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Posts tagged as “ABC”

TV Writing Fellowships: The Big Six

UPDATED FOR 2024

We all know that staffing season is right around the corner, but a great way to learn more about the TV writing industry while simultaneously get a major push in “breaking into it” is by getting selected into one of the main TV writing fellowships (AKA diversity writers program) out there (not just using TV writing contests). It’s also the number one answer when it comes to “how to get into writing for television”. Many TV studios that have writing programs in English provide aspiring writers with valuable opportunities to develop their skills and gain industry experience.

Although several lists of TV fellowships have been posted here and there, I didn’t find an exhaustive one listing both the current application requirements for 2024, as well as the correct submission period (plus other info like eligibility, number of fellows selected, etc.). So here is one.

For future reference, I have also included screenwriting fellowships whose deadlines have already past.
Note that the listed application requirements for the studio writing programs exclude the obvious signed agreements/application forms that must always be completed. In addition, I did not include the physical details of the submission process such as number of copies of scripts required, shipping address, etc. (all of it can be found on the official page of the programs).

CBS Writers Mentoring Program

NEW: Learn all about the CBS Writers Mentoring Program from its supervisor!
CBS Mentoring Program
Application Webpage
The focus of this six month program is on opening doors: providing opportunities to build relationships with network executives and show runners; to support new and emerging writers in their efforts to improve their craft; and to develop the interpersonal skills necessary to break in and succeed.
The Writers Mentoring Program (or CBS Writing Fellowship and CBS Diversity Program) is not employment and there is no monetary compensation. It is, instead, a structured program of career development, support, and personal access to executives and decision-making processes, with the goal of preparing aspiring writers for later employment opportunities in television.
Each participant will be teamed with two different mentors.
One is a show mentor who is a senior-level writer on a current CBS drama or comedy series. This relationship builds over the course of the Program and is focused on helping the participant with creative feedback on their writing as well as help and advice on career goals.
The other is a CBS network or studio executive with whom they will meet on a regular basis, to discuss their work, get creative feedback on their material and get advice and support in furthering their career.
Once a week, participants will be invited to attend a small workshop-style meeting with various CBS show runners and other industry professionals. Speakers include executive producers, agents, managers, development and current executives and others. The purpose of these gatherings is for participants to gain a better understanding of how the business works from many different perspectives as well as creating the opportunity to make critical networking connections.
It’s been found that in order to derive the greatest benefit from the Program, participants should be available to 1) attend a once a week (evening) workshop and 2) attend meetings or observe in various situations for a minimum of five full days (not necessarily in sequence) over the course of the six-month Program.
Number of applicants selected: Up to 10
Submission period: April 1, 2024 – May 1, 2024
Dates of program: October 2024 – April 2025
Eligibility: The primary focus of The CBS Diversity Institute’s Writers Mentoring Program is to provide access and opportunities for talented and motivated diverse writers with a focus on writers of color. Aspiring diverse writers with a strong desire to write for CBS television series are encouraged to apply. You must be 21 or older to be eligible.
Application requirements:
– One half-hour or hour spec script based on a primetime network, cable or online series that aired new episodes during the 2023-2024 season
– One original work of writing (original pilot, screenplay, stage play, short fiction story). The original sample should be similar in tone to the spec sample.
– Current resume or short biographical summary
– Letter of interest
Cost: Free

Walt Disney Entertainment Writing Program (FKA Disney Television Writing Program and Disney/ABC TV Writing Program)

