.
For NBC, the biggest takeaway was that I need to speak up more in the room.

Can you talk about the CAAM mentorship process?
It’s been about a month since Kourtney and I started. When we met up, I pitched her two pilot ideas, and she liked one of them, so that’s the one I’m working on. I fleshed out the story, figured out the characters, and am ready to start outlining.
Having someone with so much experience give notes is incredible, especially in the early stages when you’re trying to figure out the conceptual stuff of how the show will work. I’m very grateful for this opportunity.

What is your day-to-day like?
I have my full-time day job. 40-50 hours a week, fairly regular. So then I have to write on nights and weekends, which is difficult. But I do remind myself that even on a show, I’d have to work on my own projects nights and weekends. Luckily, I also have my writing group, which meets every other week right now. That’s been a life-saver—receiving notes, pitching ideas, all the free therapy.

Who do you look up to in the television industry?
I love Greg Daniels. The Office, Parks & Recreation. He also did animation with King of the Hill and The Simpsons. That’s a pretty ridiculous resume.

What is the ideal job you would like to ultimately have?
Running my own show, which is probably what everybody wants. Or just writing for a good show with people you can get along with. Can’t really ask for more than that.

When people from outside the industry ask what you do, what do you tell them?
Currently, I probably don’t mention that I write, just the web design since that’s how I pay the bills.

What is your best professional advice to someone who wants to do what you do?
Well, I don’t feel qualified to give “professional” advice because I’m not a professional writer. I got into a couple fellowships, but I’m not staffed or even repped.
However, what I’m personally trying to do is to have solid writing samples, and meet people who will read my writing. Between writing and networking, I’d probably give more priority to the writing. A sub par writing sample read by the right people isn’t really going to help you.

What is your best personal advice to someone who wants to do what you do?
Give up now. [laughs] Why would you do this to yourself unless you had to? There are so many other, easier ways to make money. When I took the Nick Fellowship, it was huge pay-cut for me. Logically it made no sense. No sane person would do this. If there’s anything else you want to do, do that instead. If you’re cursed like me where you have to write, then prepare to be in it for the long haul.

What is your next step?
I’m finishing this pilot, and hopefully Kourtney will like it. Ideally, the pilot will lead to me getting representation, and then hopefully staffed.
After that, I’ve been wanting to try some sci-fi, either as a low-budget feature to direct, or as a pilot script. I also want to try to pitch an animated show at Nick, Disney and Cartoon Network. I met people while I was at the Nick Fellowship, and I went to art school for illustration, so I think animation would be something I’d be good at.

Any last words?
Don’t make excuses. Don’t blame your lack of success on others. Get feedback from others; it’s hard to be objective about your own work. Be prolific. Finish things.

Many thanks to the wickedly talented Kiyong Kim!

You can follow him on his personal blog of creative pursuits, where he chronicles his own television journey. He is also on Twitter.