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Alex and Nick invite Alethea Jones, director on Queen America, Wrecked and Gortimer Gibbon’s Life on Normal Street, to discuss what goes behind directing TV comedies and half-hour shows.
What is the role of a director in television? How can writers better convey action for directors? How does a director work with a TV writer on set? What are differences between directing children’s television and comedies? How do directors handle crossboarding? What are the responsibilities of being a producing director?
The Paper Team takes the shot…
SHOWNOTES
Content
Directing for TV comedies and dramas with Alethea Jones (00:43)
Final Advice, Resources and Next Week On (44:27)
Links
Alethea Jones on Twitter
Queen America on Facebook
Wrecked
Gortimer Gibbon’s Life on Normal Street
Strictly Ballroom
Gretchen Enders
Charles Randolph
Babylon Berlin
Succession
Resources
DaFont
Shot Designer
Scriptation
Submit by March 1st to the 2019 Script Pipeline contest for a reduced entry feeSpecial thanks to Alex Switzky for helping us edit this episode.
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You can find Paper Team on Twitter:
Alex – @TVCalling
Nick – @_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]
Paper Team is a podcast about television writing and becoming a TV writer.
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TV Writing for Comedy & Drama ft. Michelle Badillo & Caroline Levich (One Day at a Time/The Bold Type) (PT115)