NEW: Learn all about the Disney ABC Writing Program from its supervisor!
ABC Writing Program
Application Webpage
The Walt Disney Entertainment Writing Program (formerly known as the Disney Television Writing Program, and informally known as the Disney writing fellowship or Disney ABC TV Writing Program) is designed to expose aspiring writers to key executives, producers and literary representatives – all essential in the pursuit of a writing career. Additionally, while in the program, writers have the opportunity to work one-on-one with a current programming or development executive to create spec scripts of series from the current broadcast season. The ultimate goal of the ABC Writing Fellowship is to prepare and nurture the writers for a professional writing career.
Number of applicants selected: Up to 8
Submission period: May 1, 2024 – June 3, 2024 (11:59 PM PST deadline)
Dates of program: January 2025 – January 2026
Eligibility: Applicants must be at least 18 years old and have US employment eligibility. Prior professional work experience in the entertainment industry is recommended. Post college experience preferred. Although one completed script is required for consideration, the ideal candidates should have a body of work consisting of no less than two spec scripts and at least one original sample. If candidate advances to final stages of interview process, the review of additional scripts and referrals from working entertainment industry professionals will be required.
Application requirements:
– Two original pilot scripts that capture the writer’s unique tone, style and point of view. They must be live-action content; animation samples of any form are not accepted. The samples should also tonally translate to the type of programming broadcast on WDT.
– Current resume
– An autobiographical summary
– An essay reflecting “the applicant’s unique life experiences and personal stories which will demonstrate the writer’s ability to make distinct contributions to a writers’ room.”
– (optional) Letters of recommendation from entertainment industry professionals. The letters must be written on your behalf by working entertainment industry professionals who can discuss your potential as a professional television staff writer.
Cost: Free

FOX Writers Lab

NOTE: It is still TBD if the Fox Writers Lab will have a 2024 edition.
Fox Writers Lab
Application Webpage
Writers selected for the FOX Writers Lab (FKA FOX Diversity Writer’s Initiative) will receive feedback and guidance on their scripts through interactive “master classes” and will engage in guest speaker sessions with experienced writers, showrunners and directors. Upon successful completion of the program, participants will receive priority staffing meetings for the established Fox Writers Lab Staff Writer position on Fox entertainment productions.
Number of applicants selected: Up to 8
Submission period: Strong possibility that there isn’t a 2024 edition of the Fox Writers Lab.
Eligibility: FWL is for emerging writers and/or previously staffed, produced, or published writers who have a strong command of their craft and who are deeply committed to pursuing or sustaining a professional writing career. Writers who have had pilots produced are not eligible to apply.
Application requirements:
– One original thirty-minute or one-hour comedy or drama pilot television script
– Three original loglines for additional projects
– Two letters of recommendation
– Personal statement
– Current resume
Cost: Free

NBC TV Writers Program (FKA NBC/Universal Writers on the Verge)

NEW: Learn all about the NBC Writers on the Verge program from its director!
Writers on the Verge
Application Webpage
The NBC Launch TV Writers Program (formerly known as NBC Writers on the Verge, or informally known as NBC Writers Program, NBC Writing Fellowship, NBC Fellowship Program) is a 12-week program focused on polishing writers and readying them for a staff writer position on a television series. The program will consist of two night classes, which will be held on Tuesdays and Thursdays (7-10pm), weekly at NBC in Universal City, CA. Once accepted, students must attend all classes and turn in all written assignments.
Classes concentrate on creating an exceptional spec script and understanding the dynamics of pitching oneself in the television industry. Writers are given the chance to interact with industry players ranging from network executives to showrunners to agents and receive valuable feedback on their work and pitch style. The NBC TV Writers Program is a prestigious initiative that provides aspiring writers with invaluable opportunities to learn and grow in the field.
Number of applicants selected: Up to 8
Submission period: May 1, 2024 – May 31, 2024 (11:59 PM PST deadline)
Dates of program: Late September 2024 – Mid-January 2025
Eligibility: Anybody can apply to the NBC Writers Fellowship. The program is especially looking for writers who are “almost there” but need that final bit of preparation with their writing and personal presentation skills. They particularly encourage writers of diverse backgrounds to apply.
Application requirements:
– One half-hour or hour spec script based on a primetime network, cable or online series that aired new episodes during the 2023-2024 season (on their accepted show list)
– Two short essay questions (provided when application goes live)
– Current resume
Cost: Free

