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Posts tagged as “Staffing”

Bringing the TV Writers’ Room Process Home (PT06)

NEW: Get the episode cheat sheet on our Patreon!

Alex and Nick dig into why it’s important to maintain a consistent TV writing routine, and how you can mimic the same process from TV writers’ rooms into your own home.

It’s all about working through each individual (but vital) step of television writing, including inception, pitching, outlining, drafting and rewriting.

SHOWNOTES

Content

1 – Why you need to have a TV writing routine (00:27)
2 – Breaking down the TV writers’ room process (04:12)
3 – Inception (05:12)
4 – Background Processing (20:29)
5 – Pitching (21:44)
6 – Outlining (26:07)
7 – Drafting (36:48)
8 – Feedback and Rewriting (44:48)
Takeaways and Resources (53:37)

Links

Revenge and The Count of Monte Cristo
Master Class with Evan Daugherty (Snow White and the Huntsman)
Patent Trolling
Wikipedia’s Random Feature
Anuario Luis Herrera Solís
Apple Notes
Google Keep
Moleskine Notebook
The Man Who Makes Sense of Lost (Gregg Nations)
Interview with Bryan Cogman
Scrivener
Index cards in Final Draft
The TV Writer’s Workbook – Ellen Sandler
Alien shooting script
John Swartzwelder

Resources

Creative Spark with Dustin Lance Black (Video)
Inside the Breaking Bad writers’ room (Article)
Vince Gilligan on breaking a story in a writer’s room (Video)

If you enjoyed this episode (and others), please leave us an iTunes review and/or rating at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Spec v. Pilot: What You Should Be Writing Next (PT04)

Alex and Nick discuss the differences and implications between writing a television spec episode and a television spec pilot. Which script should you choose to write as your next sample? Whether it’s your first teleplay, you want to apply to the fellowships, or you’re trying to build a portfolio to get representation, the Paper Team has got you covered.

SHOWNOTES

Content

1 – Defining what “spec script” and “spec pilot” mean (00:28)
2 – The goals of writing a TV spec script or a spec pilot (02:33)
3 – Why and how spec scripts and pilots are read (10:13)
4 – Deciding what your next writing sample should be (17:13)
Takeaways and Resources (29:40)

Links

What is the difference between a “spec script” and a “spec pilot”?
Star Trek: Terran
Stargate SG-1 – “The Other Guys”

Resources

Writing the TV Drama Series – Pamela Douglas
The TV Writer’s Workbook – Ellen Sandler

TV Calling’s TV Spec Course mentioned in the episode is almost ready.
Be prepared by taking our free PDF Spec Test!

If you enjoyed this episode (and others), please leave us an iTunes review and/or rating at paperteam.co/itunes! :)

You can find Paper Team on Twitter:
Alex@TVCalling
Nick@_njwatson
If you have any questions, comments or feedback, you can e-mail us: [email protected]

Josh Friedman’s tips for your new writers’ room

With upfronts over, and staffing concluded, a lot of TV writers are now joining their new writers’ room. Those first few days are much like landing in a new school, albeit with even more unsaid rules.

Fortunately for us, Josh Friedman (from the great Terminator: The Sarah Connor Chronicles) decided to tweet yesterday morning some advice.

Here are the dozen tweets for posterity (plus bonus Survivor reference):

Write on.

(If you’re curious, the featured picture above is from the Arrested Development Season 4 writers’ room.)