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TV Calling

Writing an original TV pilot similar to a show vs. speccing it directly (Readers’ Mail)

On this edition of Readers’ Mail, BettySpinks asks:

Hi Alex– Congratulations on the Paper Team podcast! Gonna listen to the Spec v. Pilot episode after I ask you this question…
I’ve written an outline for a pilot with similar bones to Preacher. Should I write my pilot? Or should I funnel the ideas into a spec for Preacher?

This is a great question that can really only be answered on a case-by-case basis.
I’ve definitely been through similar “parallel thinking” moments, and there are steps I do to gauge whether to continue or not with a project (or transform it) —

One of the first things I’d ask is: What is the purpose of this new sample?

On the Paper Team episode you mention, I do bring up that (IMO) writing spec should be done primarily for the exercise of TV writing (akin to being a staff writer), rather than purely having it as a usable sample (beyond fellowships and contests).
If you create a Preacher spec out of your outline, it could be an awesome episode, but it would still be “limited” to the reach of, well, a spec.

Flash-forwarding to something you’ll be asking yourself six months from now–
Are there any other shows that you would be interested in speccing? If Preacher is the only one worth it to you, maybe it could be good to consider it.

A pilot would be the way to go if you’re primarily trying to showcase your writing style, your “voice”, and overall building a portfolio for representation/staffing.
If your story is unique enough to you that you need to get it out and puts your own stamp on the world, then the choice should be simple.

Another important question would be: How close is the pilot/outline to the existing show?

In this case, this is something only you would know based on:
1) The pilot/season 1 of Preacher;
2) Your own script and plot beyond the pilot;
3) Future stories of Preacher (based on published comics/educated guesses).

Is your pilot, literally, about a preacher in a small southern town seeped in supernatural elements?
An interesting litmus test could be to pitch your story to friends familiar with Preacher and see what they think of the similarities (and if they’re dealbreakers).
Maybe even pitch both shows to people unfamiliar with Preacher, and see if they feel they’re distinctive enough on their own.

Keep in mind this isn’t just about the concept itself, but the execution of it (we’re still talking about an original pilot).
How many shows did we have about people coming back to life a couple seasons ago? What about the amount of cop procedurals still on the air?

You shouldn’t sell your pilot short just because it has similar ideas to something produced.
Go back to your perspective and the themes you’re trying to explore.
The battle between faith, superstition, and the fantastic can be approached in vastly different ways through so vastly different characters.

Last (but not least), I would wonder: How much of a sacrifice is it if I’m never writing this pilot?

You have already done the work of outlining your pilot.
That means (hopefully), you’ve already gone through the mindbend of figuring out your characters, your structure, your acts, your scenes, your world.
This is so much of what goes into a pilot script that it could be a huge loss if you simply discard it.

Also, are you saying something unique to you in that pilot/story which cannot be done through another script?
When making those important binary decisions, remember why you were writing this pilot in the first place. Probably something evocative that you wanted to tell through these characters, or that world, or that setting.

On the flip side, if it’s already extremely easy to replace your characters in the outline with those of Preacher, maybe you were already subconsciously writing a Preacher spec over a truly original piece.

Most times, a unique execution of a pilot, even within an ambiance similar to your existing show, would still make it worth the write. In fact, it could be a powerful sample to be staffed on that very show (over a spec of it).
It all depends on the goals of your script, and similarities to what you’re going to be compared against.

If you’re a reader with a question of your own, feel free to send me a message!

Write on.

Paper Team is Live!

It’s Monday August 1st, which means it’s time to launch and release into the wild the first six episodes of our awesome new TV writing podcast Paper Team!

You can now get each episode, the show notes, and subscribe all over here:
Episode 1 – Moving to Los Angeles (and Things We Wish We Knew Before)
Episode 2 – Comedy v. Drama: Declare Your TV Major
Episode 3 – How to Meet People in LA (When You Don’t Know Anyone)
Episode 4 – Spec v. Pilot: What You Should Be Writing Next
Episode 5 – Networking 101: How to Talk With People in Hollywood
Episode 6 – Bringing the TV Writers’ Room Process Home

And here’s a playlist of our latest episodes:

If you enjoy our Paper Teaming, please leave us an iTunes review and/or rating at paperteam.co/itunes! :)

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In case you’re very confused and missed my original announcement post on Paper Team, here’s everything else you need to know about the podcast:

Who is on Paper Team?

I’ll be manning one of the mics. Yes, that means you’ll be hearing my sublime voice after all these years (assuming you’ve actually been reading me for that time). And you’ll be getting more of the great TV Calling content you know and love (now in audio form!).

Like every great podcast, this is a two-hander.
The other half of Paper Team is another awesome writer: Nick Watson.
While I’m of the TV drama sensibility, Nick will represent the TV comedy side. He’s also a fellow foreigner (from Australia). So you get the bonus of listening to two different non-American accents!

While most episodes will just be us two talking about TV writing, things are already in the works to bring in great, knowledgeable guests with more direct experience to future topics we’ll cover.

What is Paper Team all about?

This is a podcast about television writing and becoming a TV writer.
It is for people like us–working their way into the business from the ground up–who aspire to be TV writers (whether drama or comedy).
It is also for everyone interested in the television industry and everything around it.

We’ll be alternating every episode between two threads vital to being a successful TV writer: the business side, and the writing side.

On the industry end, we’ll be discussing things like meeting people, networking, finding work, being an assistant, and the television business itself.

On the writing front, we’ll be tackling anything related to our craft. Writing TV pilots, TV specs, taking notes, structure, theme, working in a writers’ room, in a writing team, and much more.

If you have any thoughts, problems or comments, you can e-mail us directly: [email protected]
You can find both Paper Team members on Twitter:
Alex – @TVCalling
Nick – @_njwatson

Write on.

Bringing the TV Writers’ Room Process Home (PT06)

NEW: Get the episode cheat sheet on our Patreon!

Alex and Nick dig into why it’s important to maintain a consistent TV writing routine, and how you can mimic the same process from TV writers’ rooms into your own home.

It’s all about working through each individual (but vital) step of television writing, including inception, pitching, outlining, drafting and rewriting.

SHOWNOTES

Content

1 – Why you need to have a TV writing routine (00:27)
2 – Breaking down the TV writers’ room process (04:12)
3 – Inception (05:12)
4 – Background Processing (20:29)
5 – Pitching (21:44)
6 – Outlining (26:07)
7 – Drafting (36:48)
8 – Feedback and Rewriting (44:48)
Takeaways and Resources (53:37)

Links

Revenge and The Count of Monte Cristo
Master Class with Evan Daugherty (Snow White and the Huntsman)
Patent Trolling
Wikipedia’s Random Feature
Anuario Luis Herrera Solís
Apple Notes
Google Keep
Moleskine Notebook
The Man Who Makes Sense of Lost (Gregg Nations)
Interview with Bryan Cogman
Scrivener
Index cards in Final Draft
The TV Writer’s Workbook – Ellen Sandler
Alien shooting script
John Swartzwelder

Resources

Creative Spark with Dustin Lance Black (Video)
Inside the Breaking Bad writers’ room (Article)
Vince Gilligan on breaking a story in a writer’s room (Video)

If you enjoyed this episode (and others), please leave us an iTunes review and/or rating at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]