Nickelodeon Writing Fellowship AKA Nickelodeon Writing Program

Nick Fellowship
Application Webpage
Operating in a three-phased structure, the Nick Fellowship provides a salaried position for up to one year and offers hands-on experience writing spec scripts and pitching story ideas in both live action and animation television.
This three-phased structure allows fellows an opportunity to nurture relationships with creators, network executives, line producers, head writers, showrunners and story editors.
As part of their script writing, each fellow will be assigned to an Executive in Charge of Production and have an opportunity to write a spec script for an on-air Nickelodeon show.
In addition, all fellows are integrated into the activities of both the development and production departments. This allows the fellows an opportunity to attend storyboard pitches, notes meetings, records, table reads, show pitches and show tapings, all while being exposed to top creators and key production crews. It’s one of the fellowships for writers with strong on-hand access to the production process (so more than just one of those TV writing workshops).
There are two creative avenues to pursue: the General Track (12-months) and the Preschool Track (6-months). The Preschool Track was created to develop writers specifically interested in writing and/or creating shows for the preschool demographic.
Number of applicants selected: Up to 4
Submission period: January 2, 2024 – January 31, 2024 (11:59PM PST deadline)
Dates of program: October 2024 – October 2025
Eligibility: Applicants must be at least 18 years old and have US employment eligibility.
Application requirements:
– One half-hour comedic spec script based on a primetime network, cable or online live-action or animation series that aired new episodes during the 2023-2024 season (the accepted show list for each track is listed on their website)
– Current resume
– Short biography (500 words or less)
– Two essay questions (each 75 words or less)
Cost: Free

WB Writers’ Workshop

NEW: Learn all about the Warner Bros. Writers’ Workshop from its director!
WB Writers Workshop
Application Webpage
The Warner Bros. Television Writers’ Workshop (or WB Writing Fellowship) consists of three components, all geared towards preparing the writer for a successful career in television writing.
Lectures: Weekly lectures feature guest speakers currently working in television and include a mix of showrunners, directors, actors and agents. Each seminar will teach a new skill essential for surviving and excelling in a writers’ room as a staff writer and beyond.
Simulated Writers’ Room: After the lectures, the Workshop participants are divided into smaller groups for an intensive writing experience. Each participant will be required to complete a new spec script under the same deadlines found on a show currently in production. How participants perform during this exercise will determine whether they will be chosen for a possible staffing position on a Warner Bros. show.
Staffing: Upon completion of the program, Studio executives will help participants, who pass the Writers’ Room, obtain a staff position on a Warner Bros. television show currently in production. We can’t guarantee you will get staffed, but we will get your material in front of the people who make the ultimate decisions – the showrunners.
Number of applicants selected: Up to 10
Submission period: May 1, 2024 – May 31, 2024 (11:59 PM PST deadline)
Dates of program: October 2024 – March 2025
Eligibility: Applicants must have US employment eligibility.
Application requirements:
– One half-hour or hour spec script based on a primetime network, cable or online series that aired new episodes during the 2023-2024 season. (The specced TV show must be listed on their official website.) Applicants may submit up to two specs.
– Current resume
– A one-page composition telling “why you want to be a television writer and how your background will add a unique perspective to television”
Cost: Free

Drama Spec Script 2011 – What is hot and what is not


UPDATED:
A brand new 2019 list has been posted.
Click here to access it.

It is now time to review which current dramas are good to spec, and which are not.
A sample script is provided (when available) with the corresponding show.

Let’s do another quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

And here we go.

Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

CSI/Criminal Minds/Law & Order/The Closer (CBS/NBC/TNT)
Type: Police procedurals
Move along folks, nothing to see here.
Longevity: ★★★★ – If you’re really thinking of speccing these, you’re pretty much five years too late.

Dexter (Sho)
Type: Serialized crime drama
Once upon a time, Dexter was a clear favorite. Now however, the show has past its expiration date for specs.
Longevity: ★★★★★ – Since every season reinvents the show (in an interesting or bad way), it’s never good to put one’s spec stories to the test like that.

Grey’s Anatomy/Private Practice/House (ABC/FOX)
Type: Medical procedurals
Honestly, there’s just no real point in crafting a brand new spec for one of these three.
Longevity: ★★★★★ – Shockingly, they’re all getting another season. Doesn’t mean it’s a good sign.

Mad Men (AMC)
Type: Serialized historical drama
Putting Mad Men as over-specced may once again ruffle a few feathers, but if you know what’s good for you then you’re pretty much aware already that this won’t be an original choice.
Longevity: ★★★★★ – Although there’s a very low risk of AMC ending its flagship drama, treading on serialized plotlines is virtually impossible to avoid.

Mainstream
The current and new widespread shows in town that are getting read.

Bones/Castle (FOX/ABC)
Type: Light police procedural
Bones still has a year or two ahead of it, while Castle joins the mainstream list by becoming the go-to light police procedural specced.
Longevity: ★★★★ – Both are going strong and the ‘case of the week’ format is a proven crowd-pleaser.

Breaking Bad (AMC)
Type: Serialized character/family drama
The show continues to grow in fame and is probably reaching its peak, which means this might one of the last mainstream years for it.
Longevity: ★★★★★ – The problem isn’t that the show won’t get renewed (it will), it is its serialized aspect. I’ll slow-clap anyone who successfully specs a stand-alone episode of Breaking Bad.

Chuck (NBC)
Type: Light spy/action procedural
Everybody loves Chuck. Sadly this means that it is pretty much on the verge of being over-specced.
Longevity: ★★★★★ – Definitely not as much on the bubble as a couple of seasons ago.

Fringe (FOX)
Type: Police/Science-fiction procedural
The number one science-fiction show specced presently (mainly because there aren’t so many out there). Fringe is a strong option, although…
Longevity: ★★★★★ – …you already know how “on the bubble” this show is, so I’d probably wait to see what FOX choses to do with it.

Glee (FOX)
Type: Light serialized high-school dramedy
As predicted, last year’s major Wild Card is now on top of the Mainstream pile. Still a very hard show to spec mainly because of its atypical world. Also might not be the greatest way to showcase your talent given that a third of the script will probably end up being music lyrics.
Longevity: ★★★★ – It’s always a good bet to spec the number one show on television, right? Be careful when juggling with all the soap elements (they might give you a headache).

The Good Wife (CBS)
Type: Legal procedural
Jumping from Outsider to Mainstream is no easy task, but The Good Wife has proven times and times again these past few months its popularity. This is clearly a smart show to spec (watch out for the serialized elements).
Longevity: ★★★★ – Strong ratings and a great procedural/serial balance allows room for a potential spec.

Gossip Girl/90210 (The CW)
Type: Teen dramas
It’s not as if there’s an overwhelming array of teen dramas out there, right?
Longevity: ★★★★ – Never-ending.

The Mentalist (CBS)
Type: Police procedural
A new classic police procedural to spec. It’s hot all right.
Longevity: ★★★★★ – No need to double check, this one is safe.

NCIS:LA (CBS)
Type: Police/Action procedural
Last year it was about to break big, this year it is big. Its older sister show would be proud.
Longevity: ★★★★★ – Another secure CBS procedural.

True Blood (HBO)
Type: Serialized fantasy drama
Somewhat common in the spec pile, despite its heavy reliance on the books’ mythology. Making a loner out of this one will prove difficult.
Longevity: ★★★★True Blood is a big success, but its stories are all over the place (i.e. it is hard to find a status quo to base a spec on).

Wild Cards
Not quite fully widespread but will get there given the chance.

Boardwalk Empire/Treme (HBO)
Type: Serialized historical drama
Now those are hard shows to spec. If you think you can make a Mad Men or even a True Blood spec work, I’d recommend taking a gander at these two first. Especially Boardwalk Empire (which definitely has a lot of potential).
Longevity: ★★★★ – With all the acclaim, it’s no wonder HBO is keeping both series tightly where they are.

Hawaii Five-0 (CBS)
Type: Police/Action procedural
Like NCIS:LA last year, this is undoubtedly the breakout procedural hit of the season, which is sure to become Mainstream real fast.
Longevity: ★★★★★ – Hit show, clear-cut formula and procedural aspect leads to a long spec life.

Justified (FX)
Type: Police procedural
A critical darling and great numbers means Justified is getting hotter by the second. It will probably enter Mainstream land by next season.
Longevity: ★★★★ – The show that keeps on giving (certainly for FX).

Leverage (TNT)
Type: Light heist/con/action procedural
With its fourth season about to debut, Leverage is becoming more popular and the series has matured enough that it’s an almost-perfect light action/heist procedural to spec.
Longevity: ★★★★ – Finding a solid con that stays unused by the show might prove tricky.

Nikita (The CW)
Type: Action procedural
It’s CW, meaning it’s not that watched, although it also means not that many people are speccing it.
Longevity: ★★★★ – It is doubtful the network will let this one go seeing as it’s one of their only (relative) hit.

Parenthood (NBC)
Type: Serialized family drama
Speccing this one last season was pretty much a gamble, but since the first year has passed and storylines are settling, it might be an interesting choice.
Longevity: ★★★★★ – Solid numbers indicate renewal, but can you make the family stories work?

Sons of Anarchy (FX)
Type: Serialized ensemble drama
Sure, Sons of Anarchy is FX’s most popular show, yet its extremely serialized aspect makes it very difficult to write for. If you can make it work, go for it.
Longevity: ★★★★★ – Storylines are shaking up every season so it might be tough to keep an SOA spec current.

The Walking Dead (AMC)
Type: Ensemble/horror drama
If a surprise hit was made last year, this is the one. The enormous success of the show and its amazing potential makes it destined for great spec material.
Longevity: ★★★★ – Great news for potential speccers (not for viewers): The Walking Dead has obviously abandoned the comics’ serialized nature for a more procedural-like aspect.



Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Burn Notice/Psych (USA)
Type: Light action and crime procedurals
On the limit of being over-specced if only for the fact that they never were mainstream.
Longevity: ★★★★★ – They are both nearing their death bed (even if it’s still a couple of seasons away).

Eureka/Warehouse 13 (Syfy)
Type: Science-fiction procedurals
With Fringe winding down and Stargate: Universe gone, those two are almost the only science-fiction options out there. They are still strong spec shows all around.
Longevity: ★★★★★ – Original stories might be harder to find, especially with Eureka, entering its fifth season already.

Southland (TNT)
Type: Police procedural
Southland is definitely getting more traction with its third season and it’s one of the only cop dramas right now with a real grittiness to it.
Longevity: ★★★★★ – Renewal beyond the current season is still pretty much on the line given the substantial budget cuts needed.

White Collar (USA)
Type: Light crime procedural
White Collar continues to be the dark horse among light procedurals. Undeniably, the show is still continuing to grow in demand.
Longevity: ★★★★ – Pretty much a success for USA’s standards and a perfect candidate for a more atypical spec show.

Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

Blue Bloods (CBS)
Type: Police/family drama
It was a surprise Friday-night hit for CBS, which might make Blue Bloods an interesting spec choice, yet this might still be too unknown.
Longevity: ★★★★★ – It worked for Fridays but not for Wednesdays, so it’s still a toss-up regarding its renewal.

The Chicago Code/Harry’s Law (FOX/NBC)
Type: Police procedural/Legal procedural
Come on, you want to spec this one already? Too soon.
Longevity: ★★★★★ – Chances are Chicago Code is getting the boot sadly. Harry’s Law meanwhile will probably live to see another season.

Forty shows are listed this year and, like last season, a few trends can be observed.

The basic cable market has never been stronger with a big presence by AMC, FX, Syfy, USA and TNT.
On the premium side, beyond the symbolic Dexter presence, Showtime is still pretty much absent from the list due to the lack of dramas. HBO meanwhile is slowly rebuilding its “epic TV” brand (I’m sure Games of Throne will pop up on the list next year).
Network-wise, CBS is still the procedural king, although FOX and ABC are recouping the field with lighter dramas, while NBC is virtually MIA.

Unsurprisingly, a vast majority of the top shows are procedurals with light character serialization. They are the ones which offer a wide range of storylines without compromising the status quo.
Interestingly enough though, the harder shows to spec (relying on more complex mythologies and serialized plots) are still considered attractive. They are indeed a great platform to showcase more in-depth writing skills, but they come at the price of spec longevity.

The bottom line is the same as usual: select a show that reflects your voice, your aspirations, and what you like.
The choice is yours.

Click here for the Comedy Spec Script list.

Comedy Spec Script 2011 – What is hot and what is not


UPDATED:
A brand new 2019 list has been posted.
Click here to access it.



Like every year, it is now time to review which TV shows are good to spec, and which are not.
Dedicated posts will be made respectively for the best comedies (half-hour) and the best dramas (one-hour).
In addition, you’ll also find (when available) a script for the corresponding show.

Here is a quick recap of how the list works:
The shows are divided into five categories regarding their appeal to readers and how well they are known/read:
Over-specced (shows that have passed their prime, try to avoid doing them)
Mainstream (shows that have matured enough that they have become on-the-nose speccers–and a lot of people are speccing them)
Wild Cards (soon, everyone will spec those, maybe you can get a head start)
Outsiders (specs that will get you out from the pack)
Gamblers (risky shows that could pay off, or bomb)

There is also a grade regarding the show’s longevity in relation to its speccability.
Meaning, how long can you keep your spec script fresh without having to throw it in the trash?
To do this, we will use the greatest grading system on Earth; stars:
★★★★★ – Excellent
★★★★ – Very Good
★★★★★ – Average
★★★★★ – Fair
★★★★ – Poor

Let’s get started.

Over-Specced
Re-tool your spec if you have one, but you probably shouldn’t bother beginning a new one for these shows.

30 Rock (NBC)
Although still extremely popular, people have fallen somewhat out of love with it. And since so many people are doing it, it’s tough to stand out from the pack with this one.
Longevity: ★★★★★ – Sure, the series will probably continue for another couple of seasons, but do you honestly think your new 30 Rock idea won’t become stale fast?

Entourage (HBO)
Finding a fresh and original spec idea for a seven-year-old series about Hollywood is, to put it bluntly, mission impossible.
Longevity: ★★★★ – It’s the final season of the show, so you should probably cash in on your Entourage spec now if you have one. Otherwise, don’t bother starting a new one.

How I Met Your Mother (CBS)
I called last year as the last one HIMYM would be considered mainstream, and beyond the recent two-season pick-up, I stand by my words. The show will enter its 7th season next fall, which pretty much means that, regarding original ideas, it has used most of them.
Longevity: ★★★★★ – Still a good training ground as far as faux multi-cam sitcoms go, but as a realistic spec candidate, it really isn’t.

It’s Always Sunny in Philadelphia (FX)
Seven seasons. Need I say more?
Longevity: ★★★★★ – As underlined last year, FX is in the process of renewing its comedy slate, and though it might live on for a few more seasons. There are only so many stories out there.

The Office (NBC)
Stale is the word. Plus, with Steve Carell departing the series by season’s end, the final nail in the show’s spec-coffin has been hit on the head.
Longevity: ★★★★★ – Guessing whether NBC cancels The Office sans-Carell next season is a pretty big gamble, but in either case, chances are that with all the changes coming up, any continuity in a spec would be severely compromised.

Two and a Half Men (CBS)
One thing’s for sure: you’re not gonna win by speccing this show.
Longevity: ★★★★ – Two words: Charlie. Sheen.

Weeds (Sho)
Once upon a time, Weeds was set in Agrestic where spec stories could be found. Now? No inherent world, no dice.
Longevity: ★★★★ – The upcoming season is probably going to be the last.

Mainstream
The current and new widespread shows in town that are getting read.

The Big Bang Theory (CBS)
This is the ultimate hot multi-cam right now, and with Jim Parsons winning his Emmy, the peak has been reached.
Longevity: ★★★★★ – If you want to spec a classic sitcom hit, your choice has been made.

Community (NBC)
Much debate is made about the viability of a Community spec. Is it too much on the bubble? Is it too meta?
The bottom line is that, despite lukewarm ratings, the show is highly regarded, and not solely for its writing (which is a great way to test your chops). As for the meta elements, they’re a great way to be intelligent without being too clever (it’s a fine line, so be careful). Plus, it was just renewed for a third season.
Longevity: ★★★★ – The parody aspect of the show is already feeling tired for some, but if you can make it work, Community is probably meant for you. The introduction of several serialized elements on the show this season might throw a wrench in the spec-works though.

Modern Family (ABC)
As predicted, Modern Family has matured enough that it is now among the reigning comedies being specced. The recent wave of family comedies currently in development proves once again the giant success the show is. Can I call it a phenomenon?
Longevity: ★★★★ – Two seasons in, still a hit, and everyone trying to copy the formula. Yup, I’d say the show is safe for now. The stand-alone aspect of it is also perfect for long-term spec viability.

Parks and Recreation (NBC)
Not only is it becoming increasingly popular, but Parks & Rec has become even fresher (and better?) with the introduction of Rob Lowe and Adam Scott in the regular cast. New dynamics all around.
Longevity: ★★★★ – It’s almost as if a second life has been given to the show.

The United States of Tara (Sho)
A respected half-hour dramedy that has matured enough to warrant a more mainstream demand.
Longevity: ★★★★★ – Showtime isn’t letting go of its strongest Weeds replacement anytime soon.

Wild Cards
Not quite fully widespread but will get there given the chance.

Eastbound & Down (HBO)
Why has Eastbown jumped from being considered a Gambler to a Wild Card? Well for one, it has garnered a lot of steam recently, in every aspect. In addition, its atypical humor has definitely piqued the curiosity of a lot of people, meaning it is fast approaching its apex.
Longevity: ★★★★★ – Conflicting reports indicate that the show’s upcoming third season may, or may not, be its last. Tread carefully.

Raising Hope (FOX)
If there’s one live-action hit comedy on FOX, this is it. If you’re into blue-collar atypical family comedies, Raising Hope is probably a good choice. Given its ratings, the show will undoubtedly get bigger next season, not only on TV but also in the spec world.
Longevity: ★★★★ – Already renewed for second season which bodes well for the future of the series.

Outsiders
The shows (mostly cable) you may be tempted to take a risk on, getting you on top of the reading pile. Beyond that, it depends on the willingness of the reader and his/her knowledge of the show. Who knows, maybe the showrunner is into less popular shows and will value your risk-taking.

Archer (FX)
Becoming somewhat of a cult hit, although not that watched. The fact that it’s animation makes it even more of a challenge.
Longevity: ★★★★★ – The originality factor is strong with this one.

Cougar Town/The Middle (ABC)
Despite going into their third season next fall, Cougar Town and The Middle can still be considered Outsiders simply because of the low amount of specs made based on them. After all, both are still not that mainstream.
Longevity: ★★★★ – Recently renewed, decent ratings and still a lot of storyline potential.

Nurse Jackie (Sho)
The show is popular, but not like its counterpart, The United States of Tara. The recent award recognitions put Jackie a little more on the map of some people.
Longevity: ★★★★ – Already three seasons and a surprise Emmy victory for Edie Falco should ensure a few more seasons. Its limited episode count also opens up the possibility to more unexplored storylines, or in other words, original spec ideas.

Bored to Death (HBO)
A somewhat underground series that could be hard to spec–or to have someone read.
Longevity: ★★★★★ – Solid cast and writing means it should stay on the air, but Bored to Death is a hit or miss show for most people. It won’t necessarily be gone soon but it’s definitely a tough nut to crack.

Hung (HBO)
Similarly to last year, Hung is still a somewhat awkward show to approach, not because of its stories (which now offer plenty of stand-alone opportunities), but mainly due to its lack of visibility.
Longevity: ★★★★★ – A third season on its way, although for some people the show is still considered on the bubble beyond that point. Who knows what kind of serialized shake-ups future episodes will bring.

Mike & Molly (CBS)
Another classic multi-cam sitcom, although definitely not as widespread as Two and a Half Men or The Big Bang Theory, especially outside middle-America.
Longevity: ★★★★★ – If Chuck Lorre’s track-record is any indication, this will surely get renewed.

Gamblers
For one reason or another, these are much riskier specs to do right now. You have been warned.

The League (FX)
I thoroughly enjoy this show but it’s simply not that widespread (if at all). It is so unknown that no one really specs it, which might be something you’re looking for.
Longevity: ★★★★★ – The show was picked up for a third season two months ago, which pushes back a League spec’s death date another year.

The Life and Times of Tim (HBO)
Another (animated) comedy that I like with a huge spec potential, but sadly almost no one watches it.
Longevity: ★★★★★ – It was recently canceled and subsequently brought back from the dead by HBO. Needless to say, it’s a hazardous show to spec.

This year, FOX (re-)entered the spec market with a newcomer that is certain to make some noise in the following months, while NBC is almost dethroned in the comedy field by ABC (Modern Family is unstoppable). Next season is bound to see a lot of family comedies. Although still with a strong presence, both HBO and FX’s comedies continue to be mostly under-the-radar (the two networks being preferred for their dramas).
Meanwhile, single-cameras continue to overshadow almost entirely multi-cameras (save for Chuck Lorre’s ubiquitous presence). The shift is almost complete.

It’s a strong year for the comedy spec world. A wide array of options are available, so differentiate yourself, not only by the show you chose, but more importantly by your writing.

Click here for the Drama Spec Script list.